Entertainment

The Pembrokeshire Murders: Episode 1 review

Published

5 years ago

January 11, 2021

TONIGHT, Monday January 11, sees the first episode in ITV’s adaptation of ‘The Pembrokeshire Murders’.
A slick ITV production from the opening shot, ‘The Pembrokeshire Murders’ is a story that I’m surprised it’s taken this long to see dramatised.
Luke Evans cuts a stoic figure as SIO Steve Wilkins, trying to find his way back into his old life after returning from London and into the life of his son whilst investigating John Cooper, Wilkins’ story serves as a great opposite to the father-son struggle we get a sense of taking place between John and Andrew Cooper.
Evans gives a physical presence and a single mindedness to Wilkins that, without doubt, helped him convict Cooper but also threatened to derail his attempts to put things back together with his son. Evans plays Wilkins as vulnerable but strong, masculine but not toxic, solitary but a great team-player, distant but involved enough to keep his team motivated when the going gets tough. It’s a layered performance that steers clear enough of cop show stereotypes whilst, over the course of the series, embracing nearly all of them in a fresh way.
‘The Pembrokeshire Murders’ doesn’t hang about, it isn’t long before Wilkins is putting together a team under the code name of Operation Ottawa to investigate Coopers’ links to the Scoveston Park, Coastal Path and Nolton Hill Estate crimes.

Operation Ottawa: the team that cracked the case in the new ITV drama

First on Wilkins’ list is DI Ella Richards, Alexandria Riley does a great job bringing some heart and concern to a character that so easily could’ve become lost along the way. Richards was clearly emotionally affected by the Nolton Hill events and even admits to keeping tabs on the victims 10 years later. It’s little moments like that that elevate this drama above a mere cop show, that kind of professional concern feels very Pembrokeshire and Riley’s performance instantly makes Richards feel like the beating emotional heart of Operation Ottawa.
The insights we have into the life of Andrew Cooper, expertly portrayed by Oliver Ryan, help keeps the drama grounded. From seeing him struggle with his shopping to wincing in pain during physiotherapy, Andrew Cooper is portrayed as a physically and emotionally fragile man struggling to get by having been shunned by both of his parents.
It was quite clear that the Nolton Hill parts of this episode were filmed in Swansea but it didn’t hurt my enjoyment and was done to provide as much protection for the victims and their families as possible, so you can’t really complain about that choice of location change.
Caroline Berry’s Pat Cooper gets our sympathy from one of her first scenes as she berated by her husband when visiting him in prison. A subtle turn from Berry, her Pat is a nervous, fraught figure clearly struggling with the idea that John Cooper will soon be out on parole but someone so caught up or lost in Cooper’s web of lies that there simply isn’t a way out. It’s easy to forget that Pat was a victim of Cooper as well as an accomplice in silence, but never once does Berry’s Pat feel like a bad person, she’s simply between a rock and a hard place.

Caroline Berry as Pat Cooper (L) and Oliver Ryan as Andrew Cooper (R)

John Cooper himself is played by an in-his-element Keith Allen. He plays Cooper as a restrained, powder keg of pent-up aggression just waiting for someone to light his fuse. His Cooper plays mind games, manipulates and controls, even from behind bars.
Allen it seems is having so much fun portraying John Cooper that sometimes his regular accent grins through his assumed South Pembrokeshire-twang but not for long and so much of Allen’s John Cooper is communicated through the eyes that it’s easy not to notice those momentary lapses and when he gets the accent spot on, it’s chilling.
A solid start to ITV’s three part adaptation, ‘The Pembrokeshire Murders’ plot will only thicken from here. What could’ve been an empty police procedural drama is elevated by great performances all around and seeing Luke Evans driving across the Cleddau Bridge was a very cool image to remind us all exactly how local these horrendous crimes were. 4/5

Entertainment

Saundersfoot film to premiere where it was made

Published

3 days ago

June 17, 2026

Tom Sinclair

A PEMBROKESHIRE-made feature film is to receive its big-screen premiere next month in the very harbour where much of it was shot.

Near and Distant Things, written and directed by Saundersfoot filmmaker Emily Batty, will be shown outdoors at Saundersfoot Harbour on Saturday, July 18, as part of the Torch Theatre’s Sunset Cinema series.

The drama, filmed in summer 2025, tells the story of a grieving fisherman trying to support his daughter after she returns home, while experiencing dreamlike visions of his late wife.

The film makes strong use of the Saundersfoot landscape, with scenes filmed at the harbour, The Royal Oak pub, Monkstone Point and other familiar local locations.

Emily, 22, who grew up in Saundersfoot and recently graduated from the University of Oxford with a geography degree, has described the project as “a love letter to home”.

She said: “Watching a film set in Saundersfoot, with recognisable faces and locations on screen, in the heart of the harbour itself where we filmed many scenes, feels incredibly full-circle.

***The crew pause for a team-photo (Pic: Rachell Lambert Photography)***

“I can’t wait to share that experience with people.”

The film was made with the support of a small team and a largely local cast and crew.

Emily said the production had only been possible because of the “incredible amount of local support” received during filming.

She also praised composer and sound designer Zach Worthington, whose work helped shape the atmosphere of the film.

She said: “The score and soundtrack feel so entangled with the landscape of home.

“It’s a little bit folk, a little bit Celtic, and rather emotional.”

Emily, who has written and directed the film under the name Emily Florence, said some of the ideas behind the film had been with her for several years.

***Saundersfoot Harbour was used as a filming location and will now host the premiere (Pic: Rachell Lambert Photography)***

She said: “Some of the images within the film have been in my head since I was 18.”

She added that Pembrokeshire remains a major source of inspiration for her future work.

“I have a couple of screenplays in the works – I never stop writing – and I’m looking to get agented,” she said.

“I’m excited to continue to tell stories, in whatever capacity that may be.

“I can say that Pembrokeshire is still my muse, and I don’t think I’m done telling stories about home.”

The outdoor screening will take place on the harbour decking, with gates opening at 6:00pm and the film beginning at 7:00pm.

The film is rated PG, but includes themes of bereavement, mental health, domestic abuse and references to suicide which some viewers may find upsetting.

Emily said she hoped the premiere would be a moment of shared pride for the village.

She said: “So many people helped bring this film to life.

“There’s something very special about sharing a story set in Saundersfoot, surrounded by the landscape that inspired it.”

Tickets are available through the Torch Theatre website, with advance booking recommended.

Entertainment

Hawkstone Farmers’ Choir to perform at Royal Welsh Show

Published

4 days ago

June 16, 2026

Tom Sinclair

THE HAWKSTONE FARMERS’ CHOIR, winners of ITV’s Britain’s Got Talent, will perform at the 2026 Royal Welsh Show.

The choir will sing in the main ring on the afternoon of Monday, July 20, the opening day of the show at Llanelwedd, Builth Wells.

Formed by Jeremy Clarkson as part of an advertising campaign for his Cotswolds-based brewing business, the choir has since grown into a national success story, using its platform to raise awareness of mental health within the farming community.

Aled Rhys Jones, chief executive of the Royal Welsh Agricultural Society, said: “We are absolutely delighted to welcome the Hawkstone Farmers’ Choir to the Royal Welsh Show.

“Their performance on the Monday in the main ring, in front of thousands of visitors, will be a truly special occasion.”

He added that it would be the choir’s first official performance in Wales since winning Britain’s Got Talent, and said many choir members had strong links with the Royal Welsh.

Lead soloist Rosie Jones, a beef and sheep farmer from Mid Wales, said: “What an honour to be invited to sing at the Royal Welsh Show 2026.

“This fairytale journey just keeps growing, but the greatest thing to come from it is the community we’ve built within the choir and beyond.”

The Royal Welsh Show is one of Europe’s leading agricultural events, celebrating Welsh farming, food and rural life.

Picture caption:

The Hawkstone Farmers’ Choir (Pic: Britain’s Got Talent / ITV).

Entertainment

Safe Online Gambling: Tips for Staying in Control

Published

5 days ago

June 16, 2026

Staff Writer

In many cases, online gambling is a harmless hobby. However, for others, gambling can become problematic without the right considerations. Thankfully, there are many ways to keep gambling habits restrained to prevent addiction. With that in mind, here are some safe online gambling tips to help you stay in control and keep gambling fun.

Set Financial Limits

Licensed operators must offer tools that allow people to set personal budgets. And from 30 June, they must also provide customers with an opportunity to set deposit limits, which refers to the amount a customer pays into their account over a set duration. These kinds of tools can be invaluable for people who struggle knowing when to stop or have a habit of chasing losses.

Similarly, most reputable casinos also have time limits, to ensure you aren’t spending too much time gambling. Additionally, if you feel you’ve lost control entirely, you can also self-exclude yourself from all sites by registering for an account with Gamstop Online.

Avoid Gambling Under the Influence

Gambling under the influence, after consuming alcohol for instance, can impair your judgement and lead to impulsive decisions. It’s essential that you only gamble while sober and when you’re not experiencing any particularly strong emotions, so you can make more informed, level-headed decisions.

This is especially true when using the fastest payout casinos or high intensity games, as it can be easy to get caught up in the fun, lose money fast, or make more impulsive decisions.

Know the Signs of Problem Gambling

When you gamble, you are taking a risk. Not just financially, but emotionally too. It’s important that you recognise the signs of problem gambling, so you can address any problems early to prevent further harm.

Some of the common signs of problem gambling include:

Frequently chasing losses
Using money intended for savings or essential expenses for gambling
Borrowing money from friends or relatives to gamble
Feeling agitated, angry, or anxious when not gambling
Having a preoccupation with gambling
Feeling out of control or impulsive when gambling
Not engaging in other hobbies or withdrawing from social activities
Concealing or lying to loved ones about gambling habits

Maintain Gambling Best Practices

To prevent your gambling habits from becoming a problem. Be sure to set yourself financial and time limits, avoid gambling when under the influence or when experiencing strong emotions, and get to know the early warning signs of problematic behaviour so you can address any issues quickly.