Entertainment
More than ever visit 2022 Urdd National Eisteddfod

THE LONG-AWAITED 2022 Urdd Eisteddfod was the first and largest national cultural event held for the young people of Wales since the beginning of the pandemic. Access to the festival in Denbighshire was free this year, which resulted in 118,000 visiting the site.
Thousands of competitors from across Wales had the opportunity to perform on stage in one of the three pavilions as the Urdd offered ‘a stage for everyone’ for the very first time, an experiment which was a “major success” according to event organisers.
Siân Lewis, Chief Executive of Urdd Gobaith Cymru said: “We are extremely grateful to the Minister for Education and Welsh Language, Jeremy Miles and the Welsh Government for enabling us to offer free entry to this year’s Eisteddfod. Free entry has helped attract more visitors and competitors from all parts of Wales. We’ve seen such a diverse audience attend the Eisteddfod – it really has been a festival for all.”
Siân Eirian, Director of the Urdd Eisteddfod and the Arts said: “As organisers we’re delighted that the experiment of having three pavilions rather than one, and to offer a stage for everyone, has been a major success and welcomed by our competitors. We will continue with this development as we organise Carmarthenshire’s Urdd Eisteddfod in 2023.
“Several new and exciting elements have been introduced on the Eisteddfod Maes this year, but as all good events, the Urdd will assess and evaluate all developments before deciding which new elements will be adopted next year and into the future.
“We’re extremely grateful to all the teachers, trainers, parents, and carers for working so hard to teach, create and train the competitors over the last few months, ensuring the high standard and success of this very special Eisteddfod. I would also like to thank all our sponsors and partners for their support, and of course, to all the staff and volunteers for all their hard work.”

185 hours of content from the Maes was broadcasted across S4C’s platforms, along with various content throughout the week on BBC Radio Cymru, Radio Cymru 2 and BBC Cymru Fyw.
There was merit in each of the Eisteddfod’s main ceremonies. At the start of the week, it was announced that 12-year-old Shuchen Xie from Cardiff was the winner of the Main Composer of the Urdd Eisteddfod 2022 – the youngest person to ever win one of the main prizes in the history of the Urdd Eisteddfod. Josh Osbourne from Poole won the Welsh Learner Medal and Anna Ng from Cardiff won the Bobi Jones Medal. Osian Wynn Davies from Llanfairpwll won the Drama Medal, Ciarán Eynon who is originally from Llandrillo-yn-Rhos was the winner of the Chair whilst Twm Ebbsworth from Llanwnnen, Ceredigion won the Crown.
The three lucky competitors who will be representing Wales on behalf of the Urdd in the 2022 North American Festival of Wales in Philadelphia in September are as follows: Siriol Elin (Cylch Bro Aled, Conwy), Manon Ogwen Parry (Adran y Fro, Vale of Glamorgan) and Tomos Gwyn Bohana (outside of Wales). Dyffryn Clwyd Choir will also be invited to perform as part of the Team Wales celebrations as they prepare for the 2022 Commonwealth Games in Birmingham this August.
A panel of judges have also chosen six of the most promising competitors under the age of 25 to compete for the Urdd Gobaith Cymru Bryn Terfel Scholarship, which will be held in the autumn. Those competing for this year’s scholarship are as follows: Fflur Davies (Cylch Arfon), Gwenno Morgan (London), Ioan Williams (Adran Bro Taf), Mali Elwy (Adran Bro Aled), Owain Rowlands (Blaenau Tywi) and Rhydian Tiddy (Blaenau Tywi).
The Urdd was pleased to announce that both Gwenan Mars-Lloyd (Denbighshire) and Nansi Rhys Adams (Cardiff and the Vale) receive the Eisteddfod Scholarship this year – a scholarship which is awarded to the most promising competitors in the age group year 10 and under 19 years old. Catrin Jones from Llanwnnen, Ceredigion was also announced as the festival’s Chief Artist and Nel Thomas from Cardiff as winner of the Art, Design and Technology Medal.
Another first for the Eisteddfod was Triban Festival, which has, and continues to be a success for the festival’s organisers. As part of the centenary celebrations, Triban has been a great opportunity to reflect contemporary Welsh music on the Urdd Eisteddfod field, but also an opportunity to celebrate past performers and songs – a perfect combination of old favourites and the new. On Triban’s first night, a full audience laughed their way through Cabarela’s risqué and polished performance. On Friday night, Tara Bandito was joined on stage by Eden, as a special surprise to everyone, and Yws Gwynedd closed the evening with everyone’s favourite, Sebona Fi. Tonight, N’Famady Koyuate will perform his fusion of Mandingue African and western European jazz, pop, indie and funk arrangements. And as part of Triban Festival’s nostalgic offer, Tecwyn Ifan as well as Dilwyn Siôn will be performing ahead of Adwaith and Eden’s line-up to end the Saturday night on a high.
Next year the Urdd Eisteddfod will be held in Carmarthenshire between 29 May – 3 June 2023.
Entertainment
Mad Hatter magic planned for Milford Haven this Easter

THE VIBE in Milford Haven has unveiled a weekend of whimsical fun this Easter, with three themed events inspired by Alice in Wonderland.
The Easter festivities kick off on Good Friday (March 29) with a Mad Hatter’s Easter Egg Hunt, promising a fun-filled adventure for children and families.
On Saturday (March 30), the venue hosts a Mad Hatter’s Cocktail Tea Party, with live music from The Hideaway Trio, offering a more grown-up twist on the Wonderland theme.
The weekend culminates on Easter Sunday (March 31) with the Queen of Hearts Grand Finale, rounding off the holiday celebrations in style.
Organisers say posters are available and are encouraging locals to attend. The Vibe’s Marketing and Advertising Officer, Hannah Shearer, said the team would appreciate any promotion, in print or online, to help spread the word.
For more information or to get involved, contact: enquiriesthevibe@gmail.com

Entertainment
Challenging the traditional telling of Welsh Patagonia’s story

THE ROMANTIC story of the Welsh people who settled in Patagonia over a century ago is challenged in a new book, revealing a darker side to the establishment of Y Wladfa.
Written by Aberystwyth University academic Dr Lucy Taylor, Global Politics of Welsh Patagonia draws on archival sources in Spanish, Welsh and English to disrupt the myth that the relationship between the Welsh and the Indigenous people was built solely on friendship and harmony.
The publication brings in the voices of the Tehuelche and Mapuche people, and foregrounds unfamiliar accounts of the role the Welsh pioneer settlers played in Argentina’s nation-building project in the second half of the nineteenth century.
Dr Taylor, a Senior Lecturer in the Department of International Politics who specialises in Latin American studies, says the aim of the book is to present a more rounded version of the history and reveal just how complex settler colonial relationships can be.
“The establishment of a Welsh colony in Patagonia in 1865 is familiar to everyone in Wales. It was a courageous, heroic endeavour in many ways, driven by anti-colonial resistance at home, but it also saw the Welsh become agents of colonisation,” says Dr Taylor.
“In a contemporary Wales seeking to promote anti-racist policies, I believe the time has come for a candid reappraisal of what can be considered the darker side of Y Wladfa and to re-examine conventional narrative through a decolonial lens.”
The book makes it clear that the Welsh did not use physical violence during the settlement process and says their policy of peaceful engagement has often been celebrated and romanticised, especially when drawn in contrast to the use of physical force by ‘English’ and British imperial colonisers in other parts of the world.
“As a result, Y Wladfa has not only been viewed as legitimate, it has been deployed as an asset, contributing to Welsh strategies for cultural resistance and social renewal back home,” according to Dr Taylor.
“Yet Y Wladfa was undeniably fundamental to Argentina’s nation-building project and, while the Welsh pioneer settlement might have had its own agenda, it was also a key factor in the Argentinian Government’s campaign at that time to dispossess the Indigenous people of their lands, and assert their own sovereignty and capitalist modernity.
“My book invites readers to think beyond the conventional stories so familiar to us all, to listen to the voices of Indigenous people from the past and to consider Wales’s complex position as both colonised at home and coloniser in Pagatonia.”
Dr Taylor hopes her research will help inform the new history curriculum in Wales as well as contribute to wider discussions around decolonisation and anti-racism.
Global Politics of Welsh Patagonia (University of Wales Press, 2025) will be launched at the National Library of Wales at 7pm on Wednesday 2 April when Dr Taylor will be in conversation with Emeritus Professor Paul O’Leary from Aberystwyth University’s Department of History and Welsh History. Tickets are available free of charge online but booking is essential.
Entertainment
Rear View Mirror: First solo exhibition for Narberth artist Mark Crockett

AN EXHIBITION of evocative new paintings by Narberth-based artist Mark Crockett will be on display at the Joanna Field Gallery in the Torch Theatre throughout April.
Titled Rear View Mirror, the exhibition offers a deeply personal reflection on Mark’s life since falling seriously ill in 2021. His work captures the fleeting beauty of early morning and dusk — those quiet, in-between moments when the day begins or ends, and where change is always present.

A graduate of art college in the late 1980s, Mark left painting behind after a disagreement with a tutor. What followed was a colourful and unconventional life spent travelling the world — living in converted buses and caravans, restoring stone houses in the Portuguese mountains, fire-breathing at music events, DJing in clubs, surfing, and working as a wedding photographer.
“I didn’t touch a paintbrush for 35 years,” he said. “Then I became seriously ill with an autoimmune condition. Some days I couldn’t even walk. It was a dark time, and I didn’t know how to deal with losing the life I had. One day, for reasons I can’t explain, I picked up a brush — and the paintings just started to fall out.”
Mark now lives with his Canadian wife in a former Post Office building they are restoring together. Despite his return to painting, he never intended to exhibit his work.

“I wasn’t painting to sell or show them — I just needed to do it. It was for me,” he explained. “I’ve always drawn and painted since I can remember. My dad’s a sculptor and painter, my brother’s a digital artist, and now my daughter has just finished a foundation course at UAL. So we’re three generations of artists.”
Rear View Mirror is Mark’s first solo exhibition. “I’m nervous, but excited too. It’s strange — and lovely — to see all the work together in one space.”
His pieces often suggest untold stories or invite the viewer to consider a new perspective. One of his most recent works, Armistice Day, depicts a single red poppy on the far bank of a river — a quiet reflection on personal and collective loss.
Mark shares more of his work on Instagram @papersurfer and at www.papersurfer.com. All images © papersurfer studio 2025.
Rear View Mirror will be on display throughout April during Box Office opening hours at the Joanna Field Gallery, located within the Torch Theatre. For more information, visit www.torchtheatre.co.uk or call the Box Office on (01646) 695267.
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