Entertainment
The Pembrokeshire Murders: Episode 3 review
TONIGHT, Wednesday January 13, sees the third and final part of The Pembrokeshire Murders air.
From the opening scene, it’s clear that Wilkins needs to act fast to cage Cooper.
Pat’s death is described as natural from the get-go, but theories will no doubt talk about how ‘Cooper must have done it’. He didn’t.
Her passing weighs heavily on Wilkins’ shoulders, you see that when he breaks the news to Andrew and it could be argued that her passing gives the team that extra bit of energy to finally see Cooper caged for his crimes.
11 minutes into the final part, Wilkins gets his ‘Golden Nugget’, Peter Dixon’s blood is found on John’s bathers after the hem is unpicked, they also find a hair from the Dixon’s daughter.
They’ve got him.
Luke Evans’ restrained joy boils over as he gleefully tells the DNA expert that he bloody loves her and that moment of relief is palpable for Wilkins who can now see the end in sight.
Within 120 seconds, we see Cooper collared by police for his crimes and literally dragged off kicking, screaming and swearing as his scheming is finally brought to an end, although it wasn’t filmed in Letterston where it took place in reality.

Caroline Berry as Pat Cooper (L) and Oliver Ryan as Andrew Cooper (R)
The scene where they find Cooper has tooled himself back up to, we assume, kill again, felt a tad unbelievable, a stretch too far even.
I didn’t particularly enjoy how stupid it made the cunning, clever Cooper seem when the race had already been run and I wasn’t entirely sure it served much of a purpose besides showing us how close the writers think Cooper was to killing again. I didn’t believe this scene was based on fact, until I got told by a friend that it was! I couldn’t believe Cooper didn’t know when to call it a day, unless by that point he genuinely felt he had nothing to lose.
It does however set up the face-off between Wilkins and Cooper that we’ve been waiting for 2 days to see.
The battle of the fathers takes place with Wilkins barely saying a word for the first few questions, but his triumphant gaze at Cooper, who now clings to his ‘ask Adrian’ defence, tells you everything you need to know about the calmness of Wilkins character and Luke Evans, again, plays this scene subtley, Allen’s Cooper though is rebellious to the end.
The victims of the Nolton Hill Estate attack get their chance at closure, their dreadful experiences have been somewhat under-mentioned so it felt rewarding to see a human reaction to part of Cooper’s crimes that are easily overshadowed by the double murders, but shouldn’t be forgotten.
As we hurtle towards the end, we see Wilkins steeling Andrew Cooper up to testify at John’s trial by video-link in a scene that, once again, shows the two standout actors of this production at their very best.
A non-threatening but righteous Wilkins coaxes Andrew into doing the right thing in a touching scene where Andrew finally gets the support he’s been lacking, only this support comes from the Police, not his family as he so dearly craved.
Cooper trips himself up in spectacular fashion during the trial as he’s forced to either admit lying to the court previously, or lying to the court now.
That moment, for me, secured his conviction as he’s finally left speechless and, to be honest, a tad pathetic.
Allen nails Cooper’s outburst as he’s taken down and that anger kicks in as he swears at the judge and finally disappears from view to spend the rest of his life behind bars.
The Pembrokeshire Murders ends with Wilkins’ son deciding to become a Policeman like his dad and the battle of the fathers is over.
Andrew Cooper hated his dad and wanted to be nothing like him, Steve Wilkins son ends up deciding to be more like his father so Steve Wilkins wins the day. Bravo!
‘The Pembrokeshire Murders’ is a story we’ve seen on countless cop shows for years. A cold case, a disgruntled cop with a chequered past is brought in to find the truth, through the course of the story he discovers the truth and in doing so mends himself and the lives of those around him.
It’s nothing special.
Until you factor in the true story elements, the superb performances and, to be frank, the local setting. If this was called ‘The Lancashire Murders’ I dare say that maybe I wouldn’t be as forgiving with the misfires as I am with this.
A great adaptation of a meaty story that does what it can with a story seen a thousand times before, the performances of Luke Evans, Keith Allen, Alexandria Riley, Oliver Ryan and Caroline Berry bring real heart and soul and set this apart from the rest. 4/5
Check out this weeks Herald where we’ll be taking another look at a confusing local double murder some say bares all the hallmarks of John Cooper….
Entertainment
St Patrick’s night celebration at Giraldus Centre
GET ready to celebrate St Patrick’s Day in style this Friday at the Giraldus Centre in Manorbier.
The community venue is hosting a lively evening of music, dancing and Irish-themed fun, with entertainment from popular local group The Slipway Ukes.
Doors open at 7:00pm on Friday (Mar 20), with free entry for all. A fully licensed bar will be open throughout the evening, serving drinks and snacks with an Irish twist.
Organisers are encouraging everyone to “unleash their inner leprechaun” and enjoy a night on the dance floor.
There is no need to book—just turn up and join in.
Donations on the night will be gratefully received in support of the Paul Sartori Foundation.
The event takes place at the Giraldus Centre, Manorbier, SA70 7TN.
Entertainment
Met Opera’s Tristan und Isolde comes to the Torch Theatre
Lise Davidsen leads star cast in Wagner’s epic tale of love and death in special cinema broadcast on Sunday (Mar 22)
AFTER years of anticipation, a truly unmissable event arrives in cinemas worldwide as the electrifying Lise Davidsen takes on one of the ultimate roles for dramatic soprano – the Irish princess Isolde – in Wagner’s transcendent meditation on love and death, Tristan und Isolde.
Heroic tenor Michael Spyres stars opposite Davidsen as the love-struck Tristan in what promises to be a powerful and emotionally charged performance.
The production also marks the arrival of a new staging at the Metropolitan Opera by Yuval Sharon, making his Met debut. Sharon has been hailed by The New York Times as “the most visionary opera director of his generation” and was the first American to direct an opera at the famous Wagner festival in Bayreuth.
Music Director Yannick Nézet-Séguin also leads Tristan und Isolde at the Met for the first time in this landmark production.
The cast includes mezzo-soprano Ekaterina Gubanova reprising her acclaimed portrayal of Brangäne, alongside bass-baritone Tomasz Konieczny as Kurwenal following his celebrated Met appearances in Wagner’s Der Fliegende Holländerand the Ring cycle. Bass-baritone Ryan Speedo Green makes an important role debut as King Marke.
Reviewing the production for The Observer, Fiona Maddocks described it as a “glorious production” and “well worth catching”, adding: “This was one of those rare and blissful nights when dropped jaws silenced noisy opinion in the queue for coats afterwards.”
The recorded broadcast of Tristan und Isolde will be screened at the Torch Theatre on Sunday (Mar 22) at 4:00pm.
For further information visit www.torchtheatre.co.uk or contact the Box Office on (01646) 695267.
ENDS
Entertainment
Record-breaking show for Torch Youth Theatre
Young performers wow audiences as Sycamore Gap sells out
THREE nights of outstanding performances from the Torch Youth Theatre culminated in a sell-out final night, with young performers from across Pembrokeshire dazzling audiences in their production of Sycamore Gap.
The show proved hugely popular, with 96% of tickets sold across the run at the Torch Theatre in Milford Haven. The production also received glowing praise from the theatre’s community and junior reviewers.
Director Tim Howe said the success of the show reflected the dedication and hard work of the young cast.
“We are so incredibly proud of our young people and everything they have achieved with this production,” he said.
“While breaking box office records with 96% of tickets sold is an incredible milestone, the greater triumph is seeing these performers gain the essential life skills that will define their future success.
“Sycamore Gap demonstrates what we at the Torch believe makes youth theatre so special. It provides a safe and creative space where young people can build friendships, grow in confidence and explore the issues that matter most to them.”
Freya, one of the Torch Theatre’s junior reviewers, said she was impressed by the standard of the performance.
“I was impressed with the singing at the beginning of the show. What a voice!” she said.
“Every actor delivered their lines as if it were a normal conversation. I didn’t even hear a single stutter or notice if anyone made an error. The skill it must take! I’d be shaking in my boots.”
The success of Sycamore Gap will be followed by one final performance at Aberystwyth Arts Centre as part of the National Theatre Connections tour.
However, the young performers will have little time to rest as preparations are already under way for their next major production.
Mr Howe explained that the Torch Youth Theatre will soon begin work on a brand-new summer show.
“Following our Aberystwyth Arts Centre performance, we move straight into our spectacular summer production, Robin Hood and the Legend of the Black Knight,” he said.
“Written specifically for our Youth Theatre, the production will see more than fifty young people take to the main house stage for a fresh retelling of the classic tale. It’s an incredibly exciting time for our performers, and we invite everyone to come along and support them.”
The story picks up ten years after Robin Hood fled into the forest. Now he has returned in search of adventure, leading audiences deep into Sherwood Forest alongside Maid Marian and a host of familiar characters.
With daring escapes, a legendary archery contest and the appearance of the mysterious Black Knight, the production promises a thrilling new take on the well-known legend as Robin and his allies stand against the tyranny of Queen Eleanor and the ruthless Sheriff of Nottingham.
Robin Hood and the Legend of the Black Knight will be performed at the Torch Theatre from Monday (July 20) to Wednesday (July 22).
Tickets are available from the Torch Theatre Box Office on 01646 695267 or online at torchtheatre.co.uk. Prices are £10, with concessions available for £8.
Image: Jasper Photography
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