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Torch artistic director Chelsey Gillard shares her love of the power of panto

SOMEWHERE in the depths of rural Pembrokeshire lurks a lady in yellow with turquoise hair, lips like cochineal slugs on steroids and a penchant for rolling in the grass with pigs.
Enter the world of panto.
“Lloyd Grayshon is in his absolute element,” laughs Chelsey Gillard who is the artistic director of the Torch Theatre at Milford Haven.

“Last year he was a huge favourite with the audiences when he played the dad in ‘Beauty and the Beast’ so this year we decided that he should play the dame in ‘Jack and the Beanstalk’. And he’s loving every minute – he’s even shaved his legs and painted his toenails to help him get into the role!”
No one can deny that staging a pantomime is one of the greatest challenges in the theatrical calendar, but when your task is to write it, cast it and direct your critical eye over every single aspect of its production, the job is mighty. Once again this year, the task is being carried out by Chelsey.

“Yes, it involves a tremendous amount of work and a lot of pressure, as the pantomime is the main focal point of the entire year,” she said.
“And you can rehearse a panto as many times as you want, but when the curtain opens, you just never know what to expect from your audience. This is why I often behave like an angry child when I’m directing, and the number of times I’ve heard our cast say, “And that child in Row C sounded exactly like you do in rehearsals” speaks for itself.”
This will be the second Torch pantomime written and directed by Chelsey, following last year’s hugely successful ‘Beauty and the Beast’.
“The wonderful thing about our audiences here in Pembrokeshire is that they really let us know what they think about a production,” she continues.
“Our box office staff have built up a strong relationship with our audiences, with the result that they hear first-hand what people think. And obviously the audience’s participation is extremely important because it helps us to understand what people are enjoying as well as the things they don’t like. You can just sense it.”
One of the requests from last year’s audience was for more ‘cheeky humour’.
“So needless to say, we’ve made sure that this year they’ll be getting plenty of it,” chuckled Chelsey. “It’s almost as if the Torch is putting on a bespoke production, tailor-made for the Pembrokeshire audience.”
But it’s that instinctive understanding of an audience’s reaction that makes the panto challenge so invigorating for the entire production team.
“Obviously there are certain sections which rely on audience participation, and if the audience is a bit quiet, then the characters will have to work very hard to get them on board.
“Similarly, our dame occasionally homes in on an individual in the audience, but her job is then to try and gauge how far that individual can be pushed. Can they go just that little bit further or should they hold back?”
In charge of the set and costume design is Kevin Jenkins and every costume has been handmade by Louise Sturley and maintained throughout the production by wardrobe mistress Wendy Haslam.

Even though the opening night isn’t until December 13, productions are already well underway for local primary schools throughout Pembrokeshire as well as a few schools in south Ceredigion and west Carmarthenshire.
“Approximately 4,000 children will have attended this year’s pantomime by opening night which is fantastic, when you consider that this could possibly be the very first live performance that many of them will have seen,” continues Chelsey.
“I can remember one of my very first visits to the pantomime when I was a child and even though I can’t remember which pantomime it was, I vividly remember the baddie – who I’m convinced was Jeremy Irons – and he made me cry my eyes out. But I absolutely loved it and it opened up for me the absolute magic of the pantomime and the theatre.”
‘Jack and the Beanstalk’ is being played by a professional company, although many of its actors have strong links with Pembrokeshire including Milford Haven’s Sam Freeman, Lloyd Grayshon who lives in Haverfordwest and professional dancer, performer and choreographer, Freya Dare. Also taking part will be members of the Torch’s Youth Theatre (Years 5 and 6), who will be providing the voices of the Spirit of the Beans via recorded media.
“When you consider how hard the team has worked and how much they’ve achieved in such a relatively short space of time, you realise just how incredible they are,” Chelsey concluded.
“We had two and a half weeks in the rehearsal room, four days on the stage when we started putting everything together such as how to make the beanstalk work, how to set up the lights and the sound, ensure that the mics were all at the right level and throughout all this the cast are learning the songs, the dances, the words as well as getting to know each other as a company.
“They truly are a magnificent team to work with, and what they have created will hopefully show our audiences, both children and adults alike, the real magic of pantomime.”
News
Festival pulls appearance by ex-MP despite acclaim for honest memoir

A PLANNED appearance by former Carmarthen East and Dinefwr MP Jonathan Edwards at this year’s Llandeilo Lit Fest has been cancelled, despite growing praise for his recently published memoir Into the Abyss.
Mr Edwards, who represented the constituency in Westminster for 14 years, had been due to speak about his book on 25 April. The event had originally been billed as “a must for Welsh political enthusiasts” — and many local readers had welcomed the opportunity to hear directly from a man whose political and personal life has played out under intense public scrutiny.
But organisers announced on Tuesday that they had taken the decision to cancel the session, saying: “Upon further review, we believe that the nature and content of the recently published book are not aligned with the values and principles of our festival.” In a follow-up statement, they added: “The potential for harm and distress to some individuals mentioned in the book is too significant to overlook.”
Into the Abyss recounts the most difficult and controversial chapter of Edwards’ life — including a domestic incident in May 2020 that resulted in him accepting a police caution and stepping away from his role in Plaid Cymru. But far from attempting to brush aside the events, the book tackles them head-on with unflinching honesty.
In our earlier review, we described Into the Abyss as “a stark, emotionally raw account of a man confronting the lowest point in his life — not to seek pity, but to take responsibility.” Far from being a political memoir in the traditional mould, Edwards’ writing is deeply personal, exploring themes of shame, regret, and the long, painful road to self-understanding.
While the decision to withdraw his appearance has drawn support from some quarters, others have expressed concern that the festival’s move risks shutting down important conversations.
“It’s a powerful and uncomfortable read,” the review continues, “but that’s what gives it value. In an age where public figures often hide behind PR statements and half-apologies, Edwards has laid himself bare — and that deserves recognition, not rejection.”
Mr Edwards, who stood down at the 2024 general election, has not commented publicly on the festival’s decision. However, those close to him say the memoir was written not to cause harm but as a form of personal and public accountability — a chance to own past mistakes and reflect on what it means to rebuild after failure.
The book has quietly built a following among readers interested not only in politics but in the human cost of public life, and the toll taken by personal breakdown. As our review noted, Into the Abyss is “not a justification — it’s a reckoning.”
Organisers of Llandeilo Lit Fest stressed that they are “dedicated to curating a festival that upholds the values of inclusivity and literary celebration for everyone involved.” But for some, the decision to remove one of the most candid and introspective political memoirs in recent Welsh publishing history raises difficult questions about whose stories are allowed to be heard — and under what circumstances.
Into the Abyss which was co-published by Herald.Wales remains available from major booksellers and online.
Community
Gentle British Shorthair seeks loving forever home

A BEAUTIFUL and affectionate four-year-old British Shorthair cat is looking for a calm and loving home through Greenacres Rescue in Pembrokeshire.
Maple, described by staff as having a “luxurious plush coat” and a “gentle, affectionate nature,” came into the charity’s care through no fault of her own. With her classic round face, soulful eyes, and teddy bear-like fur, she is proving popular with volunteers at the centre.
Greenacres said Maple would make an ideal companion for someone seeking a calm and elegant feline friend. She enjoys gentle fuss and quiet company and has previously lived harmoniously with other cats.

A spokesperson for the charity said: “Maple would thrive in a peaceful environment where she can settle in at her own pace and be treated with the patience and love she deserves. She may be happy to share her home with another gentle-natured feline.”
The rescue centre is based in Pembrokeshire, but rehomes animals across the UK. However, potential adopters are reminded that visits to the centre are essential, and priority may be given to homes closer to the charity’s location.
Anyone interested in adopting Maple is asked to complete an online application form, clearly stating her name: Cat Adoption Form – Greenacres Rescue
Applications are processed Monday to Thursday and are subject to home and vet checks. For more information on the adoption process, visit: Adoption Procedure – Greenacres Rescue
Greenacres thanked all potential adopters for supporting their mission to find loving homes for animals in need.
Could you be the one to give Maple the home she deserves?
Crime
Carmarthenshire man jailed for role in commercial cannabis factory

A MAN who allowed members of an organised crime group to set up a large-scale cannabis factory at his rural property has been jailed.
Martin Evans, 37, appeared at Swansea Crown Court where he claimed to be unaware of the extent of the illegal operation. However, the court heard that by renting out part of his home near Kidwelly, Evans had become a “facilitator” for the criminal enterprise.

During a warrant executed in February under Operation Scotney, police discovered nearly 200 cannabis plants—worth up to £264,100—being cultivated at the property.
Further investigation of Evans’s mobile phone revealed incriminating messages referencing police drones and discussions about increasing heat and humidity to accelerate plant growth, confirming his knowledge and involvement.
Evans was sentenced to 18 months in prison. Another man, Fatjon Xafa, who was actively cultivating the plants, received a 29-week prison sentence.
Detective Chief Inspector Rich Lewis said: “I am in no doubt that Evans knew exactly what was going on at his home. He clearly hoped the rurality of the location would allow the operation to go undetected, and he would have allowed it to continue had we not intervened.”
Police said the bust was part of ongoing efforts to dismantle organised drug networks operating in west Wales.
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