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The Pembrokeshire Murders: Episode 3 review

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TONIGHT, Wednesday January 13, sees the third and final part of The Pembrokeshire Murders air.

From the opening scene, it’s clear that Wilkins needs to act fast to cage Cooper.

Pat’s death is described as natural from the get-go, but theories will no doubt talk about how ‘Cooper must have done it’. He didn’t.

Her passing weighs heavily on Wilkins’ shoulders, you see that when he breaks the news to Andrew and it could be argued that her passing gives the team that extra bit of energy to finally see Cooper caged for his crimes.
11 minutes into the final part, Wilkins gets his ‘Golden Nugget’, Peter Dixon’s blood is found on John’s bathers after the hem is unpicked, they also find a hair from the Dixon’s daughter.

They’ve got him.

Luke Evans’ restrained joy boils over as he gleefully tells the DNA expert that he bloody loves her and that moment of relief is palpable for Wilkins who can now see the end in sight.
Within 120 seconds, we see Cooper collared by police for his crimes and literally dragged off kicking, screaming and swearing as his scheming is finally brought to an end, although it wasn’t filmed in Letterston where it took place in reality.

Caroline Berry as Pat Cooper (L) and Oliver Ryan as Andrew Cooper (R)

The scene where they find Cooper has tooled himself back up to, we assume, kill again, felt a tad unbelievable, a stretch too far even.
I didn’t particularly enjoy how stupid it made the cunning, clever Cooper seem when the race had already been run and I wasn’t entirely sure it served much of a purpose besides showing us how close the writers think Cooper was to killing again. I didn’t believe this scene was based on fact, until I got told by a friend that it was! I couldn’t believe Cooper didn’t know when to call it a day, unless by that point he genuinely felt he had nothing to lose.

It does however set up the face-off between Wilkins and Cooper that we’ve been waiting for 2 days to see.
The battle of the fathers takes place with Wilkins barely saying a word for the first few questions, but his triumphant gaze at Cooper, who now clings to his ‘ask Adrian’ defence, tells you everything you need to know about the calmness of Wilkins character and Luke Evans, again, plays this scene subtley, Allen’s Cooper though is rebellious to the end.
The victims of the Nolton Hill Estate attack get their chance at closure, their dreadful experiences have been somewhat under-mentioned so it felt rewarding to see a human reaction to part of Cooper’s crimes that are easily overshadowed by the double murders, but shouldn’t be forgotten.
As we hurtle towards the end, we see Wilkins steeling Andrew Cooper up to testify at John’s trial by video-link in a scene that, once again, shows the two standout actors of this production at their very best.
A non-threatening but righteous Wilkins coaxes Andrew into doing the right thing in a touching scene where Andrew finally gets the support he’s been lacking, only this support comes from the Police, not his family as he so dearly craved.

Cooper trips himself up in spectacular fashion during the trial as he’s forced to either admit lying to the court previously, or lying to the court now.
That moment, for me, secured his conviction as he’s finally left speechless and, to be honest, a tad pathetic.
Allen nails Cooper’s outburst as he’s taken down and that anger kicks in as he swears at the judge and finally disappears from view to spend the rest of his life behind bars.
The Pembrokeshire Murders ends with Wilkins’ son deciding to become a Policeman like his dad and the battle of the fathers is over.
Andrew Cooper hated his dad and wanted to be nothing like him, Steve Wilkins son ends up deciding to be more like his father so Steve Wilkins wins the day. Bravo!

‘The Pembrokeshire Murders’ is a story we’ve seen on countless cop shows for years. A cold case, a disgruntled cop with a chequered past is brought in to find the truth, through the course of the story he discovers the truth and in doing so mends himself and the lives of those around him.
It’s nothing special.
Until you factor in the true story elements, the superb performances and, to be frank, the local setting. If this was called ‘The Lancashire Murders’ I dare say that maybe I wouldn’t be as forgiving with the misfires as I am with this.

A great adaptation of a meaty story that does what it can with a story seen a thousand times before, the performances of Luke Evans, Keith Allen, Alexandria Riley, Oliver Ryan and Caroline Berry bring real heart and soul and set this apart from the rest. 4/5

Check out this weeks Herald where we’ll be taking another look at a confusing local double murder some say bares all the hallmarks of John Cooper….

Entertainment

Filming for new season of S4C crime drama Cleddau returns to Pembrokeshire

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Production crew spotted in Pembroke Dock, Neyland and Burton as series set for 2026 release

FILMING has returned to Pembrokeshire this week for the next season of Cleddau — the hit S4C crime drama released in English as The One That Got Away.

The production crew has been seen in Pembroke Dock, Neyland and Burton capturing new scenes for the upcoming 2026 series. Local photographer Gareth Davies shared images of the team working along the estuary, describing “a real buzz” in the area as cast and crew returned after the success of the first season.

Crime thriller rooted in the Cleddau estuary

Cleddau follows a murder investigation that reopens buried secrets in a quiet west Wales community. The show has been praised for its atmospheric storytelling, strong performances and striking use of local Pembrokeshire scenery — with the Cleddau estuary itself forming a central part of the series’ identity.

Residents have reported seeing cameras and production vehicles around familiar walking routes, waterfront areas and estuary-side villages as the crew makes full use of the landscape that inspired the show’s name.

Local interest and economic boost

The return of filming has been welcomed locally, bringing attention, visitors and activity into communities along the waterway. For many residents, the excitement lies in spotting familiar places on screen when the new season airs next year.

The new series of Cleddau is expected to be broadcast in 2026.

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Entertainment

Cardigan Theatre brings Beauty and the Beast to Mwldan this Christmas

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Festive panto promises magic, music and family fun

CARDIGAN Theatre is set to bring festive magic to Theatre Mwldan this Christmas with a fun-filled production of Beauty and the Beast, running from 21–29 December. The pantomime is written and directed by Jonathon Preece and promises all the traditional panto sparkle audiences love.

The story follows once-proud Prince Louis (Emily Davies), who angers Agatha the Evil Enchantress (Kelly Lewis). As punishment for his selfishness, she transforms him into the fearsome Beast (Steve Green). His only hope of breaking the spell is to find true love – or remain a beast forever.

Meanwhile, brave and kind-hearted Belle (Ruby Lemoine) sets out to rescue her eccentric father Marcel (Tom Loveday) who on his way to the “Big Invention Competition”, gets lost and stumbles into the enchanted castle and is taken prisoner by the Beast. Determined to save him, Belle is joined by her loyal friend Jaques, the village silly billy (Sarah Harris), flamboyant Dame Madam Fromage (Rhys Davies), and Gavin (Paul Robinson), the vain village heart-throb who is convinced Belle should marry him!

Inside the castle, Belle encounters a host of enchanted objects, including Tick Tock (Lilwen), Flambe (Bryce), and Mrs Kettle (Manon), who provide humour, magic and plenty of encouragement as they try to help the Beast win Belle’s heart and break Agatha’s curse.

With songs, jokes, colourful characters and plenty of audience participation, the production promises festive fun for all ages.

Beauty and the Beast runs at Theatre Mwldan from 21–29 December. Early booking is advised to avoid disappointment.

Cardigan Theatre can be followed on Facebook and Instagram for updates on future shows.

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Entertainment

Glow returns to Carew Castle with magical illuminations and Santa’s grotto

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CAREW CASTLE and Tidal Mill has launched its annual Christmas spectacular, with the first night of Glow transforming the historic fortress into a shimmering winter wonderland.

The medieval walls are now bathed in colour, with vivid light displays bringing new life to one of Pembrokeshire’s most iconic landmarks. Visitors on opening night were greeted by glowing ramparts, candlelit walkways and festive scenes created inside the castle rooms, including a decorated Christmas tree, a stained-glass style installation and a traditional medieval feast display.

Glow runs every Friday, Saturday and Sunday from 4:30pm to 7:30pm until 14 December, offering families the chance to explore the castle after dark in a way that is rarely possible. The illuminated trail has become one of the county’s most popular seasonal attractions, drawing visitors from across West Wales.

A major highlight for younger visitors arrives this weekend, as Santa sets up his magical grotto inside the castle walls. Children can meet Father Christmas every Saturday and Sunday from 10:00am to 4:00pm until 14 December, with each child receiving a gift. Organisers say booking is essential, with limited spaces available.

Carew Castle’s team said they have worked for weeks to prepare the site for the festive season, aiming to create a magical experience for families and returning visitors. Early reactions from guests at the launch night suggest the event could be one of the strongest yet.

Tickets for both Glow and Santa’s Grotto can be booked via events.pembrokeshirecoast.wales.

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