Entertainment
Gogglebocs Cymru star Molara is local celebrity in home village of Crymych
A HIT reality TV programme has turned a Pembrokeshire mum-of-two into a local celebrity
Molara Awen, 58, from Crymych, is one of the stars of the Welsh language version of Gogglebocs.
She appears on Gogglebocs Cymru with her daughter, Maisie, 21, and son Finn, 23.
The series – where ordinary people voice their opinions about a range of television programmes – is broadcast on S4C on Wednesdays at 9pm.
When she goes to her local shop or the garage for fuel near her home friends and neighbours often want to chat with her about the show
“They’ll say things like ‘Oh we saw you on the television last night’ or ‘I didn’t know you were on it’ and then they will ask me what programmes we’ve been watching and what I think about the programmes and what will be featured in the next show.
“Most of them are really interested in Gogglebocs Cymru and are fascinated about how the programme is made. They seem to think we film it ourselves and don’t realise there’s a film crew in the room as well,” she laughed.
“Because the children live outside Wales they don’t get the same attention as I do at home in Pembrokeshire but their friends have commented about it to them on social media or when they’ve met.
“It never occurred to me that we would attract any attention but it has been is pretty manageable,” she said.
A noted singer, choirmaster and diversity activist, Molara found a new love of Welsh culture through taking part in the popular programme.
Now some of the people she meets ask her for suggestions of what programmes to watch on S4C and other channels.
“I’m quite specific about what I watch and always record programmes to watch when I want and not when they’re on. I don’t enjoy quiz programmes at all and I’m certainly not a Pobol y Cwm type person but I enjoy quality drama series like Y Gwyll.
“I enjoyed Pren ar y Bryn, that was really good, a quirky, off the wall series and Gwesty Aduniad was good too,” she said.
Originally from Glossop in Derbyshire, Molara started learning the Welsh language after moving to Pembrokeshire more than 25 years ago.
“I’m a Welsh learner and am quite fluent although I still go to classes so it’s good for me to be watching TV in Welsh.
“It was quite funny when the tutor asked what we were going to be doing before the next class and I said I’d be going on national television to speak about what I’ve been watching on S4C.
Molara takes part in Gogglebocs Cymru in Bristol where her children now live and work. Maisie is studying to become a mechanical engineer at the Royal United Hospital in Bath and Finn works in a bar.
Gogglebocs Cymru is made by two Gwynedd-based television production companies, Cwmni Da, in Caernarfon, and Chwarel, from Cricieth.
It’s the first time Studio Lambert and Channel 4 have licensed the Gogglebox franchise to another UK-based broadcaster.
The programme is filmed in the homes of the as the cast as they view the week’s chosen programmes.
They cover a broad spectrum of programmes from S4C, other channels and streaming services ranging from gripping drama to popular quiz shows.
The footage is then edited ready for broadcast on the Wednesday evening and narrated by comedian and broadcaster Tudur Owen.
Series Producer Huw Maredudd, of Cwmni Da, said: “This is a continuation of the series which started before Christmas with the same group of people as before taking part.
“There were some wonderful moments during those programmes and some great comments were made about the various television programmes and there was a warm response to them on social media.
“The viewing figures were also excellent and the programmes we feature enjoy a boost to their viewing figures as well..
“Of course, we don’t expect all the featured programmes to be enjoyed by everyone but we hope that the fact they are all having fun watching the programmes gathered around the TV set together comes through.”
Huw added because the series is continuing there will be no new elements to the programmes but he expects to provide the cast and viewers with a few surprises.
“Something we’re doing for the first time is watching a live programme. The annual Can i Gymru programme is broadcast live on S4C on St David’s Day, March 1 and we’ll be watching along with the regulars and we’ll have their reactions to that on the following Wednesday,” he said.
- Gogglebocs Cymru is broadcast on S4C on Wednesdays at 9pm. English subtitles will be available and the programme can also be viewed on S4C Clic, BBC iPlayer and other streaming platforms.
Pictured: Molara Awen with her daughter, Maisie, 21, and son Finn, 23 (Image: S4C)
Entertainment
Moby Dick returns to Fishguard as festival secures £44,300 grant
A CELEBRATION of one of Hollywood’s most memorable moments in Pembrokeshire is set to take place this autumn, as Fishguard prepares to mark seventy years since the filming of Moby Dick.
The Ar Ymyl y Tir/On Land’s Edge Festival has secured £44,300 from the National Lottery Heritage Fund to commemorate the 1956 classic, which brought global attention to Fishguard and Goodwick.

Directed by John Huston and starring Gregory Peck, Richard Basehart, Orson Welles and Leo Genn, the film used Fishguard Bay as a backdrop for scenes featuring Captain Ahab’s ship, the Pequod. Many local residents were recruited as extras, while cast and crew stayed in the Fishguard Bay Hotel and Fishguard Arms.
Memories of the production remain vivid in the community, with stories passed down over generations — including the loss of a seventy-foot model whale at sea, a Miss Fishguard dancing with Leo Genn at the Town Hall, and Gregory Peck being spotted in local shops.
Organisers say this year’s festival will bring those memories back to life while also looking to the future.

Events will include a lantern parade led by a giant model whale created by Small World Theatre, literary talks exploring the history of whaling, and an augmented reality experience placing a virtual whale in Fishguard Bay.
The project will also collect photographs, souvenirs and personal recollections from local people, alongside discussions on marine conservation, maritime heritage and changing attitudes towards whaling.
Further highlights will include a screening of Moby Dick at Theatr Gwaun, an exhibition featuring ‘Humpy’ — the humpback whale that appeared in Fishguard Bay in 2024 — and the creation of a commemorative mural.
OLE chairman Dr Patrick Thomas said the funding represented a major boost for the project.
He said: “Together we will create a joyous celebration of a remarkable episode in the history of Fishguard and Goodwick, and ensure that people’s living memories of that time are recorded and preserved for posterity.”
Cliff Benson, founder of Sea Trust Wales, said the festival would also highlight the importance of protecting marine life.
He said: “We are delighted to take part in the On Land’s Edge Festival and highlight the need to protect whales, dolphins and porpoises rather than hunt them.
“Part of our contribution will be a presentation at Theatr Gwaun exploring how attitudes around the world have shifted towards conservation.
“There will also be other contributors enhancing the festival over the weekend, which we believe will appeal to all ages, from local residents to visitors.”
The project has also received backing from Fishguard and Goodwick Town Council, along with local history groups Ein Hanes and Hanes Abergwaun.
Town mayor Cllr Billy Shaw welcomed the news.
He said: “This will add another fantastic festival to Fishguard and Goodwick’s growing list of events.
“Every event we hold helps promote the twin towns on both a local and national stage, and this one offers something unique that will attract visitors and locals alike.”
Entertainment
Duffy to tell her story in new Disney+ documentary
Pembrokeshire-born singer to speak publicly for first time about kidnap ordeal
PEMBROKESHIRE-born singer Duffy is set to break her silence about the traumatic events that led to her disappearance from the music industry, as part of a new feature-length documentary for Disney+.
The award-winning artist, who rose to global fame with her hit single Mercy and debut album Rockferry, will speak in detail for the first time about the kidnap and sexual assault she revealed in 2020.
The project was announced at the Series Mania television festival in France by Disney+’s head of content for Europe, the Middle East and Africa, Angela Jain, who described the documentary as a “powerful” and sensitive piece.
She said Duffy had “entrusted us with her story,” adding that the platform recognised its responsibility to handle the subject matter with care.
Duffy stunned fans six years ago when she disclosed in a social media post that she had stepped away from music in 2011 after being drugged, kidnapped and raped.
In a later, detailed account published on her website, she said she had been drugged on her birthday in a restaurant before being held captive and taken abroad for several weeks.
She wrote that the ordeal left her fearing for her life, explaining why she did not immediately go to the police.
“It didn’t feel safe to go to the police,” she said at the time. “I felt if anything went wrong, I would be dead.”
She later reported the incident but said she had felt “petrified” ever since.
The singer’s sudden withdrawal from the spotlight at the height of her success had long puzzled fans. Her debut album Rockferry became one of the best-selling records in the UK, earning critical acclaim and multiple awards.
In recent years, there have been tentative signs of a return. In 2025, Duffy appeared briefly in a social media clip promoting a remix of Mercy with dance artist E.motion, sparking excitement among fans.
However, no new official release has followed, and she has largely remained out of public view.
The upcoming Disney+ documentary is expected to shed light on the events behind her decade-long absence and offer insight into her recovery.
Production is due to begin shortly, with no release date yet confirmed.
Entertainment
Huw Edwards criticises TV drama about his downfall
FORMER BBC news presenter Huw Edwards has issued a strongly worded statement criticising an upcoming television drama based on his fall from grace.
Edwards, who received a suspended prison sentence after admitting offences relating to indecent images of children, said the programme was produced without properly checking its claims with him.

The two-part drama, Power: The Downfall of Huw Edwards, features actor Martin Clunes portraying the former newsreader.
In a statement published in the national press, Edwards claimed those behind the programme failed to verify key elements of the story before filming began. He said producers only approached him for comment after production had already been completed, and even then retained editorial control over any response.
He also questioned whether contributors to the programme had been paid, suggesting the drama may not accurately reflect events.
Edwards said he had already expressed “deep regret and remorse” for his crimes during court proceedings, having pleaded guilty at the earliest opportunity.
He added that he found the offences deeply disturbing and offered a further apology, acknowledging that each image involved a real victim.
The former presenter said he is now working on his own account of the events, although progress has been slow due to ongoing health issues. He has previously spoken about long-term mental illness, which he said had worsened in the period leading up to his offences.
However, he stressed that mental health difficulties should not be used to excuse criminal behaviour.
Edwards rose to prominence as one of the UK’s most recognisable news anchors before his career collapsed following allegations of misconduct and subsequent criminal charges.
In September 2024, he was handed a six-month suspended sentence and placed on the sex offenders register for seven years. He was also ordered to complete a rehabilitation programme.
Responding to his criticism, a spokesperson for Channel 5 said the drama was based on interviews with those involved, including the complainant and journalists who broke the story, as well as court reporting and message evidence.
They added that the programme was produced in line with broadcasting regulations and that allegations featured in the film had been put to Edwards through his legal representatives in advance.
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