Entertainment
The Pembrokeshire Murders: Episode 1 review
TONIGHT, Monday January 11, sees the first episode in ITV’s adaptation of ‘The Pembrokeshire Murders’.
A slick ITV production from the opening shot, ‘The Pembrokeshire Murders’ is a story that I’m surprised it’s taken this long to see dramatised.
Luke Evans cuts a stoic figure as SIO Steve Wilkins, trying to find his way back into his old life after returning from London and into the life of his son whilst investigating John Cooper, Wilkins’ story serves as a great opposite to the father-son struggle we get a sense of taking place between John and Andrew Cooper.
Evans gives a physical presence and a single mindedness to Wilkins that, without doubt, helped him convict Cooper but also threatened to derail his attempts to put things back together with his son. Evans plays Wilkins as vulnerable but strong, masculine but not toxic, solitary but a great team-player, distant but involved enough to keep his team motivated when the going gets tough. It’s a layered performance that steers clear enough of cop show stereotypes whilst, over the course of the series, embracing nearly all of them in a fresh way.
‘The Pembrokeshire Murders’ doesn’t hang about, it isn’t long before Wilkins is putting together a team under the code name of Operation Ottawa to investigate Coopers’ links to the Scoveston Park, Coastal Path and Nolton Hill Estate crimes.

Operation Ottawa: the team that cracked the case in the new ITV drama
First on Wilkins’ list is DI Ella Richards, Alexandria Riley does a great job bringing some heart and concern to a character that so easily could’ve become lost along the way. Richards was clearly emotionally affected by the Nolton Hill events and even admits to keeping tabs on the victims 10 years later. It’s little moments like that that elevate this drama above a mere cop show, that kind of professional concern feels very Pembrokeshire and Riley’s performance instantly makes Richards feel like the beating emotional heart of Operation Ottawa.
The insights we have into the life of Andrew Cooper, expertly portrayed by Oliver Ryan, help keeps the drama grounded. From seeing him struggle with his shopping to wincing in pain during physiotherapy, Andrew Cooper is portrayed as a physically and emotionally fragile man struggling to get by having been shunned by both of his parents.
It was quite clear that the Nolton Hill parts of this episode were filmed in Swansea but it didn’t hurt my enjoyment and was done to provide as much protection for the victims and their families as possible, so you can’t really complain about that choice of location change.
Caroline Berry’s Pat Cooper gets our sympathy from one of her first scenes as she berated by her husband when visiting him in prison. A subtle turn from Berry, her Pat is a nervous, fraught figure clearly struggling with the idea that John Cooper will soon be out on parole but someone so caught up or lost in Cooper’s web of lies that there simply isn’t a way out. It’s easy to forget that Pat was a victim of Cooper as well as an accomplice in silence, but never once does Berry’s Pat feel like a bad person, she’s simply between a rock and a hard place.

Caroline Berry as Pat Cooper (L) and Oliver Ryan as Andrew Cooper (R)
John Cooper himself is played by an in-his-element Keith Allen. He plays Cooper as a restrained, powder keg of pent-up aggression just waiting for someone to light his fuse. His Cooper plays mind games, manipulates and controls, even from behind bars.
Allen it seems is having so much fun portraying John Cooper that sometimes his regular accent grins through his assumed South Pembrokeshire-twang but not for long and so much of Allen’s John Cooper is communicated through the eyes that it’s easy not to notice those momentary lapses and when he gets the accent spot on, it’s chilling.
A solid start to ITV’s three part adaptation, ‘The Pembrokeshire Murders’ plot will only thicken from here. What could’ve been an empty police procedural drama is elevated by great performances all around and seeing Luke Evans driving across the Cleddau Bridge was a very cool image to remind us all exactly how local these horrendous crimes were. 4/5
Entertainment
St Patrick’s night celebration at Giraldus Centre
GET ready to celebrate St Patrick’s Day in style this Friday at the Giraldus Centre in Manorbier.
The community venue is hosting a lively evening of music, dancing and Irish-themed fun, with entertainment from popular local group The Slipway Ukes.
Doors open at 7:00pm on Friday (Mar 20), with free entry for all. A fully licensed bar will be open throughout the evening, serving drinks and snacks with an Irish twist.
Organisers are encouraging everyone to “unleash their inner leprechaun” and enjoy a night on the dance floor.
There is no need to book—just turn up and join in.
Donations on the night will be gratefully received in support of the Paul Sartori Foundation.
The event takes place at the Giraldus Centre, Manorbier, SA70 7TN.
Entertainment
Met Opera’s Tristan und Isolde comes to the Torch Theatre
Lise Davidsen leads star cast in Wagner’s epic tale of love and death in special cinema broadcast on Sunday (Mar 22)
AFTER years of anticipation, a truly unmissable event arrives in cinemas worldwide as the electrifying Lise Davidsen takes on one of the ultimate roles for dramatic soprano – the Irish princess Isolde – in Wagner’s transcendent meditation on love and death, Tristan und Isolde.
Heroic tenor Michael Spyres stars opposite Davidsen as the love-struck Tristan in what promises to be a powerful and emotionally charged performance.
The production also marks the arrival of a new staging at the Metropolitan Opera by Yuval Sharon, making his Met debut. Sharon has been hailed by The New York Times as “the most visionary opera director of his generation” and was the first American to direct an opera at the famous Wagner festival in Bayreuth.
Music Director Yannick Nézet-Séguin also leads Tristan und Isolde at the Met for the first time in this landmark production.
The cast includes mezzo-soprano Ekaterina Gubanova reprising her acclaimed portrayal of Brangäne, alongside bass-baritone Tomasz Konieczny as Kurwenal following his celebrated Met appearances in Wagner’s Der Fliegende Holländerand the Ring cycle. Bass-baritone Ryan Speedo Green makes an important role debut as King Marke.
Reviewing the production for The Observer, Fiona Maddocks described it as a “glorious production” and “well worth catching”, adding: “This was one of those rare and blissful nights when dropped jaws silenced noisy opinion in the queue for coats afterwards.”
The recorded broadcast of Tristan und Isolde will be screened at the Torch Theatre on Sunday (Mar 22) at 4:00pm.
For further information visit www.torchtheatre.co.uk or contact the Box Office on (01646) 695267.
ENDS
Entertainment
Record-breaking show for Torch Youth Theatre
Young performers wow audiences as Sycamore Gap sells out
THREE nights of outstanding performances from the Torch Youth Theatre culminated in a sell-out final night, with young performers from across Pembrokeshire dazzling audiences in their production of Sycamore Gap.
The show proved hugely popular, with 96% of tickets sold across the run at the Torch Theatre in Milford Haven. The production also received glowing praise from the theatre’s community and junior reviewers.
Director Tim Howe said the success of the show reflected the dedication and hard work of the young cast.
“We are so incredibly proud of our young people and everything they have achieved with this production,” he said.
“While breaking box office records with 96% of tickets sold is an incredible milestone, the greater triumph is seeing these performers gain the essential life skills that will define their future success.
“Sycamore Gap demonstrates what we at the Torch believe makes youth theatre so special. It provides a safe and creative space where young people can build friendships, grow in confidence and explore the issues that matter most to them.”
Freya, one of the Torch Theatre’s junior reviewers, said she was impressed by the standard of the performance.
“I was impressed with the singing at the beginning of the show. What a voice!” she said.
“Every actor delivered their lines as if it were a normal conversation. I didn’t even hear a single stutter or notice if anyone made an error. The skill it must take! I’d be shaking in my boots.”
The success of Sycamore Gap will be followed by one final performance at Aberystwyth Arts Centre as part of the National Theatre Connections tour.
However, the young performers will have little time to rest as preparations are already under way for their next major production.
Mr Howe explained that the Torch Youth Theatre will soon begin work on a brand-new summer show.
“Following our Aberystwyth Arts Centre performance, we move straight into our spectacular summer production, Robin Hood and the Legend of the Black Knight,” he said.
“Written specifically for our Youth Theatre, the production will see more than fifty young people take to the main house stage for a fresh retelling of the classic tale. It’s an incredibly exciting time for our performers, and we invite everyone to come along and support them.”
The story picks up ten years after Robin Hood fled into the forest. Now he has returned in search of adventure, leading audiences deep into Sherwood Forest alongside Maid Marian and a host of familiar characters.
With daring escapes, a legendary archery contest and the appearance of the mysterious Black Knight, the production promises a thrilling new take on the well-known legend as Robin and his allies stand against the tyranny of Queen Eleanor and the ruthless Sheriff of Nottingham.
Robin Hood and the Legend of the Black Knight will be performed at the Torch Theatre from Monday (July 20) to Wednesday (July 22).
Tickets are available from the Torch Theatre Box Office on 01646 695267 or online at torchtheatre.co.uk. Prices are £10, with concessions available for £8.
Image: Jasper Photography
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