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Local students perform with Welsh Guards

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Fantastic performance: A video of the Welsh Guard playing in the evening

THE BAND OF THE WELSH GUARDS attended The Torch Theatre in Milford Haven today (Feb 6) for a special performance for schools across Pembrokeshire.

The Band gave a presentation in the afternoon to the students, and explained to them all of the fantastic places where they’ve had the opportunity to perform, such as The Queen’s Diamond Jubilee, The Royal Albert Hall and Will and Kate’s wedding.

After this, children from local schools enjoyed an hour-long performance by the Band of the Welsh Guards. However, it wasn’t just any performance. Skilled and talented young musicians joined them on stage to perform famous pieces from classical music to hit movie scores.

Before the musical afternoon began, the conductor said: “We have had the great pleasure of welcoming some young musicians from the local area. We’ve had a few rehearsals, but some of the music is very difficult.

“The students have done extremely well, and some are even sight reading.”

Kicking off the performance was the score of the Pirates of the Caribbean. This familiar music was performed so eloquently that it made the hair on the back of your neck stand on end. The students fit in perfectly with The Guards and didn’t miss a beat. So much so, that you would never be able to tell that there were any inexperienced musicians among them. Only their uniforms gave them away.

The score from The Pirates of the Caribbean is beautiful as it is, but played by The Welsh Guards, it lended itself excellently to the majestic sounds that comes with the band itself.

After the first performance, a loud applause erupted from the auditorium.

Next up was the famous pop song, Just Haven’t Met You Yet by the world class vocalist, Michael Buble. Buble’s music is often associated with orchestras and brass bands, and the popular singer has performed live with orchestras in the past.

It was played so beautifully, that you had to stop yourself from trying to sing the melody, which was instead being carried by the trumpets. The break however, was carried by the saxophone, which gave it an extremely romantic feel.

The percussionists at the back of the stage – Guards and students alike – moved around and swapped instruments periodically, showing how dynamic and versatile their musical talents truly are.

A solo performance by Welsh Guard, Davey Jones was up next, who played a 1920s piece, Robin Harry on the xylophone and the vibraphone, accompanied by the band. The imagery created by this piece sent your mind reeling off into thoughts and memories of watching Charlie Chaplin’s famous silent movies.

Using four mallets toward the end of the piece, this enabled Jones to play four notes at once, in order to create chords and harmonies.

After this solo performance, it was time for a bit of fun. The conductor addressed the room, and explained that up next would be a solo performance from Sergeant Dan Evans on he post-horn.

He said: “When the post carriage would come into town, the men on the back of the carriage would sound their horn to inform them that their post had arrived.”

He added: “We were supposed to have two, but the other played has forgotten his and left it in London.”

A bow of shame was performed by the musician who had sadly forgotten his post-horn, and he took his place at the front of the stage, making his way there on crutches. The conductor explained that unfortunately, he has injured his leg since being in Pembrokeshire.

After a huge amount of sympathy given by the audience members, he sat in his chair while Sgt Evans played The Huntsman.

However, minutes into the performance, a fellow guard appeared with what seemed to be a metal tea pot. It was then to our surprise, that he joined in with Sergeant Evans, and began playing The Hunstman.

His next brilliant idea, was to take the mouth piece he had produced from his pocket, and places it on the end of his crutch. And – you guessed it – he started playing that too!

With laughter from the children in the audience, this spurred him on to go a step further. He took the chair he had been sitting on, placed the mouth piece on the end of a leg and began to play that, too.

It was after this fun performance that they decided to get back to business, and performed heir rendition of an ABBA medley they like to call ‘ABBA Gold’, which consisted of popular favourites, Dancing Queen, Mamma Mia, Fernando and The Winner Takes It All.

Finally, the audience were treated to a rendition of Tocatta in D minor by Johann Sebastian Bach – but with a “twist!”

This extremely famous piece of music was performed traditionally to begin with, when it suddenly was accompanied with fantastically accomplished upbeat percussion.

Just when everybody thought it was time to go, the Band agreed to perform one more piece on one condition. The children in the audience agreed immediately without asking what the condition was, whereas the adults in the room weren’t quite so eager to agree before hearing what the bargain was!

The condition in actual fact, was no problem at all. The Band agreed to play Uptown Funk by world class Bruno Mars, on the condition that everybody gets out of their seats, sings along and has a dance. And so, they did! Adults and children alike all joined in, clapping, singing and dancing in their seats.

Before the close of their show, the band thanked the schools for attending the concert, and said they had been “bowled over” by the standard of the young musicians who had joined them on stage.

The Band of the Welsh Guard will play again this evening (Feb 6) at the Torch Theatre, Milford Haven.

 

Community

50s women threaten legal action over pension compensation refusal

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Campaigners say government decision ‘irrational and unlawful’ as ministers defend position

WOMEN born in the 1950s are threatening a Judicial Review after the UK Government refused to introduce a compensation scheme for those affected by changes to the State Pension age.

Campaign groups representing thousands of women across Wales say the decision by the Secretary of State for Work and Pensions is “legally flawed and procedurally unsafe”, arguing that ministers have relied on incomplete evidence while ignoring long-standing claims of maladministration and discrimination.

But the UK Government maintains that, while mistakes were made in communication, there is insufficient evidence that most women suffered direct financial loss as a result.

The row centres on the long-running dispute over changes to the State Pension age, which saw the retirement age for women rise from sixty to sixty-six, bringing it into line with men. Many women say they were given little or no notice, leaving them unable to plan financially.

Ombudsman findings

In 2024, the Parliamentary and Health Service Ombudsman (PHSO) concluded that the Department for Work and Pensions (DWP) was guilty of maladministration in how it communicated the changes.

The Ombudsman recommended compensation, suggesting payments could range from £1,000 to nearly £3,000 depending on impact.

However, in December, Paymaster General Pat McFadden MP said the Government would not implement a blanket compensation scheme, arguing that evidence did not show widespread financial injustice directly caused by the communication failures.

Campaigners say that stance is wrong in law.

‘Not new evidence’

Groups including 1950s Women of Wales & Beyond, 50s Women United, and Pension Partners for Justice claim ministers relied on what they described as “new evidence” to justify rejecting compensation.

They argue the material had already been available for years and therefore provides “no lawful basis” to overturn the Ombudsman’s conclusions.

In a statement, a spokesperson said: “To accept maladministration while denying financial loss is internally inconsistent.

“The Department’s failure deprived women of the opportunity to make informed decisions about retirement. Many incurred real, quantifiable losses – from depleted savings to forced early retirement and reliance on benefits.”

Campaigners also claim key testimony from former DWP ministers was omitted from the Ombudsman investigation, and that evidence of discrimination was not fully considered.

They say relying on what they call an “incomplete and selective report” leaves the Government open to legal challenge.

Political pressure in Wales

The issue has also been raised in the Senedd.

Plaid Cymru Deputy Leader Delyth Jewell MS recently pressed Welsh ministers to back affected women and push for engagement with campaigners.

Organiser Jackie Gilderdale said many Welsh women feel excluded from discussions.

“This campaign is not a brand or a limited company – it is real women whose lives were turned upside down,” she said.

“We don’t want another court battle. We want dialogue and a political solution. But if the door remains closed, Judicial Review remains an option.”

A petition calling for structured mediation between government and representative groups has already gathered more than 34,000 signatures.

Government position

The UK Government has previously said that most women were aware of the changes and that modelling showed limited evidence of widespread direct financial loss caused solely by communication failures.

Ministers have also pointed to the overall cost of compensation, which could run into billions of pounds.

Public law experts note that while maladministration findings are serious, compensation is not automatic and governments retain discretion over how – or whether – to implement financial redress.

Long-running dispute

The dispute has been ongoing for more than a decade and has become one of the most persistent pension justice campaigns in the UK.

Women’s groups argue many lost up to six years of expected pension income, with some estimating personal losses of tens of thousands of pounds.

Successive governments, however, have resisted calls for mass compensation, saying equalising the pension age was necessary for fairness and sustainability of the system.

For many campaigners, the fight is far from over.

“We are not going away,” the groups said.

 

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Education

Funding axe falls on Welsh digital education scheme as £1.4m handed to English uni

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Face-to-face training replaced with online resources in decision branded a ‘slap in the face’ for Wales

A LONG-RUNNING Welsh digital education programme that has trained thousands of teachers and pupils every year is facing an uncertain future after Welsh Government funding was cut and redirected to an English university.

Technocamps, a Swansea University-based project which has operated across Wales for twenty-two years, has described the decision as a major blow to digital skills development, with staff already losing jobs and schools left without in-person support.

Instead of renewing Technocamps’ funding, ministers have awarded £1.4 million under the Curriculum for Wales Grant Support Programme to the University of York to deliver mainly online learning resources, with only limited face-to-face sessions in what are described as “priority areas”.

Critics say the move risks replacing hands-on, bilingual classroom support with generic remote materials.

Each year Technocamps provides direct training to more than 900 teachers and delivers workshops to over 30,000 young people in schools across Wales, working face-to-face with pupils to improve coding, computing and digital literacy.

The programme has been widely credited with helping schools meet the growing demands of the Curriculum for Wales and tackling shortages in specialist computing skills.

‘Bitter disappointment’

Plaid Cymru MS Sioned Williams, who represents South Wales West, said she had met the Technocamps team again this month and would be writing to the Cabinet Secretary for Education seeking answers.

She said: “The necessity of good quality, face-to-face digital skills training has never been more important in this digital age.

“I’ve seen firsthand how engaging and effective a Technocamps workshop is and what makes this programme so great is that it is made in Wales, delivered bilingually through our network of universities and is able to reach every school and teacher.

“That’s why the news that Welsh Government has cut funding is so bitterly disappointing.

“At a time when Welsh universities are in financial crisis, it’s an additional slap in the face that what little funding has been allocated has gone to a university in England.”

Jobs lost across Wales

Beti Williams MBE, the programme’s founder and patron, said the funding decision had already resulted in redundancies.

She said: “The end of Technocamps funding has led to the unemployment of teacher trainers at universities across Wales, leaving nearly 1,000 school teachers who rely on our bespoke in-person training and support in limbo.

“Replacing Technocamps with predominantly standard online courses is an insult to Welsh universities. Online courses, of which there is unlimited choice, offer nothing to struggling teachers who rely on tailored, face-to-face help.”

A petition calling for funding to be restored has gathered more than 4,000 signatures and is now being considered by the Senedd Petitions Committee.

Questions over value for money

The decision has also raised questions about value for money.

According to supporters, the £1.4m grant awarded to York is almost double Technocamps’ previous annual funding, yet delivers fewer in-person services.

There are also concerns that only seven per cent of the wider Curriculum for Wales grant funding over the next three years is allocated to science and technology subjects.

Education campaigners warn that reducing practical support in computing and digital technology could widen skills gaps at a time when Wales is trying to attract high-tech industries and improve economic productivity.

Digital divide fears

Teachers have long argued that in-person training is essential, particularly for schools with limited IT expertise or rural connectivity challenges.

Technocamps staff say online-only provision risks leaving some schools behind.

Ms Williams added: “It’s so important that we keep this crucial skills and knowledge in Wales. The thought that we could lose this valuable resource makes no sense at a time when the need for digital competency has never been greater.”

Welsh Government has been asked to explain why the funding was awarded outside Wales and whether the impact on Welsh university jobs and school support was assessed before the decision was made.

 

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Entertainment

Turner and Constable brought to life on the big screen at the Torch Theatre

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ART lovers in Pembrokeshire will have the chance to experience the lives and rivalries of two of Britain’s greatest painters when a new documentary, EOS: Turner & Constable, arrives at the Torch Theatre this March.

Celebrating the 250th anniversary of their births, the film explores the intertwined stories and enduring legacies of J.M.W. Turner and John Constable alongside Tate Britain’s major new exhibition. Exhibition on Screen has been granted exclusive behind-the-scenes access, bringing their extraordinary art and personal histories vividly to the cinema screen.

Born just a year apart, Turner and Constable helped redefine landscape painting in Britain – and were fierce competitors. Both captured a nation in transition, yet their styles could not have been more different. Turner’s dramatic skies, blazing sunsets and atmospheric scenes from his travels contrasted sharply with Constable’s gentle, nostalgic portrayals of the English countryside and familiar rural life.

Their opposing visions divided critics and audiences alike, famously described at the time as a clash of “fire and water”.

The documentary offers rare, intimate access to sketchbooks, letters and personal artefacts, alongside insights from leading curators and art historians. It also ties in with Tate Britain’s landmark exhibition, running in London from November 2025 to April 2026, which reunites the two masters’ works side-by-side.

This cinematic event gives audiences the chance to see their masterpieces in stunning detail and discover unexpected sides to two artists whose rivalry shaped British art history.

Turner and Constable will be screened at the Torch Theatre on Sunday, March 15 at 4:30pm.

Tickets are £13. For bookings, visit www.torchtheatre.co.uk or call the Box Office on 01646 695267.

 

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