Entertainment

The Pembrokeshire Murders: Episode 3 review

Published

5 years ago

January 13, 2021

Andy Chandler

TONIGHT, Wednesday January 13, sees the third and final part of The Pembrokeshire Murders air.

From the opening scene, it’s clear that Wilkins needs to act fast to cage Cooper.

Pat’s death is described as natural from the get-go, but theories will no doubt talk about how ‘Cooper must have done it’. He didn’t.

Her passing weighs heavily on Wilkins’ shoulders, you see that when he breaks the news to Andrew and it could be argued that her passing gives the team that extra bit of energy to finally see Cooper caged for his crimes.
11 minutes into the final part, Wilkins gets his ‘Golden Nugget’, Peter Dixon’s blood is found on John’s bathers after the hem is unpicked, they also find a hair from the Dixon’s daughter.

They’ve got him.

Luke Evans’ restrained joy boils over as he gleefully tells the DNA expert that he bloody loves her and that moment of relief is palpable for Wilkins who can now see the end in sight.
Within 120 seconds, we see Cooper collared by police for his crimes and literally dragged off kicking, screaming and swearing as his scheming is finally brought to an end, although it wasn’t filmed in Letterston where it took place in reality.

Caroline Berry as Pat Cooper (L) and Oliver Ryan as Andrew Cooper (R)

The scene where they find Cooper has tooled himself back up to, we assume, kill again, felt a tad unbelievable, a stretch too far even.
I didn’t particularly enjoy how stupid it made the cunning, clever Cooper seem when the race had already been run and I wasn’t entirely sure it served much of a purpose besides showing us how close the writers think Cooper was to killing again. I didn’t believe this scene was based on fact, until I got told by a friend that it was! I couldn’t believe Cooper didn’t know when to call it a day, unless by that point he genuinely felt he had nothing to lose.

It does however set up the face-off between Wilkins and Cooper that we’ve been waiting for 2 days to see.
The battle of the fathers takes place with Wilkins barely saying a word for the first few questions, but his triumphant gaze at Cooper, who now clings to his ‘ask Adrian’ defence, tells you everything you need to know about the calmness of Wilkins character and Luke Evans, again, plays this scene subtley, Allen’s Cooper though is rebellious to the end.
The victims of the Nolton Hill Estate attack get their chance at closure, their dreadful experiences have been somewhat under-mentioned so it felt rewarding to see a human reaction to part of Cooper’s crimes that are easily overshadowed by the double murders, but shouldn’t be forgotten.
As we hurtle towards the end, we see Wilkins steeling Andrew Cooper up to testify at John’s trial by video-link in a scene that, once again, shows the two standout actors of this production at their very best.
A non-threatening but righteous Wilkins coaxes Andrew into doing the right thing in a touching scene where Andrew finally gets the support he’s been lacking, only this support comes from the Police, not his family as he so dearly craved.

Cooper trips himself up in spectacular fashion during the trial as he’s forced to either admit lying to the court previously, or lying to the court now.
That moment, for me, secured his conviction as he’s finally left speechless and, to be honest, a tad pathetic.
Allen nails Cooper’s outburst as he’s taken down and that anger kicks in as he swears at the judge and finally disappears from view to spend the rest of his life behind bars.
The Pembrokeshire Murders ends with Wilkins’ son deciding to become a Policeman like his dad and the battle of the fathers is over.
Andrew Cooper hated his dad and wanted to be nothing like him, Steve Wilkins son ends up deciding to be more like his father so Steve Wilkins wins the day. Bravo!

‘The Pembrokeshire Murders’ is a story we’ve seen on countless cop shows for years. A cold case, a disgruntled cop with a chequered past is brought in to find the truth, through the course of the story he discovers the truth and in doing so mends himself and the lives of those around him.
It’s nothing special.
Until you factor in the true story elements, the superb performances and, to be frank, the local setting. If this was called ‘The Lancashire Murders’ I dare say that maybe I wouldn’t be as forgiving with the misfires as I am with this.

A great adaptation of a meaty story that does what it can with a story seen a thousand times before, the performances of Luke Evans, Keith Allen, Alexandria Riley, Oliver Ryan and Caroline Berry bring real heart and soul and set this apart from the rest. 4/5

Check out this weeks Herald where we’ll be taking another look at a confusing local double murder some say bares all the hallmarks of John Cooper….

Entertainment

Saundersfoot film to premiere where it was made

Published

3 days ago

June 17, 2026

Tom Sinclair

A PEMBROKESHIRE-made feature film is to receive its big-screen premiere next month in the very harbour where much of it was shot.

Near and Distant Things, written and directed by Saundersfoot filmmaker Emily Batty, will be shown outdoors at Saundersfoot Harbour on Saturday, July 18, as part of the Torch Theatre’s Sunset Cinema series.

The drama, filmed in summer 2025, tells the story of a grieving fisherman trying to support his daughter after she returns home, while experiencing dreamlike visions of his late wife.

The film makes strong use of the Saundersfoot landscape, with scenes filmed at the harbour, The Royal Oak pub, Monkstone Point and other familiar local locations.

Emily, 22, who grew up in Saundersfoot and recently graduated from the University of Oxford with a geography degree, has described the project as “a love letter to home”.

She said: “Watching a film set in Saundersfoot, with recognisable faces and locations on screen, in the heart of the harbour itself where we filmed many scenes, feels incredibly full-circle.

***The crew pause for a team-photo (Pic: Rachell Lambert Photography)***

“I can’t wait to share that experience with people.”

The film was made with the support of a small team and a largely local cast and crew.

Emily said the production had only been possible because of the “incredible amount of local support” received during filming.

She also praised composer and sound designer Zach Worthington, whose work helped shape the atmosphere of the film.

She said: “The score and soundtrack feel so entangled with the landscape of home.

“It’s a little bit folk, a little bit Celtic, and rather emotional.”

Emily, who has written and directed the film under the name Emily Florence, said some of the ideas behind the film had been with her for several years.

***Saundersfoot Harbour was used as a filming location and will now host the premiere (Pic: Rachell Lambert Photography)***

She said: “Some of the images within the film have been in my head since I was 18.”

She added that Pembrokeshire remains a major source of inspiration for her future work.

“I have a couple of screenplays in the works – I never stop writing – and I’m looking to get agented,” she said.

“I’m excited to continue to tell stories, in whatever capacity that may be.

“I can say that Pembrokeshire is still my muse, and I don’t think I’m done telling stories about home.”

The outdoor screening will take place on the harbour decking, with gates opening at 6:00pm and the film beginning at 7:00pm.

The film is rated PG, but includes themes of bereavement, mental health, domestic abuse and references to suicide which some viewers may find upsetting.

Emily said she hoped the premiere would be a moment of shared pride for the village.

She said: “So many people helped bring this film to life.

“There’s something very special about sharing a story set in Saundersfoot, surrounded by the landscape that inspired it.”

Tickets are available through the Torch Theatre website, with advance booking recommended.

Entertainment

Hawkstone Farmers’ Choir to perform at Royal Welsh Show

Published

4 days ago

June 16, 2026

Tom Sinclair

THE HAWKSTONE FARMERS’ CHOIR, winners of ITV’s Britain’s Got Talent, will perform at the 2026 Royal Welsh Show.

The choir will sing in the main ring on the afternoon of Monday, July 20, the opening day of the show at Llanelwedd, Builth Wells.

Formed by Jeremy Clarkson as part of an advertising campaign for his Cotswolds-based brewing business, the choir has since grown into a national success story, using its platform to raise awareness of mental health within the farming community.

Aled Rhys Jones, chief executive of the Royal Welsh Agricultural Society, said: “We are absolutely delighted to welcome the Hawkstone Farmers’ Choir to the Royal Welsh Show.

“Their performance on the Monday in the main ring, in front of thousands of visitors, will be a truly special occasion.”

He added that it would be the choir’s first official performance in Wales since winning Britain’s Got Talent, and said many choir members had strong links with the Royal Welsh.

Lead soloist Rosie Jones, a beef and sheep farmer from Mid Wales, said: “What an honour to be invited to sing at the Royal Welsh Show 2026.

“This fairytale journey just keeps growing, but the greatest thing to come from it is the community we’ve built within the choir and beyond.”

The Royal Welsh Show is one of Europe’s leading agricultural events, celebrating Welsh farming, food and rural life.

Picture caption:

The Hawkstone Farmers’ Choir (Pic: Britain’s Got Talent / ITV).

Entertainment

Safe Online Gambling: Tips for Staying in Control

Published

5 days ago

June 16, 2026

Staff Writer

In many cases, online gambling is a harmless hobby. However, for others, gambling can become problematic without the right considerations. Thankfully, there are many ways to keep gambling habits restrained to prevent addiction. With that in mind, here are some safe online gambling tips to help you stay in control and keep gambling fun.

Set Financial Limits

Licensed operators must offer tools that allow people to set personal budgets. And from 30 June, they must also provide customers with an opportunity to set deposit limits, which refers to the amount a customer pays into their account over a set duration. These kinds of tools can be invaluable for people who struggle knowing when to stop or have a habit of chasing losses.

Similarly, most reputable casinos also have time limits, to ensure you aren’t spending too much time gambling. Additionally, if you feel you’ve lost control entirely, you can also self-exclude yourself from all sites by registering for an account with Gamstop Online.

Avoid Gambling Under the Influence

Gambling under the influence, after consuming alcohol for instance, can impair your judgement and lead to impulsive decisions. It’s essential that you only gamble while sober and when you’re not experiencing any particularly strong emotions, so you can make more informed, level-headed decisions.

This is especially true when using the fastest payout casinos or high intensity games, as it can be easy to get caught up in the fun, lose money fast, or make more impulsive decisions.

Know the Signs of Problem Gambling

When you gamble, you are taking a risk. Not just financially, but emotionally too. It’s important that you recognise the signs of problem gambling, so you can address any problems early to prevent further harm.

Some of the common signs of problem gambling include:

Frequently chasing losses
Using money intended for savings or essential expenses for gambling
Borrowing money from friends or relatives to gamble
Feeling agitated, angry, or anxious when not gambling
Having a preoccupation with gambling
Feeling out of control or impulsive when gambling
Not engaging in other hobbies or withdrawing from social activities
Concealing or lying to loved ones about gambling habits

Maintain Gambling Best Practices

To prevent your gambling habits from becoming a problem. Be sure to set yourself financial and time limits, avoid gambling when under the influence or when experiencing strong emotions, and get to know the early warning signs of problematic behaviour so you can address any issues quickly.