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From Milford Haven to the world: The story of The Evolution Experience

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A grassroots club brand that changed west Wales — and still echoes 25 years on

THE STORY of The Evolution Experience does not begin in 2000.

It begins in 1998, with a major event — Gigawatt ’98 — that had already attracted significant press and BBC Wales coverage before being stopped at the last minute following licensing issues.

For the young team involved, it was more than a cancelled charity concert in aid of the RNLI. It was the moment that changed everything.

Launched in 2000 by Tom Sinclair and his friend John Lee, the founders of Gigawatt Concerts, Evolution began modestly but quickly grew into one of the most ambitious nightlife ventures Pembrokeshire had seen.

At a time when serious clubbing meant travelling to Swansea or Cardiff, a group of young people in Milford Haven decided to build something themselves.

What made The Evolution Experience different was not just the scale, but the young team behind it. At a time when most 19 or 20-year-olds were either at university or in their first jobs, the team behind Evolution were organising large-scale events, managing budgets, dealing with authorities, and taking on responsibilities usually associated with far older operators.

According to the Evolution Experience website in June 2001, the main team members, nearly all from Milford Haven were: Tom Sinclair, John Lee, Denys Bassett-Jones, Gareth Jones, Linda Rouse, Declan Rouse, Dan Mills, Matthew Norman, Luke Sinclair and Mike Knight.

DJ Slipmatt played at several Evolution events

Filling a gap

In the early 2000s, Pembrokeshire’s nightlife was limited. There were pubs, small venues, and occasional events — but nothing on a scale to rival city clubs.

Evolution changed that.

Early nights at the Kings Function Centre in Milford Haven drew hundreds, then close to a thousand people. The venue — a cricket club hall — was transformed with lighting rigs, powerful sound systems, and multiple arenas.

What emerged was not just a DJ night, but a full-scale experience.

As the brand grew, larger venues followed, including the Park House Exhibition Centre in Haverfordwest, where crowds of up to 2,500 attended — an unprecedented scale for the county.

The Evolution Experience Terminal One event in Haverfordwest in May 2002

More than a club night

What set Evolution apart was not just its size, but how it was run.

Despite being organised by people in their late teens and early twenties, the operation was structured and professional. There were sponsorship deals, thousands of flyers distributed across the county, branded vehicles, trained security, and medical cover on site.

Promotion was hands-on, with mailing lists built manually and campaigns run across towns and villages.

The aim was clear: to deliver something that could stand alongside events in larger cities.

And it worked.

Big-name DJs and acts were brought to Pembrokeshire, while local talent was given a platform to perform in front of large crowds.

What made The Evolution Experience different was not just the scale, but the people behind it. At a time when most 20-year-olds were either at university or in their first jobs, the team behind Evolution were organising large-scale events, managing budgets, dealing with authorities, and taking on responsibilities usually associated with far older operators.

As the events grew, so did the scale — and visibility — of the operation. Evolution nights were advertised across the county using thousands of flyers, AA-style road signs directing traffic into Haverfordwest, and branded vehicles fitted with tannoys reminding people on the day that something major was happening.

At one event in May 2002, a large police operation involving around 60 officers and a Gold command structure was deployed, with vehicles searched on arrival — but no issues were identified.

The intensity of promotion occasionally brought its own consequences, with Sinclair receiving a small fine for fly-posting and the use of loudspeakers.

Alongside this, the team pushed boundaries creatively, even securing Civil Aviation Authority permission to project the Evolution logo into the night sky using a high-powered searchlight — a reflection of the ambition behind what had, by then, become far more than a typical local night out.

The first Evolution Experience Terminal One event at the Withybush Showground, Haverfordwest, in March 2002

A platform for people

For many involved, Evolution was more than a night out.

It provided early experience in:

  • event management
  • sound and lighting
  • marketing and promotion
  • working under pressure

Participants went on to careers in a wide range of fields, including policing, design, IT, and the music industry.

For Sinclair, the experience would prove formative in a different way.

The Evolution Experience v Transaction in Tenby in 2018 featuring Judge Jules

Expansion beyond west Wales

As Evolution grew, it began to move beyond its local roots.

Events were held in London, including a night at The Fridge in Brixton. The brand also reached overseas, with a tour in China and plans — later followed by smaller events — in Tokyo.

For a venture that began in a Milford Haven cricket club, the expansion was significant.

The Chequers turning point

In 2002–2003, plans were put forward to establish a permanent home for Evolution at Chequers nightclub in Penally, near Tenby.

The move represented a major step — from one-off events to a fixed venue.

However, the application faced strong opposition from residents, authorities, and other stakeholders, particularly around concerns over noise and location.

Following a lengthy licensing hearing, the application was refused.

Sinclair disputed aspects of the decision, but the project did not proceed.

That pressure brought its own rewards. At just 22 years old, Sinclair found himself standing alone in a packed licensing hearing, representing his case for over six hours without legal support.

It was an experience that would shape everything that followed. “After that,” he has said, “nothing ever really felt that daunting again.”

A short-lived attempt to operate the venue as a private members’ club followed, but this also faced enforcement action and was ultimately discontinued.

The Evolution Experience Members Club operated briefly from the former Chequer’s Nightclub in Tenby in 2003

Lessons learned

The refusal of the Chequers application marked more than just the loss of a venue. It was a moment where ambition collided with the limits of what was possible at the time — in terms of regulation, location, and local sensitivities.

For those involved, it was a harsh but valuable lesson. It exposed the realities of navigating systems that were still evolving themselves, and forced a deeper understanding of how decisions were made — and how they could be challenged.

The episode marked a turning point.

For those involved, it provided first-hand experience of the complexities of licensing, regulation, and public scrutiny.

Sinclair has since reflected that the experience influenced his decision to study law — and later to establish The Pembrokeshire Herald, where scrutiny of authority and public accountability became central themes.

That experience would have lasting consequences. For Sinclair, it sparked a deeper interest in law, leading him to study the subject and later apply that knowledge in a different arena — journalism.

The confidence built through Evolution, and the lessons learned during its most difficult moments, would go on to shape the approach behind The Pembrokeshire Herald.

A return — and a legacy

Although Evolution’s early peak passed, it did not disappear.

The brand returned in later years with events including:

  • “No Place Like Home” nights in 2008
  • smaller club events in 2009
  • a full-house event in Tenby featuring SASH!
  • Andy C at Reload, Good Friday 2012.
  • sell-out shows at the De Valence Pavilion, including Judge Jules

Each time, the response showed that the name still carried weight.

The Evolution experience set up at Matisse nightclub in Haverfordwest in 2008

A shared cultural moment

Today, The Evolution Experience occupies a rare place in local memory.

For those who were there in the early 2000s, it represents:

  • first nights out
  • a sense of something new
  • proof that large-scale events could happen locally

For younger audiences, it remains a recognised and credible brand.

Few nightlife ventures bridge generations in this way.

Andy C at The Evolution Experience, Reload, Haverfordwest, 2012.

Perhaps the most enduring impact of The Evolution Experience is not found in the events themselves, but in what came after.

Those involved did not simply move on — they carried the experience with them. Skills learned under pressure translated into careers across a range of professions, from public service to technology and the creative industries.

In that sense, Evolution was not just a series of nights, but a starting point.

Should it return?

With renewed interest and upcoming anniversary events, the question arises: should The Evolution Experience return in a larger way?

There is no simple answer.

The demand appears to be there, and the brand still resonates. However, the landscape has changed — with stricter regulation, different audience expectations, and a very different nightlife culture.

What is clear is that the original conditions that created Evolution cannot be replicated exactly.

More than nostalgia

Perhaps the question is not whether Evolution should return as it was, but whether the spirit behind it can be carried forward.

Because what Evolution demonstrated — 25 years ago — still matters:

That it is possible to build something significant from nothing, even in a rural area.

That young people, given the opportunity, can create, organise, and deliver at scale.

And that sometimes, what begins as a small idea can leave a lasting impact.

Today, the name still carries weight. For one generation, it represents a time when something genuinely new arrived in west Wales. For another, it is a brand associated with more recent events and headline DJs.

Few local ventures manage to bridge that gap — to be remembered by those who were there at the start, while still recognised by those discovering it for the first time.

Andy C at The Evolution Experience, Reload, Haverfordwest, 2012.

A lasting impression

What started as a birthday party in Milford Haven became something far bigger — not just a club night, but a moment where a group of young people proved they could build something of scale, ambition and lasting impact.

Twenty-five years on, The Evolution Experience is no longer just about what happened on those nights. It is about what grew out of them — the confidence, the careers, and the belief that, even in a rural corner of west Wales, you didn’t have to wait for opportunity.

You could create it.

 

Entertainment

Videos of Brits secretly filmed on spycams found being shared online

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NEW BBC documentary, Hunting the Spycammers, uncovers a dark online network in which footage filmed on hidden cameras in bedrooms, bathrooms, changing rooms and other private spaces is liked and shared. 

Welsh presenter Jess Davies goes undercover to infiltrate this world and finds spycammers boasting about filming wives, girlfriends and strangers without their knowledge, including someone who plants spycams on a walking route to catch women stopping to wee in a bush where there are no public toilets.

Hunting the Spycammers will land on the BBC’s YouTube channels and BBC iPlayer on Wednesday 15 July. It is a co-commission by BBC Current Affairs and BBC Cymru Wales for BBC Three and is produced by Rock Paper Productions.

During her investigation, Jess discovers the range of spycam tech available – cameras disguised as everyday objects like pens, air fresheners and plugs. They’re cheap, easy to buy and almost impossible to spot. Jess speaks to one woman who went to the toilet while eating at a popular high-street restaurant chain and discovered a tiny camera hidden under the toilet seat that had the ability to livestream footage.

To get inside the world of spycammers, Jess teams up with investigative journalist Liam Connell. They discover a sprawling voyeur website – a hub from which users link to encrypted chat groups – and found evidence of illegal, non‑consensual footage being shared anonymously, including by users in the UK. 

Posing as a new “spycammer” looking for advice, they infiltrate these groups from the inside. The evidence they uncover is deeply disturbing: perpetrators openly swapping stories of and tips on how to secretly film family members, partners, flatmates and strangers in private moments like sleeping, showering, changing – and boasting about the footage they captured.

For Jess, this investigation into spycams is personal: driven by her own experience of being secretly photographed naked while sleeping and the image shared on a private WhatsApp group. Speaking about what they discovered in their investigation, Jess said: “It’s a never-ending cycle of mass distribution of non-consensual content of women. It feels like these women are being hunted down and prayed upon.”

Jess confronts some of those who are behind the spycams to ask why they do it, if they know what they’re doing is illegal by capturing non-consensual footage, and whether they feel any sympathy for those who are being targeted.

Sian Harris, Commissioning Editor for BBC Cymru Wales, said: “Anyone who watches this film will relate to the horrific thought of being filmed by a secret camera in those private spaces: a bedroom, the shower, a changing room. Jess and Liam’s compelling investigation not only reveals this as a growing crime, but shines a light on the shady places where non-consensual videos are being traded and asks the questions we’d all want answers to about how and why is this happening.”

Hunting the Spycammers is produced by Rock Paper Productions, the Executive Producers are Cat Donohoe and Catherine Welton and the Producer/Director is Ally Roberts. The Commissioning Editors for the BBC are Rachel Platt and Sian Harris.

 

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Global spirit fills the Pavilion at Llangollen Eisteddfod

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A celebration of Welsh talent, international rhythm and youthful choral excellence brought the Pavilion to life

THERE are some evenings at the Llangollen International Musical Eisteddfod that perfectly capture the spirit of the festival. Global Rhythms: Made in Wales was undoubtedly one of them, bringing together outstanding Welsh talent, global influences and an atmosphere that turned the Pavilion into one enormous celebration.

The evening opened with Band Pres Llareggub, who describe themselves as a “Bronx hip hop-inspired, New Orleans-tinged North Walian brass band with attitude”. It is a bold claim, but one they more than lived up to.

Their infectious blend of driving brass, hip hop grooves and New Orleans flair had the audience moving from the opening number. At the same time, their outstanding musicianship was evident throughout a set that was polished, energetic and exhilarating.

A few songs in, the band peeled off their trademark jackets to reveal matching “Straight Outta Llareggub” T-shirts. It was a moment that perfectly summed up their irreverent sense of fun and drew a huge cheer from the crowd, but the humour never overshadowed the quality of the performance. Every player impressed, delivering a tight and confident set full of technical skill and infectious enthusiasm.

They were joined by Sage Todz, whose distinctive flow and commanding stage presence added another exciting dimension to the performance. The collaboration between brass and hip hop felt fresh, inventive and entirely natural, showcasing the confidence and creativity of Wales’s contemporary music scene.

Earlier in the evening, the Young Choir of the World Final once again highlighted the extraordinary standard of young singers from across the globe. Warm congratulations went to Côr Iau ABC, whose outstanding performances earned them the coveted Young Choir of the World title.

The trophy was presented by Dr Rhys Davies. Dr Davies and his wife have generously donated the prize money for the Young Choir of the World Awards in memory of their son, Owen Davies, adding a deeply personal and poignant note to one of the festival’s most prestigious competitions. Their generosity continues to support and celebrate exceptional young choral talent from around the world.

By the time headliner N’famady Kouyaté stepped onto the stage, the Pavilion was already buzzing, but he took the atmosphere to another level.

Opening with the title track from his latest EP, Aros I Fi Yna, Kouyaté first strapped on an electric guitar, immediately showing that he is far more than a virtuoso balafon player. Later in the set, he switched seamlessly to the balafon, the traditional West African wooden xylophone that lies at the heart of his musical heritage.

Originally from Guinea and now based in Cardiff, Kouyaté is a gifted multi-instrumentalist whose music draws on his family’s griot tradition while embracing jazz, indie, pop and funk influences.

His growing reputation has seen him emerge as one of Wales’s brightest musical talents, winning the prestigious Glastonbury Emerging Talent Competition before earning a coveted Pyramid Stage slot. It is easy to understand why.

Throughout a set featuring Nadjeli, When I See You, Ti a Fi, Demousolini, Balafô Douma and Tama, he demonstrated remarkable versatility. The shimmering sound of the balafon intertwined effortlessly with guitars, percussion and soaring vocals.

There was a particularly poignant moment during Balafô Douma, a song that celebrates the instrument that has shaped his musical journey since childhood. Taught to play the balafon by his parents, Kouyaté performed with the pride of someone carrying a cherished family tradition onto an international stage.

It was a performance rooted in heritage, but entirely contemporary in its sound and outlook.

What stood out most, however, was the sheer joy of it all. Kouyaté’s infectious smile and boundless energy radiated across the Pavilion, encouraging the audience to clap, dance and sing along.

Before long, dozens of competitors from around the world had gathered in front of the stage, transforming the Pavilion into one huge party. It was impossible not to be swept along by the optimism running through his music, a reminder that the finest performances do more than entertain. They bring people together.

Global Rhythms: Made in Wales was more than a concert. It was a celebration of a modern, confident Wales that embraces its own traditions while welcoming influences from around the world.

From the swagger and precision of Band Pres Llareggub, to the lyrical brilliance of Sage Todz and the irresistible rhythms of N’famady Kouyaté, this was an evening that left the audience smiling long after the final notes had faded.

 

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Swing and big band classics heading to Torch Theatre

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The Story of Swing will bring the music of Sinatra, Dean Martin, Sammy Davis Jr, Michael Bublé and Robbie Williams to Milford Haven this summer

A CELEBRATION of swing and big band music is coming to Milford Haven this summer.

The Story of Swing will be performed at the Torch Theatre on Saturday, August 1, 2026, as part of a UK tour taking in venues across England, Scotland and Wales.

Presented by award-winning vocalist and trumpet player Gareth John, the show takes audiences on a musical journey through decades of swing, from the golden era of The Rat Pack to modern-day crooners.

The programme features songs made famous by Bobby Darin, Frank Sinatra, Dean Martin and Sammy Davis Jr, along with numbers associated with Michael Bublé, Robbie Williams, Matt Goss, Paul Anka and Harry Connick Jr.

Gareth John will be joined on stage by the SOS Big Band, bringing the full sound of brass, rhythm and big band arrangements to the Torch Theatre.

Promoters say Gareth is known for his showmanship, passion for the genre and strong rapport with audiences. He has previously shared the stage with acts including The Beautiful South and The Specials.

The Milford Haven performance will also feature Frankie Mack as a special guest.

The show has received praise from a number of musicians and broadcasters. Jazz FM’s Tony Minvielle described the arrangements, performance and concept as “fantastic”, while Dennis Rollins MBE called it “big band and swing music the right way”.

Other dates on the 2026 tour include Lytham St Annes, Lowestoft, Christchurch, Barry, Edinburgh, Solihull, Rhyl, Newark, Eastbourne, Wirral, Taunton, Clacton-on-Sea and Aberdeen.

Tickets for The Story of Swing at the Torch Theatre are available from storyofswing.com.

Caption: Gareth John and the SOS Big Band will bring The Story of Swing to the Torch Theatre in Milford Haven on Saturday, August 1, 2026.

 

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