Entertainment
‘Dukedog’ locomotive returning to Aberystwyth for first time in 60 years
A POPULAR ‘Dukedog’ locomotive is returning to the Vale of Rheidol Railway at Aberystwyth for the first time in over 60 years.
‘Dukedog’ No.9017 will be arriving in the town in late February, for static display in the new Museum & Display Space at the Vale of Rheidol Railway. The 85 year old locomotive is on loan from the Bluebell Railway in Sussex.
The locomotive is nicknamed a ‘Dukedog’ because it is a hybrid of two different classes of engine: the underframe of a ‘Duke’ locomotive combined with the boiler of a ‘Bulldog’.
‘Dukedog’ locomotives have a long association with Aberystwyth, having been a regular sight working trains between Aberystwyth, Machynlleth and Pwllheli in steam days.
The last ‘Dukedog’ locomotive left Aberystwyth in May 1960 and one has not returned to the town until now.
Llŷr ap Iolo, Vale of Rheidol Railway managing director, said: “We are very excited to announce the loan of this locomotive to go on public display here in Aberystwyth. I am very grateful to the board of the Bluebell Railway for making this loan possible.
“As part of the project to construct our new museum, standard gauge track was laid to facilitate this kind of visit: the ‘Dukedog’ seemed the perfect choice to be the first standard gauge locomotive to be put on display.”
The locomotive is normally based at the Bluebell Railway, where it has lived for the last 60 years. The locomotive went out of traffic for repairs in 2011 and has been hidden away in undercover storage since then.
Neil Glaskin, Bluebell Railway operations and commercial director, said: “We are really pleased to be able to work with The Vale of Rheidol Railway to bring the Dukedog back to Aberystwyth.
“Since 2011, the locomotive has been stored undercover but this has meant limited chances for the public to see it. By displaying the loco in the new museum everyone will have the chance to admire this fascinating machine.”
The locomotive was built in Swindon Works in 1938 for the Great Western Railway and spent it’s working life in Wales, where it worked over the Cambrian lines to Pwllheli and Aberystwyth. It was light enough to work over Barmouth Bridge, so remained in regular use until the 1950s despite its antiquated appearance.
John ‘Abergynolwyn’ Davies, 94, who still lives in Aberystwyth, worked on the ‘Dukedog’ locomotives when they were based in Ceredigion in the 1950s.
He said: “I spent a glorious week in the summer of 1955 firing No.9017 with driver Tom Phillips. We worked the 9.55am ‘all stations’ from Aberystwyth to Welshpool each day, where we serviced the engine: our return working was the Cambrian Coast Express, all the way to Aberystwyth. Working with Tom felt like a ‘holiday job’ because of his light handling of the loco.”
John recalled: “We were climbing Talerddig bank with No.9017, when Tom said: ‘shall I show you how to get the best out of a Dukedog?’. I stood in the driving position, as he gave me a demonstration of the easiest way to fire it. The loco performed well all week: it was one of the best working weeks of my life.”
The ‘Dukedog’ will be on display in the restored 1938 engine shed at Aberystwyth station from March 2024 onwards. This building has recently been transformed into a museum, display and events space as part of a larger project called “Wales to the World”, which is developing the terminus at Park Avenue into a Great Western-style station suitable for the modern tourist.
This location is especially significant for No.9017, as it will be displayed in the building where it was based and used to work in the 1950s.
The public will be able to view the ‘Dukedog’ at the Vale of Rheidol Railway from March 23 onwards, when the railway opens for the season. The railway and museum are then open daily until the start of November.
Entertainment
Moby Dick returns to Fishguard as festival secures £44,300 grant
A CELEBRATION of one of Hollywood’s most memorable moments in Pembrokeshire is set to take place this autumn, as Fishguard prepares to mark seventy years since the filming of Moby Dick.
The Ar Ymyl y Tir/On Land’s Edge Festival has secured £44,300 from the National Lottery Heritage Fund to commemorate the 1956 classic, which brought global attention to Fishguard and Goodwick.

Directed by John Huston and starring Gregory Peck, Richard Basehart, Orson Welles and Leo Genn, the film used Fishguard Bay as a backdrop for scenes featuring Captain Ahab’s ship, the Pequod. Many local residents were recruited as extras, while cast and crew stayed in the Fishguard Bay Hotel and Fishguard Arms.
Memories of the production remain vivid in the community, with stories passed down over generations — including the loss of a seventy-foot model whale at sea, a Miss Fishguard dancing with Leo Genn at the Town Hall, and Gregory Peck being spotted in local shops.
Organisers say this year’s festival will bring those memories back to life while also looking to the future.

Events will include a lantern parade led by a giant model whale created by Small World Theatre, literary talks exploring the history of whaling, and an augmented reality experience placing a virtual whale in Fishguard Bay.
The project will also collect photographs, souvenirs and personal recollections from local people, alongside discussions on marine conservation, maritime heritage and changing attitudes towards whaling.
Further highlights will include a screening of Moby Dick at Theatr Gwaun, an exhibition featuring ‘Humpy’ — the humpback whale that appeared in Fishguard Bay in 2024 — and the creation of a commemorative mural.
OLE chairman Dr Patrick Thomas said the funding represented a major boost for the project.
He said: “Together we will create a joyous celebration of a remarkable episode in the history of Fishguard and Goodwick, and ensure that people’s living memories of that time are recorded and preserved for posterity.”
Cliff Benson, founder of Sea Trust Wales, said the festival would also highlight the importance of protecting marine life.
He said: “We are delighted to take part in the On Land’s Edge Festival and highlight the need to protect whales, dolphins and porpoises rather than hunt them.
“Part of our contribution will be a presentation at Theatr Gwaun exploring how attitudes around the world have shifted towards conservation.
“There will also be other contributors enhancing the festival over the weekend, which we believe will appeal to all ages, from local residents to visitors.”
The project has also received backing from Fishguard and Goodwick Town Council, along with local history groups Ein Hanes and Hanes Abergwaun.
Town mayor Cllr Billy Shaw welcomed the news.
He said: “This will add another fantastic festival to Fishguard and Goodwick’s growing list of events.
“Every event we hold helps promote the twin towns on both a local and national stage, and this one offers something unique that will attract visitors and locals alike.”
Entertainment
Duffy to tell her story in new Disney+ documentary
Pembrokeshire-born singer to speak publicly for first time about kidnap ordeal
PEMBROKESHIRE-born singer Duffy is set to break her silence about the traumatic events that led to her disappearance from the music industry, as part of a new feature-length documentary for Disney+.
The award-winning artist, who rose to global fame with her hit single Mercy and debut album Rockferry, will speak in detail for the first time about the kidnap and sexual assault she revealed in 2020.
The project was announced at the Series Mania television festival in France by Disney+’s head of content for Europe, the Middle East and Africa, Angela Jain, who described the documentary as a “powerful” and sensitive piece.
She said Duffy had “entrusted us with her story,” adding that the platform recognised its responsibility to handle the subject matter with care.
Duffy stunned fans six years ago when she disclosed in a social media post that she had stepped away from music in 2011 after being drugged, kidnapped and raped.
In a later, detailed account published on her website, she said she had been drugged on her birthday in a restaurant before being held captive and taken abroad for several weeks.
She wrote that the ordeal left her fearing for her life, explaining why she did not immediately go to the police.
“It didn’t feel safe to go to the police,” she said at the time. “I felt if anything went wrong, I would be dead.”
She later reported the incident but said she had felt “petrified” ever since.
The singer’s sudden withdrawal from the spotlight at the height of her success had long puzzled fans. Her debut album Rockferry became one of the best-selling records in the UK, earning critical acclaim and multiple awards.
In recent years, there have been tentative signs of a return. In 2025, Duffy appeared briefly in a social media clip promoting a remix of Mercy with dance artist E.motion, sparking excitement among fans.
However, no new official release has followed, and she has largely remained out of public view.
The upcoming Disney+ documentary is expected to shed light on the events behind her decade-long absence and offer insight into her recovery.
Production is due to begin shortly, with no release date yet confirmed.
Entertainment
Huw Edwards criticises TV drama about his downfall
FORMER BBC news presenter Huw Edwards has issued a strongly worded statement criticising an upcoming television drama based on his fall from grace.
Edwards, who received a suspended prison sentence after admitting offences relating to indecent images of children, said the programme was produced without properly checking its claims with him.

The two-part drama, Power: The Downfall of Huw Edwards, features actor Martin Clunes portraying the former newsreader.
In a statement published in the national press, Edwards claimed those behind the programme failed to verify key elements of the story before filming began. He said producers only approached him for comment after production had already been completed, and even then retained editorial control over any response.
He also questioned whether contributors to the programme had been paid, suggesting the drama may not accurately reflect events.
Edwards said he had already expressed “deep regret and remorse” for his crimes during court proceedings, having pleaded guilty at the earliest opportunity.
He added that he found the offences deeply disturbing and offered a further apology, acknowledging that each image involved a real victim.
The former presenter said he is now working on his own account of the events, although progress has been slow due to ongoing health issues. He has previously spoken about long-term mental illness, which he said had worsened in the period leading up to his offences.
However, he stressed that mental health difficulties should not be used to excuse criminal behaviour.
Edwards rose to prominence as one of the UK’s most recognisable news anchors before his career collapsed following allegations of misconduct and subsequent criminal charges.
In September 2024, he was handed a six-month suspended sentence and placed on the sex offenders register for seven years. He was also ordered to complete a rehabilitation programme.
Responding to his criticism, a spokesperson for Channel 5 said the drama was based on interviews with those involved, including the complainant and journalists who broke the story, as well as court reporting and message evidence.
They added that the programme was produced in line with broadcasting regulations and that allegations featured in the film had been put to Edwards through his legal representatives in advance.
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