Entertainment

The Pembrokeshire Murders: Episode 1 review

Published

5 years ago

January 11, 2021

TONIGHT, Monday January 11, sees the first episode in ITV’s adaptation of ‘The Pembrokeshire Murders’.
A slick ITV production from the opening shot, ‘The Pembrokeshire Murders’ is a story that I’m surprised it’s taken this long to see dramatised.
Luke Evans cuts a stoic figure as SIO Steve Wilkins, trying to find his way back into his old life after returning from London and into the life of his son whilst investigating John Cooper, Wilkins’ story serves as a great opposite to the father-son struggle we get a sense of taking place between John and Andrew Cooper.
Evans gives a physical presence and a single mindedness to Wilkins that, without doubt, helped him convict Cooper but also threatened to derail his attempts to put things back together with his son. Evans plays Wilkins as vulnerable but strong, masculine but not toxic, solitary but a great team-player, distant but involved enough to keep his team motivated when the going gets tough. It’s a layered performance that steers clear enough of cop show stereotypes whilst, over the course of the series, embracing nearly all of them in a fresh way.
‘The Pembrokeshire Murders’ doesn’t hang about, it isn’t long before Wilkins is putting together a team under the code name of Operation Ottawa to investigate Coopers’ links to the Scoveston Park, Coastal Path and Nolton Hill Estate crimes.

Operation Ottawa: the team that cracked the case in the new ITV drama

First on Wilkins’ list is DI Ella Richards, Alexandria Riley does a great job bringing some heart and concern to a character that so easily could’ve become lost along the way. Richards was clearly emotionally affected by the Nolton Hill events and even admits to keeping tabs on the victims 10 years later. It’s little moments like that that elevate this drama above a mere cop show, that kind of professional concern feels very Pembrokeshire and Riley’s performance instantly makes Richards feel like the beating emotional heart of Operation Ottawa.
The insights we have into the life of Andrew Cooper, expertly portrayed by Oliver Ryan, help keeps the drama grounded. From seeing him struggle with his shopping to wincing in pain during physiotherapy, Andrew Cooper is portrayed as a physically and emotionally fragile man struggling to get by having been shunned by both of his parents.
It was quite clear that the Nolton Hill parts of this episode were filmed in Swansea but it didn’t hurt my enjoyment and was done to provide as much protection for the victims and their families as possible, so you can’t really complain about that choice of location change.
Caroline Berry’s Pat Cooper gets our sympathy from one of her first scenes as she berated by her husband when visiting him in prison. A subtle turn from Berry, her Pat is a nervous, fraught figure clearly struggling with the idea that John Cooper will soon be out on parole but someone so caught up or lost in Cooper’s web of lies that there simply isn’t a way out. It’s easy to forget that Pat was a victim of Cooper as well as an accomplice in silence, but never once does Berry’s Pat feel like a bad person, she’s simply between a rock and a hard place.

Caroline Berry as Pat Cooper (L) and Oliver Ryan as Andrew Cooper (R)

John Cooper himself is played by an in-his-element Keith Allen. He plays Cooper as a restrained, powder keg of pent-up aggression just waiting for someone to light his fuse. His Cooper plays mind games, manipulates and controls, even from behind bars.
Allen it seems is having so much fun portraying John Cooper that sometimes his regular accent grins through his assumed South Pembrokeshire-twang but not for long and so much of Allen’s John Cooper is communicated through the eyes that it’s easy not to notice those momentary lapses and when he gets the accent spot on, it’s chilling.
A solid start to ITV’s three part adaptation, ‘The Pembrokeshire Murders’ plot will only thicken from here. What could’ve been an empty police procedural drama is elevated by great performances all around and seeing Luke Evans driving across the Cleddau Bridge was a very cool image to remind us all exactly how local these horrendous crimes were. 4/5

Entertainment

New appeal in search for missing Manic Street Preachers musician

Published

2 days ago

January 31, 2026

Tom Sinclair

Family and charity issue fresh appeal for information about guitarist 31 years on

THIRTY-ONE years after the disappearance of Richey Edwards, a new public appeal has been issued urging anyone with information to come forward.

Edwards, guitarist and lyricist with Manic Street Preachers, vanished on January 31, 1995, in a case that has become one of the most enduring mysteries in British music history.

***Missing for over 30 years: Richey Edwards***

The then 27-year-old was last seen at the Embassy Hotel Bayswater in west London, where he had been staying ahead of a promotional trip to the United States. He checked out of room 561 but never reached his destination.

Despite numerous reported sightings over the years, none have ever been confirmed. Edwards was officially declared presumed dead in 2008, though his family continue to mark the anniversary of his disappearance and keep hope alive that answers may still emerge.

Anniversary appeal

The charity Missing People has released a statement in collaboration with Edwards’ sister Rachel, asking the public to remember the case.

In a social media post, the organisation said: “It is 31 years since Richard went missing, please keep his family in your thoughts.”

They also repeated key identifying details from the time he vanished. Edwards was described as white, around 5ft 7in tall, slim, with brown eyes and a shaved head. He had several distinctive tattoos, including a rose with the words ‘Useless Generation’, the phrase ‘I’ll surf this beach’, and a scar on his lower left arm where he had scratched the words ‘4 REAL’.

Unanswered questions

His car was later found near the Severn Bridge services, close to the Welsh border, prompting widespread searches but yielding no firm clues about what happened next.

At the time of his disappearance, the band were on the brink of international success. Edwards’ intense, literate songwriting and striking image had already made him a defining figure in Welsh rock music. More than three decades later, fans still hold vigils, create murals and share tributes across Wales and beyond.

Police say the case remains open.

Anyone with information is asked to contact the Metropolitan Police Service on 101 or use their online reporting service, quoting reference CONNECT REF 01/764429/24. Missing People also operates a free, confidential helpline on 116 000.

Entertainment

Turner and Constable brought to life on the big screen at the Torch Theatre

Published

3 days ago

January 30, 2026

Tom Sinclair

ART lovers in Pembrokeshire will have the chance to experience the lives and rivalries of two of Britain’s greatest painters when a new documentary, EOS: Turner & Constable, arrives at the Torch Theatre this March.

Celebrating the 250th anniversary of their births, the film explores the intertwined stories and enduring legacies of J.M.W. Turner and John Constable alongside Tate Britain’s major new exhibition. Exhibition on Screen has been granted exclusive behind-the-scenes access, bringing their extraordinary art and personal histories vividly to the cinema screen.

Born just a year apart, Turner and Constable helped redefine landscape painting in Britain – and were fierce competitors. Both captured a nation in transition, yet their styles could not have been more different. Turner’s dramatic skies, blazing sunsets and atmospheric scenes from his travels contrasted sharply with Constable’s gentle, nostalgic portrayals of the English countryside and familiar rural life.

Their opposing visions divided critics and audiences alike, famously described at the time as a clash of “fire and water”.

The documentary offers rare, intimate access to sketchbooks, letters and personal artefacts, alongside insights from leading curators and art historians. It also ties in with Tate Britain’s landmark exhibition, running in London from November 2025 to April 2026, which reunites the two masters’ works side-by-side.

This cinematic event gives audiences the chance to see their masterpieces in stunning detail and discover unexpected sides to two artists whose rivalry shaped British art history.

Turner and Constable will be screened at the Torch Theatre on Sunday, March 15 at 4:30pm.

Tickets are £13. For bookings, visit www.torchtheatre.co.uk or call the Box Office on 01646 695267.

Entertainment

Companies awarded funding as part of Made in Wales: Factual Entertainment project

Published

5 days ago

January 29, 2026

Tom Sinclair

BBC Cymru Wales, BBC Network and Creative Wales have awarded four Wales-based production companies funding to develop ideas for a new Factual Entertainment series

BBC CYMRU WALES, BBC Network, and Creative Wales announced the launch of a new development fund for a Factual Entertainment series at the Wales Media Summit last year.

Production companies with a substantive base in Wales were invited to pitch bold, original ideas that celebrate Welsh creativity while delivering unforgettable entertainment to audiences across the UK.

Boom, Curve Media, South Shore and Tŷ’r Ddraig have successfully been awarded funding to further develop their ideas for a new Factual Entertainment series. Each company will receive £10,000 of funding, with development starting in the coming weeks.

Nick Andrews, Head of Commissioning BBC Cymru Wales, said: “We were really impressed by the variety and volume of the submissions we received – companies really responded to our call for ideas for an ambitious, returnable format, that surprises, unites, and captivates. We’re so excited to be working with the four successful companies, and we’re looking forward to seeing how their ideas develop further.”

Catherine Catton, Head of Commissioning, Factual Entertainment and Events, said: “Made in Wales is a collaboration to find a major new factual entertainment series that will harness the best of Welsh creativity and resonate across the UK. We are really looking forward to working with brilliant Welsh talent to come up with the next big thing.”

Joedi Langley, Interim Head of Creative Wales, said: “This announcement follows a recently published and updated Memorandum of Understanding (MOU) between Creative Wales and BBC, a commitment between the two organisations to work together to support the vibrant, diverse, world-class screen industries in Wales.

“This new development funding will do just that – create new opportunities for Welsh based production companies to develop exciting, original ideas for factual content. Congratulations to the indies, we look forward to seeing what comes next!”

The total funding of £40,000 has been provided by BBC Cymru Wales, BBC Network and the Welsh Government via Creative Wales.