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The Pembrokeshire Murders: Episode 2 review

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TONIGHT, Tuesday January 12, sees the second episode of ITV’s 3-part adaptation of ‘The Pembrokeshire Murders’.
Episode 1 set the scene, it introduced you to all the characters, the situation and the sheer scale of the task ahead for Operation Ottawa.
Episode 2 picks up straight away, the news report seems to have rattled Keith Allen’s John Cooper who must sense that the net is closing in on him as he spends a lot of his time in the prison library reading up on DNA technologies used in criminal investigations.
Again we’re seeing that Cooper is as clever as he is manipulative and is still trying to scheme and plot his way out of trouble, even as he’s brought out of prison to be questioned by the team in Ammanford.

Operation Ottawa: the team that cracked the case in the new ITV drama

In many ways Episode 2 feels like John Cooper’s episode, obviously he’s the focus of all 3, but he’s a much bigger part of this episode and you truly get the sense of his slyness, his clear intellect and him acting purely out of self interest as his parole date nears.
After calling Andrew ‘dead to us’ in Episode 1, Episode 2 see’s John getting Pat to contact their son as John struggles to explain those pesky khaki shorts.
As mother and son are reunited, all hope Andrew had of being able to help his mum…sorry, ‘mam’ are instantly washed away as Pat keeps on questioning Andrew about those shorts. It’s clear to Andrew that Pat is still singing from John Cooper’s hymn sheet and getting Andrew over wasn’t for a touching reunion, it wasn’t just for tea and toast with jam, it was because John Cooper said so.
Oliver Ryan’s chat with his mum is a powerful scene, you begin to really see how much it’s messed up Andrew and how alone he truly is without his family, mainly his mum. But Pat is too involved, too wound up in Cooper’s lies to walk away, even with John Cooper expected home imminently. Oliver Ryan’s performance in this scene alone is one of the most powerful scenes in the entire series and deserves a special mention for another great acting performance in a series chocked full of them.
Elsewhere in the episode, Operation Ottawa are closer to Cooper than ever before but are no closer to proving his guilt as they burn through the budget re-testing items from Operation Huntsman.
Keith Allen’s chillingly cold performance, especially as he throws his son under-the-bus, is captivating to watch, his accent continues to waiver but just ignore it, what you’re seeing here is an animal penned in, Cooper is running out of moves to make so painting his son as the villain is the only way he can continue to try and squirm out of the grip of justice.
Alexandria Riley’s ballsy Ella Richards inspires the anger in Cooper that we’ve all heard so much about. Cooper may not appreciate female intellect, but that short-sighted, ridiculous way of thinking is so very nearly his undoing. You see that rage build as she confronts him and that encounter alone left me feeling that Cooper was ready to snap at any time especially when Richards presents him with another pair of glasses. Truly chilling stuff from Allen.
Luke Evans meeting with Andrew Cooper is another perfect scene that starts to build the trust between Andrew and Wilkins. Inch perfect again from both of them, Andrew clearly starts to see that the only way to help his mum is to help the police cage John Cooper for good. But how?
As the episode nears its end, a chance pint in The Kings Arms changes everything and we get to see how Bullseye factors into the story for the first time. That coupled with the very last scene leaves the stakes high and time running out as we head into the third and final part of this adaptation with John Cooper free.
Another solid episode elevated above your run-of-the-mill police dramas by superb acting, a great story and stellar pacing that sets up the last part perfectly. 4/5

 

Entertainment

St Patrick’s night celebration at Giraldus Centre

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GET ready to celebrate St Patrick’s Day in style this Friday at the Giraldus Centre in Manorbier.

The community venue is hosting a lively evening of music, dancing and Irish-themed fun, with entertainment from popular local group The Slipway Ukes.

Doors open at 7:00pm on Friday (Mar 20), with free entry for all. A fully licensed bar will be open throughout the evening, serving drinks and snacks with an Irish twist.

Organisers are encouraging everyone to “unleash their inner leprechaun” and enjoy a night on the dance floor.

There is no need to book—just turn up and join in.

Donations on the night will be gratefully received in support of the Paul Sartori Foundation.

The event takes place at the Giraldus Centre, Manorbier, SA70 7TN.

 

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Met Opera’s Tristan und Isolde comes to the Torch Theatre

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Lise Davidsen leads star cast in Wagner’s epic tale of love and death in special cinema broadcast on Sunday (Mar 22)

AFTER years of anticipation, a truly unmissable event arrives in cinemas worldwide as the electrifying Lise Davidsen takes on one of the ultimate roles for dramatic soprano – the Irish princess Isolde – in Wagner’s transcendent meditation on love and death, Tristan und Isolde.

Heroic tenor Michael Spyres stars opposite Davidsen as the love-struck Tristan in what promises to be a powerful and emotionally charged performance.

The production also marks the arrival of a new staging at the Metropolitan Opera by Yuval Sharon, making his Met debut. Sharon has been hailed by The New York Times as “the most visionary opera director of his generation” and was the first American to direct an opera at the famous Wagner festival in Bayreuth.

Music Director Yannick Nézet-Séguin also leads Tristan und Isolde at the Met for the first time in this landmark production.

The cast includes mezzo-soprano Ekaterina Gubanova reprising her acclaimed portrayal of Brangäne, alongside bass-baritone Tomasz Konieczny as Kurwenal following his celebrated Met appearances in Wagner’s Der Fliegende Holländerand the Ring cycle. Bass-baritone Ryan Speedo Green makes an important role debut as King Marke.

Reviewing the production for The Observer, Fiona Maddocks described it as a “glorious production” and “well worth catching”, adding: “This was one of those rare and blissful nights when dropped jaws silenced noisy opinion in the queue for coats afterwards.”

The recorded broadcast of Tristan und Isolde will be screened at the Torch Theatre on Sunday (Mar 22) at 4:00pm.

For further information visit www.torchtheatre.co.uk or contact the Box Office on (01646) 695267.

ENDS

 

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Record-breaking show for Torch Youth Theatre

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Young performers wow audiences as Sycamore Gap sells out

THREE nights of outstanding performances from the Torch Youth Theatre culminated in a sell-out final night, with young performers from across Pembrokeshire dazzling audiences in their production of Sycamore Gap.

The show proved hugely popular, with 96% of tickets sold across the run at the Torch Theatre in Milford Haven. The production also received glowing praise from the theatre’s community and junior reviewers.

Director Tim Howe said the success of the show reflected the dedication and hard work of the young cast.

“We are so incredibly proud of our young people and everything they have achieved with this production,” he said.

“While breaking box office records with 96% of tickets sold is an incredible milestone, the greater triumph is seeing these performers gain the essential life skills that will define their future success.

Sycamore Gap demonstrates what we at the Torch believe makes youth theatre so special. It provides a safe and creative space where young people can build friendships, grow in confidence and explore the issues that matter most to them.”

Freya, one of the Torch Theatre’s junior reviewers, said she was impressed by the standard of the performance.

“I was impressed with the singing at the beginning of the show. What a voice!” she said.

“Every actor delivered their lines as if it were a normal conversation. I didn’t even hear a single stutter or notice if anyone made an error. The skill it must take! I’d be shaking in my boots.”

The success of Sycamore Gap will be followed by one final performance at Aberystwyth Arts Centre as part of the National Theatre Connections tour.

However, the young performers will have little time to rest as preparations are already under way for their next major production.

Mr Howe explained that the Torch Youth Theatre will soon begin work on a brand-new summer show.

“Following our Aberystwyth Arts Centre performance, we move straight into our spectacular summer production, Robin Hood and the Legend of the Black Knight,” he said.

“Written specifically for our Youth Theatre, the production will see more than fifty young people take to the main house stage for a fresh retelling of the classic tale. It’s an incredibly exciting time for our performers, and we invite everyone to come along and support them.”

The story picks up ten years after Robin Hood fled into the forest. Now he has returned in search of adventure, leading audiences deep into Sherwood Forest alongside Maid Marian and a host of familiar characters.

With daring escapes, a legendary archery contest and the appearance of the mysterious Black Knight, the production promises a thrilling new take on the well-known legend as Robin and his allies stand against the tyranny of Queen Eleanor and the ruthless Sheriff of Nottingham.

Robin Hood and the Legend of the Black Knight will be performed at the Torch Theatre from Monday (July 20) to Wednesday (July 22).

Tickets are available from the Torch Theatre Box Office on 01646 695267 or online at torchtheatre.co.uk. Prices are £10, with concessions available for £8.

Image: Jasper Photography

 

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