CELEBRATING his BAFTA win, Sir Anthony Hopkins has been vaccinated and returned to his native country of Wales where he visited St. Davids.

The Hannibal Lecter actor, 83, from Port Talbot, won the best actor BAFTA for The Father, a film about a man battling dementia.

The actor, who normally resides in Los Angeles, is holidaying in Wales and posted a picture to his Twitter account from St Davids shortly before his BAFTA win.

Choosing not to appear virtually at the ceremony, he did speak to the press shortly after when he talked about remaining in Wales until the Oscars take place later this month.

Hopkins told journalists: “We are taking a long vacation, we’ve been in a lockdown and it’s been a tough year for everyone so we took a holiday and we had our vaccinations.

“So we’re in Wales having a quiet time and are very grateful to everyone so that is where we will be.”

Hopkins went on to say that he is still acting because it ‘keeps me out of trouble’, adding:

“I don’t want to sound heavy about it but it’s the only thing I know how to do.

“I keep it simple. I love it. It’s a great life. And to be able to express things, I try not to take myself too seriously, I hope I don’t.”

TONIGHT, Tuesday January 12, sees the second episode of ITV’s 3-part adaptation of ‘The Pembrokeshire Murders’.
Episode 1 set the scene, it introduced you to all the characters, the situation and the sheer scale of the task ahead for Operation Ottawa.
Episode 2 picks up straight away, the news report seems to have rattled Keith Allen’s John Cooper who must sense that the net is closing in on him as he spends a lot of his time in the prison library reading up on DNA technologies used in criminal investigations.
Again we’re seeing that Cooper is as clever as he is manipulative and is still trying to scheme and plot his way out of trouble, even as he’s brought out of prison to be questioned by the team in Ammanford.

Operation Ottawa: the team that cracked the case in the new ITV drama

In many ways Episode 2 feels like John Cooper’s episode, obviously he’s the focus of all 3, but he’s a much bigger part of this episode and you truly get the sense of his slyness, his clear intellect and him acting purely out of self interest as his parole date nears.
After calling Andrew ‘dead to us’ in Episode 1, Episode 2 see’s John getting Pat to contact their son as John struggles to explain those pesky khaki shorts.
As mother and son are reunited, all hope Andrew had of being able to help his mum…sorry, ‘mam’ are instantly washed away as Pat keeps on questioning Andrew about those shorts. It’s clear to Andrew that Pat is still singing from John Cooper’s hymn sheet and getting Andrew over wasn’t for a touching reunion, it wasn’t just for tea and toast with jam, it was because John Cooper said so.
Oliver Ryan’s chat with his mum is a powerful scene, you begin to really see how much it’s messed up Andrew and how alone he truly is without his family, mainly his mum. But Pat is too involved, too wound up in Cooper’s lies to walk away, even with John Cooper expected home imminently. Oliver Ryan’s performance in this scene alone is one of the most powerful scenes in the entire series and deserves a special mention for another great acting performance in a series chocked full of them.
Elsewhere in the episode, Operation Ottawa are closer to Cooper than ever before but are no closer to proving his guilt as they burn through the budget re-testing items from Operation Huntsman.
Keith Allen’s chillingly cold performance, especially as he throws his son under-the-bus, is captivating to watch, his accent continues to waiver but just ignore it, what you’re seeing here is an animal penned in, Cooper is running out of moves to make so painting his son as the villain is the only way he can continue to try and squirm out of the grip of justice.
Alexandria Riley’s ballsy Ella Richards inspires the anger in Cooper that we’ve all heard so much about. Cooper may not appreciate female intellect, but that short-sighted, ridiculous way of thinking is so very nearly his undoing. You see that rage build as she confronts him and that encounter alone left me feeling that Cooper was ready to snap at any time especially when Richards presents him with another pair of glasses. Truly chilling stuff from Allen.
Luke Evans meeting with Andrew Cooper is another perfect scene that starts to build the trust between Andrew and Wilkins. Inch perfect again from both of them, Andrew clearly starts to see that the only way to help his mum is to help the police cage John Cooper for good. But how?
As the episode nears its end, a chance pint in The Kings Arms changes everything and we get to see how Bullseye factors into the story for the first time. That coupled with the very last scene leaves the stakes high and time running out as we head into the third and final part of this adaptation with John Cooper free.
Another solid episode elevated above your run-of-the-mill police dramas by superb acting, a great story and stellar pacing that sets up the last part perfectly. 4/5

TONIGHT, Monday January 11, sees the first episode in ITV’s adaptation of ‘The Pembrokeshire Murders’.
A slick ITV production from the opening shot, ‘The Pembrokeshire Murders’ is a story that I’m surprised it’s taken this long to see dramatised.
Luke Evans cuts a stoic figure as SIO Steve Wilkins, trying to find his way back into his old life after returning from London and into the life of his son whilst investigating John Cooper, Wilkins’ story serves as a great opposite to the father-son struggle we get a sense of taking place between John and Andrew Cooper.
Evans gives a physical presence and a single mindedness to Wilkins that, without doubt, helped him convict Cooper but also threatened to derail his attempts to put things back together with his son. Evans plays Wilkins as vulnerable but strong, masculine but not toxic, solitary but a great team-player, distant but involved enough to keep his team motivated when the going gets tough. It’s a layered performance that steers clear enough of cop show stereotypes whilst, over the course of the series, embracing nearly all of them in a fresh way.
‘The Pembrokeshire Murders’ doesn’t hang about, it isn’t long before Wilkins is putting together a team under the code name of Operation Ottawa to investigate Coopers’ links to the Scoveston Park, Coastal Path and Nolton Hill Estate crimes.

Operation Ottawa: the team that cracked the case in the new ITV drama

First on Wilkins’ list is DI Ella Richards, Alexandria Riley does a great job bringing some heart and concern to a character that so easily could’ve become lost along the way. Richards was clearly emotionally affected by the Nolton Hill events and even admits to keeping tabs on the victims 10 years later. It’s little moments like that that elevate this drama above a mere cop show, that kind of professional concern feels very Pembrokeshire and Riley’s performance instantly makes Richards feel like the beating emotional heart of Operation Ottawa.
The insights we have into the life of Andrew Cooper, expertly portrayed by Oliver Ryan, help keeps the drama grounded. From seeing him struggle with his shopping to wincing in pain during physiotherapy, Andrew Cooper is portrayed as a physically and emotionally fragile man struggling to get by having been shunned by both of his parents.
It was quite clear that the Nolton Hill parts of this episode were filmed in Swansea but it didn’t hurt my enjoyment and was done to provide as much protection for the victims and their families as possible, so you can’t really complain about that choice of location change.
Caroline Berry’s Pat Cooper gets our sympathy from one of her first scenes as she berated by her husband when visiting him in prison. A subtle turn from Berry, her Pat is a nervous, fraught figure clearly struggling with the idea that John Cooper will soon be out on parole but someone so caught up or lost in Cooper’s web of lies that there simply isn’t a way out. It’s easy to forget that Pat was a victim of Cooper as well as an accomplice in silence, but never once does Berry’s Pat feel like a bad person, she’s simply between a rock and a hard place.

Caroline Berry as Pat Cooper (L) and Oliver Ryan as Andrew Cooper (R)

John Cooper himself is played by an in-his-element Keith Allen. He plays Cooper as a restrained, powder keg of pent-up aggression just waiting for someone to light his fuse. His Cooper plays mind games, manipulates and controls, even from behind bars.
Allen it seems is having so much fun portraying John Cooper that sometimes his regular accent grins through his assumed South Pembrokeshire-twang but not for long and so much of Allen’s John Cooper is communicated through the eyes that it’s easy not to notice those momentary lapses and when he gets the accent spot on, it’s chilling.
A solid start to ITV’s three part adaptation, ‘The Pembrokeshire Murders’ plot will only thicken from here. What could’ve been an empty police procedural drama is elevated by great performances all around and seeing Luke Evans driving across the Cleddau Bridge was a very cool image to remind us all exactly how local these horrendous crimes were. 4/5