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The Pembrokeshire Murders: Episode 3 review

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TONIGHT, Wednesday January 13, sees the third and final part of The Pembrokeshire Murders air.

From the opening scene, it’s clear that Wilkins needs to act fast to cage Cooper.

Pat’s death is described as natural from the get-go, but theories will no doubt talk about how ‘Cooper must have done it’. He didn’t.

Her passing weighs heavily on Wilkins’ shoulders, you see that when he breaks the news to Andrew and it could be argued that her passing gives the team that extra bit of energy to finally see Cooper caged for his crimes.
11 minutes into the final part, Wilkins gets his ‘Golden Nugget’, Peter Dixon’s blood is found on John’s bathers after the hem is unpicked, they also find a hair from the Dixon’s daughter.

They’ve got him.

Luke Evans’ restrained joy boils over as he gleefully tells the DNA expert that he bloody loves her and that moment of relief is palpable for Wilkins who can now see the end in sight.
Within 120 seconds, we see Cooper collared by police for his crimes and literally dragged off kicking, screaming and swearing as his scheming is finally brought to an end, although it wasn’t filmed in Letterston where it took place in reality.

Caroline Berry as Pat Cooper (L) and Oliver Ryan as Andrew Cooper (R)

The scene where they find Cooper has tooled himself back up to, we assume, kill again, felt a tad unbelievable, a stretch too far even.
I didn’t particularly enjoy how stupid it made the cunning, clever Cooper seem when the race had already been run and I wasn’t entirely sure it served much of a purpose besides showing us how close the writers think Cooper was to killing again. I didn’t believe this scene was based on fact, until I got told by a friend that it was! I couldn’t believe Cooper didn’t know when to call it a day, unless by that point he genuinely felt he had nothing to lose.

It does however set up the face-off between Wilkins and Cooper that we’ve been waiting for 2 days to see.
The battle of the fathers takes place with Wilkins barely saying a word for the first few questions, but his triumphant gaze at Cooper, who now clings to his ‘ask Adrian’ defence, tells you everything you need to know about the calmness of Wilkins character and Luke Evans, again, plays this scene subtley, Allen’s Cooper though is rebellious to the end.
The victims of the Nolton Hill Estate attack get their chance at closure, their dreadful experiences have been somewhat under-mentioned so it felt rewarding to see a human reaction to part of Cooper’s crimes that are easily overshadowed by the double murders, but shouldn’t be forgotten.
As we hurtle towards the end, we see Wilkins steeling Andrew Cooper up to testify at John’s trial by video-link in a scene that, once again, shows the two standout actors of this production at their very best.
A non-threatening but righteous Wilkins coaxes Andrew into doing the right thing in a touching scene where Andrew finally gets the support he’s been lacking, only this support comes from the Police, not his family as he so dearly craved.

Cooper trips himself up in spectacular fashion during the trial as he’s forced to either admit lying to the court previously, or lying to the court now.
That moment, for me, secured his conviction as he’s finally left speechless and, to be honest, a tad pathetic.
Allen nails Cooper’s outburst as he’s taken down and that anger kicks in as he swears at the judge and finally disappears from view to spend the rest of his life behind bars.
The Pembrokeshire Murders ends with Wilkins’ son deciding to become a Policeman like his dad and the battle of the fathers is over.
Andrew Cooper hated his dad and wanted to be nothing like him, Steve Wilkins son ends up deciding to be more like his father so Steve Wilkins wins the day. Bravo!

‘The Pembrokeshire Murders’ is a story we’ve seen on countless cop shows for years. A cold case, a disgruntled cop with a chequered past is brought in to find the truth, through the course of the story he discovers the truth and in doing so mends himself and the lives of those around him.
It’s nothing special.
Until you factor in the true story elements, the superb performances and, to be frank, the local setting. If this was called ‘The Lancashire Murders’ I dare say that maybe I wouldn’t be as forgiving with the misfires as I am with this.

A great adaptation of a meaty story that does what it can with a story seen a thousand times before, the performances of Luke Evans, Keith Allen, Alexandria Riley, Oliver Ryan and Caroline Berry bring real heart and soul and set this apart from the rest. 4/5

Check out this weeks Herald where we’ll be taking another look at a confusing local double murder some say bares all the hallmarks of John Cooper….

 

Entertainment

Blodwen Rocks the Boat sets sail for Torch Theatre

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One-woman musical comedy from Newport performer Emily Davis heads to Milford Haven after Fringe success

FOLLOWING a successful run at the Edinburgh Fringe, Newport performer Emily Davis is setting sail on a UK tour with her uplifting one-woman musical comedy, Blodwen Rocks the Boat.

Blending sharp satire, original songs and heartfelt storytelling, the show takes an affectionate look at modern ideas of work, ambition and success — and what happens when we dare to question the path we’re on.

Blodwen believes she’s finally got it all figured out. The job, the city lifestyle, the reassuring sense that she’s “made it.” But when a corporate away day takes her unexpectedly out to sea, something begins to shift. As the tide turns, so too does Blodwen’s understanding of what success really means.

Directed by Paulus the Cabaret Geek and accompanied by musician and composer Andy Campbell Smith, Blodwen Rocks the Boat is a witty and life-affirming reminder that success isn’t always about climbing higher — sometimes it’s about choosing your own direction.

Emily Davis is a Welsh cabaret performer, singer and writer who has built a loyal following for her character-led solo shows. Previous Blodwen productions have enjoyed acclaimed runs at the Edinburgh Fringe and venues including the Wales Millennium Centre. This latest show marks her most ambitious project yet — a fully original musical developed through Fringe performances, previews and professional collaboration.

Emily said: “My Blodwen has blossomed! This is my biggest show yet and I can’t wait to see how audiences respond. I invite you to spend an evening with me — a Welsh woman who can sing and doesn’t mind making a fool of herself on stage! I promise you’ll also leave feeling very excited about stationery!”

The London Theatre Review described the show as “stunning”, adding: “Emily’s striking and powerful singing contrasts beautifully with the Welsh-accented simplicity of Blodwen’s stories. What an engaging performer.” Cabaret Scenes praised her vocal talent, calling it “her secret weapon.”

Blodwen Rocks the Boat tours the UK this spring and comes to the Torch Theatre on Tuesday, March 17 at 7:30pm.

Tickets are £15 and the show is suitable for ages twelve and over.

For more information visit www.torchtheatre.co.uk or contact the Box Office on (01646) 695267.

 

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Entertainment

Let the cat out of the bag with the Torch Theatre

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IT MAY feel like Christmas is a long way off, but tickets for the Torch Theatre’s 2026 school pantomime are already selling fast.

This year’s production promises hiss-terical humour, plenty of local references and a whisker of Western adventure as Puss in Boots rides into town. With over 2,000 tickets already booked and some performances sold out, schools are being urged to secure their seats now.

For a limited time, tickets are available at a special early bird price, and schools pay nothing until December. Booking early not only guarantees the best seats in the house but locks in this year’s prices too.

Last year’s Rapunzel welcomed more than 3,000 schoolchildren from across Pembrokeshire. Six schools also received financial support through the Arts Council of Wales ‘Go and See Fund’ to attend. The theatre is hoping to build on that success in 2026.

Tim Howe, Senior Manager for Youth and Community at the Torch, said: “For many young people, pantomime is their first experience of live theatre — that first spark of theatrical magic. Our commitment goes beyond the curtain call, with every school receiving a dedicated resource pack to bring the themes of the show into the classroom.

“Regardless of where they live, young people need the arts. We’re proud to support our community’s wellbeing through live performance. Studies suggest that the social connection found at the theatre can even reduce GP visits and hospital stays. Our panto isn’t just a show — it’s part of building a healthier Pembrokeshire. And they do say laughter is the best medicine.”

The Torch is preparing to welcome audiences this December as Puss helps our heroes chase fame and fur-tune in Wild West Wales. Pull on your cowboy boots and join the meow-sical extravaganza — it promises to be the cat’s pyjamas.

A Relaxed Environment performance will take place on Saturday 19 December at 2:00pm, and a BSL-interpreted performance on Tuesday 22 December at 6:00pm.

For more information visit www.torchtheatre.co.uk or call the Box Office on 01646 695267.

 

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Community

Festival of the Sea to return with free family day at Milford Waterfront

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Coastal groups, artists and charities unite at Sybil House to celebrate Pembrokeshire’s marine life and community spirit

MILFORD HAVEN is set for a splash of colour, music and marine discovery next month as the Festival of the Sea returns with a full day of free activities for families.

Organised by Pembrokeshire Coastal Forum, the event will take place at Sybil House on Sunday, March 1, from 10:00am to 4:00pm, bringing together conservation groups, artists, performers and community organisations to celebrate the county’s coastline and the people whose lives are tied to it.

The Herald understands the festival proved popular last year and has been expanded for 2026, with organisers moving into the larger indoor venue to allow more stalls, workshops and performances.

Visitors can expect a packed programme of hands-on activities and entertainment aimed at all ages. Highlights include a marine wildlife touch tank hosted by the Field Studies Council, children’s art and clay workshops at the Waterfront Gallery, live music and sea shanties, and walkabout pirate performers bringing a bit of theatre to the waterfront.

Throughout the day, local choirs and musicians will perform, creating what organisers hope will feel like a relaxed, community celebration rather than a formal exhibition.

Sue Burton, Pembrokeshire Marine Special Area of Conservation Officer, said: “The Festival of the Sea was really popular last year, and I’m really pleased it’s coming back in the bigger venue of Sybil House.

“The marine environment of Pembrokeshire is internationally important for wildlife as well as for employment and energy. The festival is a fun way to celebrate all the great work being done for our seas, and it’s a great opportunity to engage young people through art workshops, face painting and street theatre.”

A wide range of organisations will host information stands and activities, including the RNLI, Sea Trust, Project Seagrass, The Crown Estate, Car-y-Môr, Marine Conservation Society, Marine Energy Wales and the Port of Milford Haven.

Together, they will showcase projects ranging from marine wildlife protection and habitat restoration to renewable energy and sustainable seafood, highlighting the economic and environmental importance of the Haven and surrounding coastline.

Food and refreshments will also be available, including local produce from Pembrokeshire Beach Food, giving visitors a taste of Pembrokeshire’s growing reputation for coastal cuisine.

Entry is free, and organisers say people are welcome to drop in for a single activity or spend the whole day exploring what is on offer. A full schedule of talks and workshops will be released closer to the date.

For more information, visit www.pembrokeshirecoastalforum.org.uk/festival-of-the-sea.

 

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