Entertainment
Torch announces the departure of CEO after 5 years at the helm
THE TORCH THEATRE, centre for the arts in Pembrokeshire and one of Wales’ pre-eminent producing theatres today announces the departure of Executive Director Benjamin Lloyd after an historic five years at the helm.
Ben’s tenure at the Torch has taken in the lows of the pandemic and the subsequent determination to survive and flourish, continuing to serve our communities throughout, and the highs of a record breaking 45th year. Ben has overseen an exhilarating renewal of artistic leadership, major national partnerships and co-productions and the redoubling of the Torch’s commitment to the young, vulnerable and underrepresented in our community with the establishment of a dedicated Youth & Community department.
Enduring highlights include The Pembrokeshire Story engagement project that brought together artists and communities during the pandemic in the building of a living archive of stories; a bumper anniversary year in 2022 that saw five Torch productions, tours of Wales and the UK and runs in London and Edinburgh with a mix of new writing and Torch classics; the establishment of the groundbreaking Craidd partnership, and securing of long-term funding aimed at removing barriers to mainstream theatre for Deaf, disabled and neurodivergent artists and freelancers; and the achievement of a vital uplift in funding as part of the Arts Council Wales Investment Review, securing the Torch’s strategic position at the vanguard of Welsh theatre and bucking the trend of funding cuts across the board.
Benjamin Lloyd, Executive Director said: “It has been the honour of my professional career to lead the theatre that has given so many of us in west Wales our first, and so often only exposure to high quality performing arts in all its forms. The Torch is a minor miracle in today’s funding climate and a precious resource for the community. It represents a window to the world beyond and a lifeline for so many – young, old, isolated and vulnerable – in this beautiful, far-flung part of the world. I am beyond proud of the commitment, skill, humanity and passion of the team under my leadership and what we have achieved together in extremis has been spectacular, delivering for our community and supporting the arts ecology in Wales in ways both seen and unseen.
“However, the commitment required to sustain the Torch throughout this period has been absolute and has come at no small cost to me and to my young family. Now is the time for me to pass on the baton and regain some equilibrium. I have absolute confidence in the artistic leadership of the Torch under Chelsey Gillard, and faith in the team to continue on this exciting trajectory. As I step away, I will be taking some time with my family before pursuing fresh opportunities as we look forward to our next adventure. I will enjoy again celebrating and supporting the Torch as a patron and will look forward to contributing with fresh energy and perspective to the arts and the cultural conversation in Wales and beyond.
“There is never a perfect moment to step aside but having been in dialogue for some time over how and when I would make this change, and with long-term funding and support for artistic innovation and organisational development secured, I have decided with the Board that now is the time to make the break. As such I am stepping down from today with interim arrangements in place as the Board reviews the strategic plan and objectives for my successor.
“I want to thank the staff and volunteer teams (past and present) who go above and beyond to provide a warm welcome and life-enriching experiences to our patrons. Sincere thanks also to our partners, funders – especially colleagues at Arts Council Wales – sponsors, supporters and above all our audience members. Each have delivered a huge vote of confidence in my leadership and the quality in artistic and community provision delivered by our team, with their support throughout my years in post – both financial and otherwise – and it has been so very much appreciated.
“I would like to use my parting words on behalf of the Torch to entreat government at every level to recognise not only the economic and wellbeing benefits that the arts generate and deliver, but also the essential contributions that the arts and in particular, a venue such as the Torch makes to the cultural fabric of their community and society at large. Our theatres, at their best, are citadels of expression and inclusion that play a vital role in forging social cohesion, place-making and sustaining communities, particularly in times of social decline and unrest. However, such venues within the funded arts sector cannot continue to exist on the good will and the commitment of their overextended workforce and require adequate funding and support if they are to continue to prosper. Protect the arts, Caru the Torch.”
Katrina Marsh, Chair of the Torch Theatre Board of Management said: “On behalf of the Board and staff team we extend our thanks to Ben for his dedication and leadership through the most challenging period in our history. His commitment to the Torch, its artists and the people of Pembrokeshire has left a legacy that we will seek to protect and build on. We wish Ben and his family well in their future endeavours and will be working with the senior management team to continue the delivery of our operational and strategic plans.”
Entertainment
Rescue drama at sea as Torch Theatre unveils its most imaginative panto yet
Rapunzel takes to the waves in a Pembrokeshire twist on a classic tale
REPORTS are coming in of a multi-agency rescue operation six miles off the coast of Milford Haven — led, of course, by indomitable local hairdresser Dame Belinda Beehive.
The mission? Nothing less than saving Neyland’s head-turning stunner, Rapunzel, who this year finds herself stranded at the top of a 200-foot lighthouse rather than a tower. The Herald understands that alongside appalling sea conditions, rescuers are also contending with an unidentifiable sea monster determined to make off with their belongings.
It can only mean one thing: pantomime season has arrived at the Torch Theatre.
The Milford Haven venue’s festive production of Rapunzel, running from December 6 to December 28, promises to be one of its most ambitious and imaginative pantomimes to date.
“Yes, it’s an interesting one,” laughs writer and artistic director Chelsey Gillard, the driving force behind this year’s show. “People are starting to look for different titles and slightly more unusual fairy tales. Following on from last year’s Jack and the Beanstalk, I wanted something a bit more ‘princessy’ — but still very Pembrokeshire.”
Given the Torch’s clifftop location, Chelsey leaned straight into a maritime twist. “So instead of a tower, Rapunzel is stuck in a lighthouse somewhere off the coast of Milford Haven,” she says.
Rapunzel is played by Neyland’s Holly Mayhew, a recent graduate of Drama Studio London. Her long-lost mother — Dame Belinda Beehive — is brought to life by Lloyd Grayshon, while mischievous puffin Zephyr is played by Freya Dare. They are joined by the occasional shark, an assorted school of fish, and a host of friendly sea creatures played by members of the Torch Youth Theatre.

But while the setting may be new, Chelsey says the heart of pantomime remains firmly intact.
“It’s a slightly unusual story, but it’s still got all the essentials: a dame, slapstick routines, loads of songs, silly dances, and all the audience interaction that creates the magic of a pantomime. People’s expectations are huge — this is the main theatrical event of the year — so we have to pour everything into it.”
Chelsey admits that responsibility weighs heavily, but her love for panto keeps her motivated.
“I’ve always adored panto. As a child I’d look forward to it every year with my school or with my mum and dad. It was a huge thing for me — and I want our audiences to feel that same excitement.”
This year’s production also comes as something of a relief after Chelsey’s recent turn into darker territory with October’s gothic The Turn of the Screw.
“That was a much more serious piece,” she says. “So the thought of being silly for a few weeks is exactly what I need!”
Rehearsals are now entering their second week ahead of the first school performance on November 26. With just three weeks to pull everything together, Chelsey says she is supported by a formidable creative team, including designer Kevin Jenkins and workshop manager Sam Wordsworth.
“All the sets are built on site here at the Torch — which is really rare these days. Thanks to the team’s skill, the designs were finished back in May. A panto takes a good twelve months of planning before opening night.”
Even so, Chelsey admits to nerves during the first script read-through.
“You always wonder whether the jokes will land and if the cast will get your humour. And audiences here in Pembrokeshire are not shy about telling you what they think!”
But now that rehearsals are in full swing, she says the joy of the process has returned.
“I’m lucky to do a job I love so much. And once the show is up and running, I get to step back and enjoy what this brilliant cast has created.”
Rapunzel runs from Saturday, December 6 to Sunday, December 28.
Tickets: £24.50 | £20 concessions | £78 family.
Relaxed performance: Saturday, December 13 at 2:00pm.
BSL interpreted performance: Tuesday, December 16 at 6:00pm (interpreter: Liz May).
For full details, visit www.torchtheatre.co.uk or call the Box Office on 01646 695267.

Entertainment
Psychic Fayre returns to Tenby with festive twist at De Valence
A POPULAR psychic and wellbeing fayre is set to return to Tenby next month, bringing a full day of readings, healing, crafts and Christmas magic to the town centre.
The event, hosted by QueenBee Events, will take place on Saturday, December 13, from 10:00am to 4:00pm at the De Valence Pavilion on Upper Frog Street.
Mind, body and soul
Organisers say the fayre is designed to offer “enlightenment for the mind, body and soul”, with a wide range of stalls and services on offer throughout the day. Visitors can expect mediumship readings, tarot readings, reiki, spiritual healing, and an assortment of local craft stalls.
A spokesperson for the event said the day aims to provide “a welcoming space for reflection, guidance and festive wellbeing” as the Christmas season approaches.
Festive fun for families
Younger visitors will also have an added attraction, with Santa’s Grotto running alongside the fayre for £2 per child. Admission to the main event costs £1.
The popular annual gathering has become a fixture of Tenby’s December calendar, drawing residents and visitors keen to explore spiritual and holistic practices.
Further information is available by emailing: [email protected].

Entertainment
Local premiere for S4C documentary on Pembrokeshire’s ‘Cannabis Cove’
Exclusive screening revisits one of Wales’ most remarkable police operations
A TWO-PART documentary exploring a major drugs bust that stunned a quiet Pembrokeshire seaside town will have its exclusive English-language premiere in Newport next week.
Cannabis Cove: Operation Seal Bay, produced for S4C, takes viewers back to 1983, when the peace of Newport was shattered by one of the most extraordinary police investigations in Welsh criminal history.

That summer, the town became the unlikely centre of an international smuggling ring after a local fisherman, Andy Burgess, spotted something unusual at a remote beach called Pwll Coch—known locally as Seal Bay.
Soon after, authorities discovered a concealed hatch on nearby Traeth Cell Hywel. Beneath it lay a man-made underground chamber stocked with food, radio equipment and fibreglass resin — “like something straight out of James Bond.”
The mystery unfolds
As detectives began to investigate, residents reported strange activity around Newport — unfamiliar luxury cars on rural lanes, and strangers flashing £50 notes in local pubs.
What followed was a sprawling investigation that reached from Pembrokeshire to Scandinavia and the Middle East. Within days, three men — Robin Boswell, Ken Dewar, and escaped drug trafficker Sam Spanggaard — were arrested.
However, the case soon hit a snag: the drugs had disappeared. Without the contraband, the entire prosecution risked collapse. Detectives began to suspect there was a local connection — someone who knew the coastline well.

Forty years on
More than four decades later, S4C’s new documentary returns to the mystery with rare interviews, archive footage, and dramatic re-enactments.
For the first time, it includes testimony from a local man — known only as “Jim” — whose words are voiced by an actor to protect his identity. “Jim,” who once modified cars for Boswell, became unwittingly entangled in a smuggling network stretching from Pembrokeshire to Morocco and beyond.
The two episodes retrace both the discovery of the secret underground chamber and the international scope of the operation that followed.
Local resident Wendy Phillips recalled: “Everyone knew everyone. Everyone knew each other’s business — that’s just how you were brought up.”
Screening in Newport

The pre-broadcast English-language screening of Cannabis Cove: Operation Seal Bay will take place at 6:30pm on Thursday, November 20, at Canolfan Bethlehem, Upper West Street, Newport.
Following the screening, there will be a Q&A session with retired detectives Don Evans and John Daniels, who worked on the original case, alongside the film’s director James Hale.
Entry is free, but donations will be taken on the door to support Canolfan Bethlehem.
Cannabis Cove: Operation Seal Bay airs on S4C later this month.
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