Entertainment
Ex-royal harpist Claire helps pull strings to inspire new generation

The woman who convinced King Charles to reinstate the position of royal harpist after a century-long gap is aiming to inspire a new generation to play the instrument.
Renowned harpist Elinor Bennett is going on a 12-stop Wales-wide tour, The Dwylo ar Dannau’r Delyn (Hands on Harp Strings) and will be joining forces with former royal harpist Claire Jones, who hails from Pembrokeshire.
The concerts, masterclasses and workshops will take Elinor, the Artistic Director of the Wales International Harp Festival, to places where she has close personal connections.
Claire Jones, who was the Official Harpist to the then Prince of Wales, now King Charles, between 2007 and 2011, will be joining Elinor at Ysgol Preseli in her home village of Crymych on Saturday, November 19.
She became a household name for her acclaimed performance at the royal wedding for the Duke and Duchess of Cambridge and has performed over 180 times for the Royal Family.
The tour also includes dates in Pwllheli, Llangefni, Llanrwst, Swansea, Barry and Denbigh.
Elinor will also be going to Llangadfan in Powys where she has close family links and Aberystwyth where she studied for a law degree at the town’s university.
She will also visit Swansea, Barry, Crymych in Pembrokeshire along with Merthyr Tudful where she once lived and Llanuwchllyn near Bala where she spent a large portion of her childhood.
The tour, which follows a launch concert for the festival at Bangor University’s PJ Hall, will feature some her former students and colleagues.
As well as re-igniting interest in harp music following the Covid pandemic, the aim is to promote the fifth Wales International Harp Festival which will be staged at Galeri Caernarfon from April 5-11.
She will also be inviting harpists to take part in four competitions at the festival, with the aim of giving children and older harpists a platform to perform, receive comments from internationally esteemed harpists and make friends with young musicians from other parts of the world.

The closing date for applications for the competitions is January 2, 2023.
She will be stepping down as the festival’s Artistic Director after next year’s event.
Elinor said: “At each location on the tour I will be joined by either a former pupil or someone I have worked with in the past.
“We hope local harp tutors and teachers will bring their pupils along. Each event will last for about four hours and at the start there will be workshops and master classes where the youngsters can play together and then some solos.
“To close the event there will be a concert where I will play along with the guest tutor and perhaps with some of the youngsters if they wish. The concerts, of course, will be open to the public.
“And there will also be an exhibition of harps by the Vining company from Cardiff. They sell Camac instruments and are sponsoring the festival.”
According to Elinor, one of the aims of the tour is to encourage youngsters to learn how to play the harp.
“I have heard that fewer children and young people are taking up the harp and the tour will create an interest in the harp and raise awareness of the festival itself,” she said.
She added tickets for the tour are available online at www.walesharpfestival.co.uk and some local shops but will also be available on the door.
Elinor said when she started learning to play the harp in 1954 when there were very few harpists.
Born at Llanidloes in the former county of Montgomeryshire, her family later moved to Llanuwchllyn near Bala in Merionethshire.

Her father bought her first harp when she was just seven years of age though she did not begin lessons for another four years as her legs were not long enough to reach the pedals.
She said: “My father was very musical, as were my mother and grandfather. After we moved to Llanuwchllyn my father joined Cor Godre’r Aran. In 1949 they went to London to sing at the Dorchester Hotel, and while in the city he bought a harp for £30 and brought it back to Llanuwchllyn on the (London) Underground and the train.
After leaving school Elinor studied law at Aberystwyth but later applied for and won a scholarship to attend the Royal Academy of Music in London, studying with Osian Ellis, the acclaimed Flintshire-born harpist. After graduating she played with numerous orchestras at home and abroad.
Though known mostly for classical music she has also played with some of Wales’ most renowned rock musicians. She has recorded twelve solo albums and founded the Coleg Telyn Cymru (Harp College of Wales) and helped set up Canolfan Gerdd William Mathias Music Centre in Caernarfon.
Finding herself seated next to the then-Prince of Wales at a dinner, she told him of the tradition of a Royal harpist but which had not been filled for more than a century.
“He was interested and asked me to send him a proposal which I duly did. That led to the revival of the tradition with the first being Catrin Finch in 2000,” said Elinor.
The fifth Wales International Harp Festival will bring together leading exponents of the instrument from around the world to Galeri Caernarfon next April.. Organised by Canolfan Gerdd William Mathias (Music Centre) it will feature concerts, masterclasses, workshops and lecture recitals.
Elinor said performances will be given by world-class artists representing various aspects of the harp spectrum.
These include the Latin-American harpist from Colombia, Edmar Castaneda, French harpist Isobel Moretti, who makes a return visit to Caernarfon and jazz harpis Deborah Henson-Conant from the USA.
The festival commission is a new work, Llechi (Slate), by harpist and composer, Math Roberts, with poetry by Wales’ National Poet, Ifor Ap Glyn.

Elinor said this has been written for a chamber ensemble and vocal soloists and will celebrate the unique culture of the slate-mining areas of Gwynedd, recently awarded World Heritage Status by UNESCO.
“Participants in each of the categories in the four competitions are encouraged to create their own choice of programmes and include one or two items listed in the published syllabus.
“In the Youth and children competitions, equal scholarships will be awarded for the three top performances, to help talented young harpists to receive continuing expert tuition/
“Please join us over Easter in Caernarfon for a joyful and enriching experience.,” said Elinor.
Further details about the tour, the festival and the competitions are available on the Festival website www.walesharpfestival.co.uk
Entertainment
Mad Hatter magic planned for Milford Haven this Easter

THE VIBE in Milford Haven has unveiled a weekend of whimsical fun this Easter, with three themed events inspired by Alice in Wonderland.
The Easter festivities kick off on Good Friday (March 29) with a Mad Hatter’s Easter Egg Hunt, promising a fun-filled adventure for children and families.
On Saturday (March 30), the venue hosts a Mad Hatter’s Cocktail Tea Party, with live music from The Hideaway Trio, offering a more grown-up twist on the Wonderland theme.
The weekend culminates on Easter Sunday (March 31) with the Queen of Hearts Grand Finale, rounding off the holiday celebrations in style.
Organisers say posters are available and are encouraging locals to attend. The Vibe’s Marketing and Advertising Officer, Hannah Shearer, said the team would appreciate any promotion, in print or online, to help spread the word.
For more information or to get involved, contact: enquiriesthevibe@gmail.com

Entertainment
Challenging the traditional telling of Welsh Patagonia’s story

THE ROMANTIC story of the Welsh people who settled in Patagonia over a century ago is challenged in a new book, revealing a darker side to the establishment of Y Wladfa.
Written by Aberystwyth University academic Dr Lucy Taylor, Global Politics of Welsh Patagonia draws on archival sources in Spanish, Welsh and English to disrupt the myth that the relationship between the Welsh and the Indigenous people was built solely on friendship and harmony.
The publication brings in the voices of the Tehuelche and Mapuche people, and foregrounds unfamiliar accounts of the role the Welsh pioneer settlers played in Argentina’s nation-building project in the second half of the nineteenth century.
Dr Taylor, a Senior Lecturer in the Department of International Politics who specialises in Latin American studies, says the aim of the book is to present a more rounded version of the history and reveal just how complex settler colonial relationships can be.
“The establishment of a Welsh colony in Patagonia in 1865 is familiar to everyone in Wales. It was a courageous, heroic endeavour in many ways, driven by anti-colonial resistance at home, but it also saw the Welsh become agents of colonisation,” says Dr Taylor.
“In a contemporary Wales seeking to promote anti-racist policies, I believe the time has come for a candid reappraisal of what can be considered the darker side of Y Wladfa and to re-examine conventional narrative through a decolonial lens.”
The book makes it clear that the Welsh did not use physical violence during the settlement process and says their policy of peaceful engagement has often been celebrated and romanticised, especially when drawn in contrast to the use of physical force by ‘English’ and British imperial colonisers in other parts of the world.
“As a result, Y Wladfa has not only been viewed as legitimate, it has been deployed as an asset, contributing to Welsh strategies for cultural resistance and social renewal back home,” according to Dr Taylor.
“Yet Y Wladfa was undeniably fundamental to Argentina’s nation-building project and, while the Welsh pioneer settlement might have had its own agenda, it was also a key factor in the Argentinian Government’s campaign at that time to dispossess the Indigenous people of their lands, and assert their own sovereignty and capitalist modernity.
“My book invites readers to think beyond the conventional stories so familiar to us all, to listen to the voices of Indigenous people from the past and to consider Wales’s complex position as both colonised at home and coloniser in Pagatonia.”
Dr Taylor hopes her research will help inform the new history curriculum in Wales as well as contribute to wider discussions around decolonisation and anti-racism.
Global Politics of Welsh Patagonia (University of Wales Press, 2025) will be launched at the National Library of Wales at 7pm on Wednesday 2 April when Dr Taylor will be in conversation with Emeritus Professor Paul O’Leary from Aberystwyth University’s Department of History and Welsh History. Tickets are available free of charge online but booking is essential.
Entertainment
Rear View Mirror: First solo exhibition for Narberth artist Mark Crockett

AN EXHIBITION of evocative new paintings by Narberth-based artist Mark Crockett will be on display at the Joanna Field Gallery in the Torch Theatre throughout April.
Titled Rear View Mirror, the exhibition offers a deeply personal reflection on Mark’s life since falling seriously ill in 2021. His work captures the fleeting beauty of early morning and dusk — those quiet, in-between moments when the day begins or ends, and where change is always present.

A graduate of art college in the late 1980s, Mark left painting behind after a disagreement with a tutor. What followed was a colourful and unconventional life spent travelling the world — living in converted buses and caravans, restoring stone houses in the Portuguese mountains, fire-breathing at music events, DJing in clubs, surfing, and working as a wedding photographer.
“I didn’t touch a paintbrush for 35 years,” he said. “Then I became seriously ill with an autoimmune condition. Some days I couldn’t even walk. It was a dark time, and I didn’t know how to deal with losing the life I had. One day, for reasons I can’t explain, I picked up a brush — and the paintings just started to fall out.”
Mark now lives with his Canadian wife in a former Post Office building they are restoring together. Despite his return to painting, he never intended to exhibit his work.

“I wasn’t painting to sell or show them — I just needed to do it. It was for me,” he explained. “I’ve always drawn and painted since I can remember. My dad’s a sculptor and painter, my brother’s a digital artist, and now my daughter has just finished a foundation course at UAL. So we’re three generations of artists.”
Rear View Mirror is Mark’s first solo exhibition. “I’m nervous, but excited too. It’s strange — and lovely — to see all the work together in one space.”
His pieces often suggest untold stories or invite the viewer to consider a new perspective. One of his most recent works, Armistice Day, depicts a single red poppy on the far bank of a river — a quiet reflection on personal and collective loss.
Mark shares more of his work on Instagram @papersurfer and at www.papersurfer.com. All images © papersurfer studio 2025.
Rear View Mirror will be on display throughout April during Box Office opening hours at the Joanna Field Gallery, located within the Torch Theatre. For more information, visit www.torchtheatre.co.uk or call the Box Office on (01646) 695267.
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