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Entertainment

The Pembrokeshire Murders: Episode 3 review

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TONIGHT, Wednesday January 13, sees the third and final part of The Pembrokeshire Murders air.

From the opening scene, it’s clear that Wilkins needs to act fast to cage Cooper.

Pat’s death is described as natural from the get-go, but theories will no doubt talk about how ‘Cooper must have done it’. He didn’t.

Her passing weighs heavily on Wilkins’ shoulders, you see that when he breaks the news to Andrew and it could be argued that her passing gives the team that extra bit of energy to finally see Cooper caged for his crimes.
11 minutes into the final part, Wilkins gets his ‘Golden Nugget’, Peter Dixon’s blood is found on John’s bathers after the hem is unpicked, they also find a hair from the Dixon’s daughter.

They’ve got him.

Luke Evans’ restrained joy boils over as he gleefully tells the DNA expert that he bloody loves her and that moment of relief is palpable for Wilkins who can now see the end in sight.
Within 120 seconds, we see Cooper collared by police for his crimes and literally dragged off kicking, screaming and swearing as his scheming is finally brought to an end, although it wasn’t filmed in Letterston where it took place in reality.

Caroline Berry as Pat Cooper (L) and Oliver Ryan as Andrew Cooper (R)

The scene where they find Cooper has tooled himself back up to, we assume, kill again, felt a tad unbelievable, a stretch too far even.
I didn’t particularly enjoy how stupid it made the cunning, clever Cooper seem when the race had already been run and I wasn’t entirely sure it served much of a purpose besides showing us how close the writers think Cooper was to killing again. I didn’t believe this scene was based on fact, until I got told by a friend that it was! I couldn’t believe Cooper didn’t know when to call it a day, unless by that point he genuinely felt he had nothing to lose.

It does however set up the face-off between Wilkins and Cooper that we’ve been waiting for 2 days to see.
The battle of the fathers takes place with Wilkins barely saying a word for the first few questions, but his triumphant gaze at Cooper, who now clings to his ‘ask Adrian’ defence, tells you everything you need to know about the calmness of Wilkins character and Luke Evans, again, plays this scene subtley, Allen’s Cooper though is rebellious to the end.
The victims of the Nolton Hill Estate attack get their chance at closure, their dreadful experiences have been somewhat under-mentioned so it felt rewarding to see a human reaction to part of Cooper’s crimes that are easily overshadowed by the double murders, but shouldn’t be forgotten.
As we hurtle towards the end, we see Wilkins steeling Andrew Cooper up to testify at John’s trial by video-link in a scene that, once again, shows the two standout actors of this production at their very best.
A non-threatening but righteous Wilkins coaxes Andrew into doing the right thing in a touching scene where Andrew finally gets the support he’s been lacking, only this support comes from the Police, not his family as he so dearly craved.

Cooper trips himself up in spectacular fashion during the trial as he’s forced to either admit lying to the court previously, or lying to the court now.
That moment, for me, secured his conviction as he’s finally left speechless and, to be honest, a tad pathetic.
Allen nails Cooper’s outburst as he’s taken down and that anger kicks in as he swears at the judge and finally disappears from view to spend the rest of his life behind bars.
The Pembrokeshire Murders ends with Wilkins’ son deciding to become a Policeman like his dad and the battle of the fathers is over.
Andrew Cooper hated his dad and wanted to be nothing like him, Steve Wilkins son ends up deciding to be more like his father so Steve Wilkins wins the day. Bravo!

‘The Pembrokeshire Murders’ is a story we’ve seen on countless cop shows for years. A cold case, a disgruntled cop with a chequered past is brought in to find the truth, through the course of the story he discovers the truth and in doing so mends himself and the lives of those around him.
It’s nothing special.
Until you factor in the true story elements, the superb performances and, to be frank, the local setting. If this was called ‘The Lancashire Murders’ I dare say that maybe I wouldn’t be as forgiving with the misfires as I am with this.

A great adaptation of a meaty story that does what it can with a story seen a thousand times before, the performances of Luke Evans, Keith Allen, Alexandria Riley, Oliver Ryan and Caroline Berry bring real heart and soul and set this apart from the rest. 4/5

Check out this weeks Herald where we’ll be taking another look at a confusing local double murder some say bares all the hallmarks of John Cooper….

Entertainment

Challenging the traditional telling of Welsh Patagonia’s story

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THE ROMANTIC story of the Welsh people who settled in Patagonia over a century ago is challenged in a new book, revealing a darker side to the establishment of Y Wladfa.

Written by Aberystwyth University academic Dr Lucy Taylor, Global Politics of Welsh Patagonia draws on archival sources in Spanish, Welsh and English to disrupt the myth that the relationship between the Welsh and the Indigenous people was built solely on friendship and harmony.

The publication brings in the voices of the Tehuelche and Mapuche people, and foregrounds unfamiliar accounts of the role the Welsh pioneer settlers played in Argentina’s nation-building project in the second half of the nineteenth century.

Dr Taylor, a Senior Lecturer in the Department of International Politics who specialises in Latin American studies, says the aim of the book is to present a more rounded version of the history and reveal just how complex settler colonial relationships can be.

“The establishment of a Welsh colony in Patagonia in 1865 is familiar to everyone in Wales. It was a courageous, heroic endeavour in many ways, driven by anti-colonial resistance at home, but it also saw the Welsh become agents of colonisation,” says Dr Taylor.

“In a contemporary Wales seeking to promote anti-racist policies, I believe the time has come for a candid reappraisal of what can be considered the darker side of Y Wladfa and to re-examine conventional narrative through a decolonial lens.”

The book makes it clear that the Welsh did not use physical violence during the settlement process and says their policy of peaceful engagement has often been celebrated and romanticised, especially when drawn in contrast to the use of physical force by ‘English’ and British imperial colonisers in other parts of the world.

“As a result, Y Wladfa has not only been viewed as legitimate, it has been deployed as an asset, contributing to Welsh strategies for cultural resistance and social renewal back home,” according to Dr Taylor.

“Yet Y Wladfa was undeniably fundamental to Argentina’s nation-building project and, while the Welsh pioneer settlement might have had its own agenda, it was also a key factor in the Argentinian Government’s campaign at that time to dispossess the Indigenous people of their lands, and assert their own sovereignty and capitalist modernity.

“My book invites readers to think beyond the conventional stories so familiar to us all, to listen to the voices of Indigenous people from the past and to consider Wales’s complex position as both colonised at home and coloniser in Pagatonia.”

Dr Taylor hopes her research will help inform the new history curriculum in Wales as well as contribute to wider discussions around decolonisation and anti-racism.

Global Politics of Welsh Patagonia (University of Wales Press, 2025) will be launched at the National Library of Wales at 7pm on Wednesday 2 April when Dr Taylor will be in conversation with Emeritus Professor Paul O’Leary from Aberystwyth University’s Department of History and Welsh History. Tickets are available free of charge online but booking is essential.

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Entertainment

Rear View Mirror: First solo exhibition for Narberth artist Mark Crockett

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AN EXHIBITION of evocative new paintings by Narberth-based artist Mark Crockett will be on display at the Joanna Field Gallery in the Torch Theatre throughout April.

Titled Rear View Mirror, the exhibition offers a deeply personal reflection on Mark’s life since falling seriously ill in 2021. His work captures the fleeting beauty of early morning and dusk — those quiet, in-between moments when the day begins or ends, and where change is always present.

A graduate of art college in the late 1980s, Mark left painting behind after a disagreement with a tutor. What followed was a colourful and unconventional life spent travelling the world — living in converted buses and caravans, restoring stone houses in the Portuguese mountains, fire-breathing at music events, DJing in clubs, surfing, and working as a wedding photographer.

“I didn’t touch a paintbrush for 35 years,” he said. “Then I became seriously ill with an autoimmune condition. Some days I couldn’t even walk. It was a dark time, and I didn’t know how to deal with losing the life I had. One day, for reasons I can’t explain, I picked up a brush — and the paintings just started to fall out.”

Mark now lives with his Canadian wife in a former Post Office building they are restoring together. Despite his return to painting, he never intended to exhibit his work.

“I wasn’t painting to sell or show them — I just needed to do it. It was for me,” he explained. “I’ve always drawn and painted since I can remember. My dad’s a sculptor and painter, my brother’s a digital artist, and now my daughter has just finished a foundation course at UAL. So we’re three generations of artists.”

Rear View Mirror is Mark’s first solo exhibition. “I’m nervous, but excited too. It’s strange — and lovely — to see all the work together in one space.”

His pieces often suggest untold stories or invite the viewer to consider a new perspective. One of his most recent works, Armistice Day, depicts a single red poppy on the far bank of a river — a quiet reflection on personal and collective loss.

Mark shares more of his work on Instagram @papersurfer and at www.papersurfer.com. All images © papersurfer studio 2025.

Rear View Mirror will be on display throughout April during Box Office opening hours at the Joanna Field Gallery, located within the Torch Theatre. For more information, visit www.torchtheatre.co.uk or call the Box Office on (01646) 695267.

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Entertainment

NostalgiaFest set to take over Tenby’s De Valence Pavilion this September

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Get ready for an epic night of nostalgia as NostalgiaFest rolls into Tenby this September. On 27th September, the De Valence Pavilion will host a live tribute event that promises to take you on a full-throttle trip back to the golden age of punk rock and skate culture.

This isn’t just any gig – it’s a high-energy, heart-pumping experience where the legendary soundtrack of Tony Hawk’s Pro Skater meets the anthems that defined a generation. Whether you were a die-hard skater or simply cranked up the volume to the iconic tunes of the late ’90s and early 2000s, NostalgiaFest will have you reliving the thrill all over again.

As soon as the first note hits, you’ll be moshing to a live tribute to the Tony Hawk’s Pro Skater soundtrack, which helped shape the skateboarding scene. From Primus to Goldfinger, Rage Against the Machine to N.W.A., the energy will be electric, bringing back memories of those adrenaline-fuelled sessions at the skate park.

But the nostalgia doesn’t stop there. NostalgiaFest will feature full tribute sets to some of the most iconic bands from the era. Expect face-melting metalcore from Killswitch Engage, punk anthems from The Offspring, and the unmistakable sounds of nu-metal with Limp Bizkit. Pop-punk queens Paramore and Avril Lavigne will bring the attitude, while indie rock legends Jimmy Eat World will round off the night with their unforgettable vibes.

The De Valence Pavilion, located in the heart of Tenby, provides the perfect setting for this vibrant event. Its intimate, alternative atmosphere makes it the ideal venue for fans of punk, skate culture, and nostalgia.

Tickets are selling fast, so don’t miss out on this chance to relive the soundtrack of your youth. The crowd will be filled with like-minded punks, skaters, and fans, all united by their love for the golden era of music and culture. Get ready to feel the energy, make new memories, and join in the celebration that will be talked about for years to come.

Get your tickets now – this is one night you won’t want to miss!

TICKETS: https://www.eventbrite.co.uk/e/nostalgiafest-tony-hawks-pro-skater-soundtrack-live-support-tickets-1298946286309?utm-campaign=social&utm-content=attendeeshare&utm-medium=discovery&utm-term=listing&utm-source=cp&aff=ebdsshcopyurl

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