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Education

Young musicians delight at Valero Secondary Schools’ Music festival

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MORE than 400 secondary age musicians took part in a variety of individual and ensemble competitions at the Pembrokeshire Valero Secondary Schools’ Music Festival held at Ysgol Caer Elen.

Musicians from the County’s Secondary Schools, Pembrokeshire College and further afield took part at the event on November 16th.

Head of Pembrokeshire Music Service Philippa Roberts said: “Heartfelt congratulations to all the pupils who participated in the festival. It has been truly inspiring to see students enthusiastically sharing their musical talents in a supportive and encouraging environment.”

Mared Phillips from Ysgol Bro Preseli, was announced as overall winner of this year’s festival.

Earlier in the day Mared had sung ‘Le Colibri’ by Ernest Chausson. She was also the winner of the Open Woodwind competition, performing the Second movement of Saint-Saens oboe sonata.

The Open String competition winner was cellist Seren Barrett from Greenhill. She performed ‘Tarantella’ by WH Squire.

Open Jazz was won by pianist Iestyn Barellie, also from Greenhill. He performed ‘Sturdy build’ by Christopher Norton. Another double winner, Iestyn also won the Open Guitar competition, performing ‘Sir Duke’ by Stevie Wonder.

Libby Phillips of Haverfordwest High VC School was the winner of the Open percussion class, performing ‘Toccata’ by David Glynne.

Trombonist Ianto Evans of Ysgol Bro Gwaun won the Open Brass competition, playing ‘Thoughts of Love’ by Arthur Prior.

The Open Piano competition was won by Loti Makepeace of Ysgol Bro Preseli. She performed ‘Jingo’ by Christopher Norton.

The Open Vocal Ensemble class winners were a vocal trio from Haverfordwest High VC School – Mia Burnett, Honey Johnston and Briana Havard – who performed ‘Close to you’ by Burt Bacharach.

A piano and harp duo from Jenifer Rees and Eliza Bradbury, Pembrokeshire College, won the open Ensemble category. They performed ‘Preseli Skies’ by Monica Stadler.

The final performers of the afternoon were the Haverfordwest High VC expressive arts band, who performed ‘I’m still standing’ by Elton John. They were winners of the Rock and Pop ensemble competition.

The invited professional adjudicators – Timothy Angel, vocal; Matthew Jenkins, ensemble; Catherine Hare, woodwind; Robin Hackett, brass; Karin Jenkins, strings; Bethan Harkin, piano/harp and jazz; Ben Richards, instrumental; Philip Davies, percussion and rock and pop – were greatly impressed with the high standard and strength of schools’ music on show from across the County.

Mared Phillips from Ysgol Bro Preseli, was announced as overall winner of this year’s festival

Timothy Angel, vocal adjudicator, expressed his admiration for the day: “The wealth of musical talent within Pembrokeshire Music Service is evident to see and made my job both very rewarding and difficult.”

The results of the competitions held during the day were as follows:

WOODWIND

Grade 3 flute

1st – Imogen Holloway, YPD

2nd – Ruby Bunston, YBG

3rd – Saphire Cook, MHS

HC – Angharad Chin & Caitlyn Sanders-Swales, MHS

Grade 3 clarinet & sax

1st – Holly Smith, HHVC

2nd – Katherine Jones, Henry Tudor

3rd – Jed Cox, Greenhill

HC – Felicity Betteridge, MHS; Sasha Aulehla-Atkin, Caer Elen

Grade 4 woodwind

1st – Catrin Jones, Caer Elen

2nd – Erin Dando, MHS

3rd – Mali Jones-Hughes, HHVC

Grade 5 woodwind

1st – Ela-Gwennon Jones, Bro Preseli

2nd – Tom Pounder, MHS

3rd – Emily Dickinson, Greenhill

Grade 6 woodwind

1st – Eryn Howlett, MHS

2nd – Teri Aulehla-Atkin, HHVC

3rd – Eva Rees, MHS

Open Woodwind

1st – Mared Phillips, Bro Preseli

2nd – Libby Phillips, HHVC

3rd – Gemma Armstrong, Bro Preseli & Harry Armstrong, Pembrokeshire College

BRASS

Grade 3 Brass

1st – Eliza Wood, Greenhill

2nd – Tristan George, HHVC

3rd – Logan Rowe-Davies, HHVC

Grade 4 brass

1st – Eilidh Frazer, Greenhill

2nd – Teilo Corp, Bro Preseli

3rd – Bronwen Corp, Bro Preseli

HC – Luca Talbot-English, YBG

Grade 5 Brass

1st – Harry Thomas, YPD

2nd – Owain Williams, HHVC

3rd – Idris Leeming-Hicks, Caer Elen & Cornelia Harries, Bro Preseli

Grade 6 Brass

1st – Eliza Wood, Greenhill

2nd – Archie Noyce, Greenhill

3rd – Jaap Harries, Bro Preseli

HC – Gwilym Jones, Bro Preseli

Open Brass

1st – Ianto Evans, YBG

2nd – Marilla Evans, Bro Preseli

3rd – Carys Rycroft, Bro Preseli

HC – Ifan Evans, Bro Preseli & Morgan Price, Pembrokeshire College

STRINGS

Grade 3 strings

1st – Sybilla Couzens

2nd – Chloe Jenkins-Sims, Bro Preseli

3rd – Benny Brett, HHVC

HC – Nel Freeman, Henry Tudor & Lily Kingaby, YBG

Grade 4 strings

1st – Eloise Barry, HHVC

2nd – Janelle Cabral, HHVC & Brooke Paterson, YBG

3rd – Rosie Basford-Leslie, HHVC

HC – Izaac Frazer, Greenhill & Eira Kaill-Franks, YPD

Grade 5 strings

1st – Ruby Rapi, Bro Preseli

2nd – Nina Powell & Elena Gould

3rd – Cosmo Karenin, HHVC

HC – Claudia Couzens, Redhill

Grade 6 strings

1st – Annabel John, YPD

2nd – Gwenna Kennerley, HHVC

Open strings

1st – Seren Barrett, Greenhill

2nd – Mia Burnett, HHVC

3rd – Maria Cabral, HHVC

HC – Tom Bridger, YPD, Esyllt Corp, Bro Preseli & Sebastian Semaani, YPD

PIANO & HARP

Grade 3 & 4 piano & harp

1st – Hywel Davies, Bro Preseli

2nd – Dev Saini, Bro Preseli & Eva Corr, Redhill

3rd – Elizabeth Evans, HHVC

HC – Toby Slowgrove

Grade 5 piano & harp

1st – Ruby Kleinjans

2nd – Roberta Gale, YPD & Elena Gould

3rd – Amber O’Connor, Bro Preseli & Mischa Orford

Grade 6 piano & harp

1st – Tom Bridger, YPD

2nd – Toby Hounsell, Henry Tudor

3rd – Siddha Saini, Bro Preseli

HC – Gabriel Blackwell & Nikita Vajrala

Open piano & harp

1st – Loti Makepeace, Bro Preseli

2nd – Cosmo Karenin, HHVC

3rd – Ianto Evans, YBG & Sebastian Semaani, YPD

HC – Iestyn Barrellie, Greenhill

PERCUSSION

Drum kit grade 3-6

1st – Poppy Delaney, HHVC

2nd – Teilo Kite, YPD

3rd – Regan Phillips, MHS

HC – Haydon Straviniders, MHS

Overall Open percussion

Libby Phillips, xylophone, HHVC

Open tuned percussion

1st Libby Phillips, HHVC

Open drum kit

1st – Osian Ridgway, Henry Tudor

2nd – Libby Phillips, HHVC

3rd – Ryan Block, Bro Preseli

HC – Sam Berry, YBG & Will Rowe, HHVC

JAZZ

Jazz grade 3-5

1st – Matthew Picton, MHS

Open Jazz

1st – Iestyn Barrellie, Greenhill

2nd – Matthew Shaw, Greenhill

3rd – Harry Armstrong, MHS

HC – Tom Pounder, MHS

GUITAR

Open guitar

1st – Iestyn Barrellie, Greenhill

2nd – George Penney, MHS

3rd – Willis Riley, Greenhill

HC – Lewis Murray, YBG, Steffan James, Caer Elen & Leo Argent, Henry Tudor

VOCALS

Musical Theatre & classical vocals years 7-9

1st – Pixie Coast, HHVC

2nd – Toby Armstrong, Bro Preseli

3rd – Hollie Draper, YPD

HC – Ruby Sunderland, HHVC & Benny Brett, HHVC

Pop vocals years 7-9

1st – Sophia Jones, Henry Tudor

2nd – Brodie Chalmers, HHVC

3rd – Izzy Roberts, MHS & Caitlyn Sanders-Swales, MHS

HC – Martha Bhari, Henry Tudor

Musical Theatre & classical vocals years 10-13

1st – Sara Gwilliam, HHVC

2nd – Lily Davies, HHVC

3rd – Saoirse Whitehead, HHVC

HC – Esyllt Corp, Bro Preseli & Arianna Lister, Caer Elen

Pop vocals years 10-13

1st – Beca Phillips, Greenhill

2nd – Maisie Tennick, Caer Elen

3rd – Lacey Mattsen, HHVC

HC – Gwenna Kennerley, HHVC & Mia Young, Greenhill

Open vocals

1st – Mared Phillips, Bro Preseli

2nd – Corey Hooper-Rees, HHVC

3rd – Micah Bealby, Pembrokeshire College

HC – Ruby Panesar, HHVC & Nyah McKee, HHVC

ENSEMBLES

Instrumental ensembles grade 5-

1st – Roberta Gale, YPD & Eva Corr, Redhill – piano duet

2nd – Gemma Armstrong, Ollie Towe & Anna Dafydd – Bro Preseli flute trio

3rd – Toby Hounsell & Isla Hounsell – Henry Tudor piano duet

Open instrumental ensemble

1st – Pembrokeshire College harp & piano duet

2nd – HHVC flute ensemble

3rd – HHVC String quartet

Open vocal ensemble

1st – HHVC vocal trio

2nd – Pembrokeshire College vocal ensemble

3rd – Haverfordwest High Six

Open rock and pop ensemble

1st – HHVC Expressive arts band

2nd – YBG folk band

3rd – The Monarchs, MHS

HC – Caer Elen “Band 2” & MHS Rock Band

Photos: 1. Overall winner Mared Phillips, Ysgol Bro Preseli 2. Open solo class winners l-r Mared Phillips, Loti Makepeace, Ianto Evans, Seren Barrett, Iestyn Barrellie, Libby Phillips with Head of Pembrokeshire Music Service Philippa Roberts, Stephen Thornton of Valero, Miranda Morgan, Music coordinator. 3. Winners of the open ensemble classes – harp & piano duo, HHVC Expressive Arts Band, HHVC vocal trio).

Education

Steinbeck’s Of Mice and Men cancelled in Wales over racial concerns

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WJEC, the Cardiff-based Welsh exam board, has announced that John Steinbeck’s Of Mice and Men will no longer be included in the GCSE English syllabus in Wales. The decision comes amid concerns over the book’s repeated use of racial slurs and its potential emotional impact on students.

First published in 1937, the novella explores the friendship between Lennie and George as they navigate life during the Great Depression. Despite its literary significance, the text will be phased out from classrooms starting in September.

Rocio Cifuentes, the Children’s Commissioner for Wales, supported the decision, describing the text as “psychologically and emotionally harmful” to Black students.

She explained: “During our research into racism in schools, many Black children specifically mentioned this text and the harm it caused them.”

In Of Mice and Men, the character Crooks, a Black stable hand, is subjected to racial slurs and repeated use of the N-word.

‘Not Censorship’

Ms Cifuentes emphasised that the decision was not about censorship but safeguarding students’ wellbeing.

“This is about protecting children who have told us how harmful classroom discussions around this text have been for them,” she said.

“They’ve often been the only Black child in the room when these discussions occur, surrounded by derogatory depictions of people who look like them.”

WJEC said the decision was part of a broader overhaul that merges English Language and Literature into one GCSE. The board also employed an anti-racism consultant to advise on the selection of appropriate texts.

A WJEC spokesperson said: “We’ve provided a choice of works from writers of diverse backgrounds, nationalities, genders, and communities. This new selection aims to enrich the educational experience with themes that resonate with modern learners.”

Tory Criticism

Natasha Asghar MS, the Shadow Education Secretary, has spoken out against the decision, arguing that banning the book is counterproductive and limits educational opportunities.

“Instead of banning Of Mice and Men, we should teach it within its historical context, showing students how overt racism and sexism were commonplace and accepted in the past, and why this was harmful and wrong.

“Censorship doesn’t solve the problem; it prevents young people from confronting and understanding these prejudices, some of which, sadly, continue.

“Even in 2024, we continue to see racism and sexism in society. If we want to tackle this, then instead of banning a classic text, we would do better to challenge media companies that produce music containing misogynistic language and words with racist connotations.”

Teachers React

Rhian Evans, an English teacher at Ysgol Gyfun Gymraeg Bro Myrddin in Carmarthen, acknowledged the book’s value but understood the reasoning behind its removal.

She said: “We always addressed the use of the N-word carefully in class, discussing why it shouldn’t be repeated. But as a white woman, I can never fully understand how it feels for a child of colour to encounter that word in an educational setting.”

She added: “There are other authors from diverse backgrounds who explore similar themes in ways more relevant to today’s students.”

Previously, Of Mice and Men and Harper Lee’s To Kill a Mockingbird were removed from the OCR English Literature syllabus in 2014, after then-Education Secretary Michael Gove pushed for the inclusion of more British authors.

The updated WJEC syllabus includes classics such as Jane Austen’s Pride and Prejudice, Charles Dickens’ A Christmas Carol, and William Golding’s Lord of the Flies. Contemporary additions include Matt Haig’s The Midnight Library and Christy Lefteri’s The Beekeeper of Aleppo.

The changes aim to ensure a more inclusive and representative literary curriculum for Welsh students.

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Education

Respite care facilities at Pembrokeshire school approved

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PLANS for a respite care facility at Haverfordwest’s Portfield special school have been approved.

An application to Pembrokeshire County Council by Morgan Sindall Group, on behalf of Pembrokeshire County Council, sought permission for a three-bed respite unit for pupils aged between 16 and 19 years old.

Portfield School is an additional learning school for pupils aged three-19, and forms part of a broader network including Y Porth based at Ysgol y Preseli and Haverfordwest High VC School.

Portfield School is currently located in two buildings, one for primary school students, along with a secondary school building for key stages 3 to 4, and pupils aged 16-plus.

The proposed location of the respite care is where the existing lower school currently lies.

Demolition of the lower school was granted as part of a recently approved planning application for the wider site redevelopment, including a masterplan for the campus, the redevelopment of the new primary school building, refurbishment works to existing sixth form block and associated works.

A supporting statement by agent Asbri Planning said: “The proposed location of the respite care was marked out on the approved Site Masterplan as ‘proposed area for future development’. As Pembrokeshire County Council were unsure whether the funding would be available for the respite care, they decided not to include it within the scope of works for the main school application approved earlier this year. The funds have now become available which has allowed the application for a new respite care facility to be submitted to the Local Planning Authority.”

It added: “The respite care aims to conjure up a positive arrival experience for users by introducing an entrance courtyard, whilst enhancing links to nature where key vistas towards nature are considered. The users of the building will have full access to the communal areas and facilities.

“There will be no access for the general public, only the users of the building at that time. The unit will operate 24 hours a day all year round. Full-time care is to be provided and there will be staff available at all times for pupils.”

The application was conditionally approved by county planners.

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Education

Stonehenge may have been built to unify the people of ancient Britain

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THE RECENT discovery that one of Stonehenge’s stones originated in Scotland supports a theory that the stone circle was built as a monument to unite Britain’s early farmers nearly 5,000 years ago, according to a new study by researchers at UCL and Aberystwyth University.

In a research article published in the journal Archaeology International, academics analyse the significance of the recent discovery of the Scottish origin of the six-tonne Altar Stone, which confirmed that all of the stones that make up Stonehenge were brought to Salisbury Plain from many miles away. 

In their new paper, the researchers say that Stonehenge’s long-distance links add weight to the theory that the Neolithic monument may have had some unifying purpose in ancient Britain.

Lead author Professor Mike Parker Pearson from the UCL Institute of Archaeology said: “The fact that all of its stones originated from distant regions, making it unique among over 900 stone circles in Britain, suggests that the stone circle may have had a political as well as a religious purpose – as a monument of unification for the peoples of Britain, celebrating their eternal links with their ancestors and the cosmos.”

Co-author Professor Richard Bevins of Aberystwyth University, said: “It’s really gratifying that our geological investigations can contribute to the archaeological research and the unfolding story as our knowledge has been improving so dramatically in just the last few years.

“Our research is like forensic science. We are a small team of earth scientists, each bringing their own area of expertise; it is this combination of skills that has allowed us to identify the sources of the bluestones, and now the Altar Stone.”

The study has been published (on 20 December) the day before the winter solstice, when the setting sun dips below the horizon over the middle of the Altar Stone and between the two largest upright stones (one of which is now fallen).  During this winter period, Neolithic people feasted close to Stonehenge at the great village of Durrington Walls, and the midwinter solstice was probably central to these events.

Stonehenge is famous for these solar alignments on the solstice and even today attracts large crowds to the site on the shortest and longest days of the year. In addition, it was also the largest burial ground of its age. Some archaeologists think it might have been a religious temple, an ancient observatory and a solar calendar, and this new research adds a political dimension.

Professor Parker Pearson, a Professor of British Later Prehistory, added: “We’ve known for a while that people came from many different parts of Britain with their pigs and cattle to feast at Durrington Walls, and nearly half the people buried at Stonehenge had lived somewhere other than Salisbury Plain.

“The similarities in architecture and material culture between the Stonehenge area and northern Scotland now make more sense.  It’s helped to solve the puzzle of why these distant places had more in common than we might have once thought.” 

Stonehenge’s 43 ‘bluestones’ were brought from the Preseli Hills in west Wales some 140 miles away, while the larger ‘Sarsen’ stones were hauled from their sources at least 15 miles away to the north and east of the stone circle.

Transporting these massive monoliths was an extraordinary feat. Although the wheel had been invented, it had not yet reached Britain so moving these massive stones must have required the efforts of hundreds if not thousands of people.

The researchers point to how Stonehenge’s horizontal Altar Stone is similar in size and placement to the large, horizontal stones of the stone circles of northeast Scotland, where the Altar Stone originated.

These ‘recumbent stone circles’ are found only in that part of Scotland and not in the rest of Britain, so there may have been close ties between the two regions. Megalithic stones had ancestral significance, binding people to place and origins. The Altar Stone may have been brought as a gift from the people of northern Scotland to represent some form of alliance or collaboration.

It is difficult to pin down a precise date when the Scottish Altar Stone was brought to Stonehenge, but it probably arrived around 2500 BCE around the time that Stonehenge was remodelled from its original form.

This is the timeframe when the Neolithic builders erected the large sarsen stones forming an outer circle and the inner horseshoe of trilithons – paired upright stones connected by horizontal ‘lintels’ – that is present today. The Altar Stone lies at the foot of the largest trilithon, which frames the midwinter solstice sunset to the southwest. This was the second stage of construction at Stonehenge, long after the first stage (around 3000 BCE) when it is thought the bluestones from Wales were erected.

This second iteration of Stonehenge was built at a time of increasing contact between the people of Britain and arrivals from Europe, mainly from what are today the Netherlands and Germany. The researchers suggest that this period of contact may have been what spurred this second-stage rebuilding, and the monument was a reaction to these newcomers meant to unite indigenous Britons.

The new arrivals brought with them knowledge of metalworking and the wheel and, over the next four hundred years, their descendants – known as the Beaker people on account of the distinctive pots they buried with their dead – gradually replaced the population of indigenous Britons, and people with this European ancestry became the dominant population across the island.

The geological research was supported by the Leverhulme Trust.

Ends

Picture: The Altar Stone, seen here underneath two bigger Sarsen stones. Credit: Professor Nick Pearce, Aberystwyth University.

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