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The British high street in 2024

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The British high street in 2024 remains a battleground of mixed fortunes as both long-standing institutions and new businesses adapt to the rapid rise of online alternatives. This year has seen further shifts in consumer behaviour, impacting various sectors, including retail, hospitality, and high street bookmakers. With the backdrop of inflation, changes in disposable income, and growing digitalisation, the high street has seen varying degrees of success and decline.

The current state of the high street

A recent PWC report highlights how in Q3 and Q4 of 2024, the British high street continues to face pressures from rising costs, supply chain issues, and changing consumer behaviour. The shift to online shopping remains a major challenge, contributing to ongoing store closures—currently at 38 per day. 

While government initiatives like the Levelling Up Fund have provided some relief, the impact has been uneven, with retail parks and shopping centres showing resilience compared to high streets.

In Wales, high streets remain central to communities but are experiencing similar difficulties. The convenience of online shopping and reduced footfall have led to more closures, especially for smaller retailers, chemists, and banks. Without further intervention, some high streets risk falling into a continued cycle of decline.

Bookmakers

High street bookmakers, once central to British town life, have struggled due to the rise of online betting platforms. The convenience of mobile apps has drastically reduced foot traffic, with approximately 30% of betting shops closing over the past five years. Tighter regulations on Fixed Odds Betting Terminals (FOBTs) have also hurt revenue. 

In contrast, online bookmakers have thrived by offering 24/7 access, better odds, and frequent promotions, making it easier to find an online casino than visiting a physical shop. While some customers still appreciate the social aspect of betting shops, operators are increasingly merging physical and digital experiences to remain competitive.

Retail

Free Cars on Highway Beside White Building Stock Photo

Traditional high-street retailers, particularly in fashion and electronics, have also struggled. The convenience and vast offerings of e-commerce giants like Amazon have pulled consumers away from physical stores. 

Major chains such as Debenhams have disappeared from the high street, while others like John Lewis have significantly reduced their physical footprint. To remain competitive, many retailers are adopting omnichannel strategies, blending online shopping with in-store experiences, though rising costs and reduced foot traffic remain significant challenges.

Hospitality

The hospitality sector, including cafés and restaurants, has faced a mixed outlook in 2024. While chains like Costa and Pret A Manger have made a strong recovery after the pandemic, independent establishments, particularly pubs, continue to struggle with rising costs and labour shortages. 

Furthermore, the popularity of online food delivery platforms, such as Uber Eats and Just Eat, has reshaped the dining experience, pushing many restaurants to focus on takeaway services rather than dine-in customers. To stay competitive, some venues are investing in technology, offering digital menus and contactless payments to streamline the customer experience.

Bank branches

Another sector experiencing significant change is banking. The rise of online banking and fintech has led to widespread bank branch closures across the UK, as consumers increasingly manage their finances digitally. 

Banks such as HSBC and Barclays have significantly reduced their physical footprint, leaving many towns without a local branch. This has particularly impacted older customers and those in rural areas, where access to digital services can be limited. In response, some banks are experimenting with smaller, more flexible branch formats or failing this, a mobile banking van scheme.

Independent retailers

While large chains are shrinking, some independent retailers are finding ways to thrive. The rise of campaigns encouraging consumers to shop locally has bolstered small businesses, especially in areas like Wales, where supporting local producers and artisans has become a cultural priority. 

Many independent retailers are embracing e-commerce alongside their physical shops, using social media and online marketplaces to reach wider audiences while maintaining their personal, community-focused approach.

Conclusion

In 2024, the British high street continues to face an uphill battle as online alternatives dominate the retail and betting landscapes. While government interventions have provided some relief to struggling high streets, the future remains uncertain. 

High-street bookmakers, retailers, and even banks face growing competition from online services, which offer greater convenience and flexibility. The shift towards digital experiences and declining foot traffic threatens the traditional high street, but businesses that innovate and adapt may yet find ways to survive and thrive in this evolving environment.

Entertainment

History of Welsh music videos charted in new website

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WELSH-LANGUAGE television has played a more important part than commercial record labels in the development of Welsh music videos over the past 50 years, say researchers.

As the 24-hour MTV channel made its entrance on to the global stage in the early 1980s, it was the arrival of S4C which helped shape music video making in Wales at the time.

The finding is included in a new website documenting the development of Welsh music videos over a period of more than fifty years, which launches on Welsh Language Music Day (Friday 7 February).

The fideos.cymru website stems from a unique research project led by two lecturers at Aberystwyth University’s Department of Theatre, Film and Television Studies, Dr Greg Bevan and Dr Kate Woodward.

They say the project has highlighted significant differences between the dynamics driving the production of Welsh-language and Anglo-American music videos.

Dr Greg Bevan said: “There is no doubt that the music video has had a fascinating history since the format really took off in the late 1970s and early 1980s. The political, industrial and social landscape of Wales was very different at that time and these contexts are reflected in the videos that were being created.

“One of the main differences that has emerged as part of our research is that Anglo-American videos are produced with the primary aim of selling and promoting mainstream songs as part of a wider marketing drive by the big record companies. That commercial imperative has been less evident in Wales. Here, the need to promote cultural arts in a minority language has been a crucial factor, alongside other anti-establishment, subcultural influences.”

As part of the project, the researchers interviewed some of Wales’s leading artists and producers about their experience of making music videos, including Dafydd Iwan, Cerys Hafana, Geraint Jarman, Eddie Ladd, Rhys Mwyn, and Dafydd Rhys.

Dr Kate Woodward told The Pembrokeshire Herald: “We wanted to speak directly to the people who have been involved in making Welsh music videos over the years and share their insights with a wider audience through the website. What we found was that the television industry in Wales – and S4C in particular – was mainly responsible for driving music video production by providing not only a platform for broadcasting content but also the necessary funding, in contrast to the Anglo-American trend where record labels were the main drivers.

“The iconic series Fideo 9 on S4C played a key role in the development of the Welsh music video, producing around four new videos every week when they were on air between 1988 and 1991. Bandit was on air between 2004 and 2011, and Lŵp has been offering a cross-platform stage for Welsh music since 2019. We are also now in a new era where artists are increasingly likely to create their own videos independently and promote them on various social media streams.”

Music Video Fund

In addition to launching the website, it was also announced today that a small fund is available for applications to support the production of two new Welsh music videos.

As Dr Woodward explained: “We are keen for our research project to contribute to the ongoing development of the Welsh music video by supporting current content creation as well as examining and analysing the scene’s historical development.”

The closing date for applications to the music video fund is 16:00 on Friday 28 February 2025 and further details are available online: https://fideos.cymru.

Image: Dr Kate Woodward and Dr Greg Bevan from the Department of Theatre, Film and Television Studies at Aberystwyth University.

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Haverfordwest to host free family film screening this Sunday

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A FREE cinema screening of The Sloth Lane, an unreleased animated film, will take place in Haverfordwest this Sunday (Feb 9) as part of Escapes’ first-ever family-friendly event.

Escapes, supported by the BFI and National Lottery funding, is offering families the chance to watch the heartwarming film ahead of its official UK release on Friday (Feb 14). The initiative aims to bring people together through independent cinema, with free screenings at over 80 venues nationwide.

The Sloth Lane follows a speedy sloth named Laura and her quirky family as they move to the big city in their rusted old food truck, determined to make their business a success. The film delivers a feel-good message about embracing life’s adventures.

The Sunday matinee screening is designed for families, allowing bookings for up to two adults and three children per order. All screenings will feature descriptive subtitles to ensure accessibility.

Escapes has already provided over 65,000 free cinema tickets across the UK, showcasing everything from cult classics to Oscar-nominated films. The initiative will continue throughout 2025, bringing a new free film to cinemas each month.

Tickets for The Sloth Lane are available now at escapes.cinematik.app.

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Entertainment

Johnny Cash Roadshow celebrates 20th anniversary tour at the Torch

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THE JOHNNY CASH ROADSHOW, the world’s premier tribute to the legendary Man in Black, is thrilled to announce its 20th Anniversary Tour. Heading into its 20th year on the road and stronger than ever, this fast-paced, energetic, and constantly evolving show is now the longest-running and most critically acclaimed tribute show across the UK and Europe and can be seen at the Torch Theatre this February. 

Set on a Grand ‘Ole Opry style stage, the Roadshow brings you the best of Johnny Cash’s catalogue of songs in one night’s entertainment. Fans can look forward to iconic hits such as “Walk the Line,” “Ring of Fire,” “Jackson,” and “Hurt.” With standing ovations every night, this is the longest-running and best celebration of Johnny Cash in the world today. It’s guaranteed you wanting more.

The tour will kick off mid-January in their hometown of Malvern, Worcestershire, with performances scheduled in major cities across the UK, Belgium, Netherlands, Germany, Denmark and Switzerland throughout the year.

Lead singer, Clive John (Johnny Cash), is a multi-award winning singer songwriter, with eight albums of his own material under his belt. Clive has won multiple awards for his songwriting. His album The Spirt was nominated best country album of the year and the title single was no 1 in the Country Music charts for eight weeks. His rendition of Hurt recorded Live at Her Majesties Theater Aberdeen was No1 Worldwide for four weeks. Clive is the founder and theater director for the Johnny Cash Roadshow, it’s been his passion for the last 20 years, so this year is a special, not to be missed show.  

“We are incredibly excited to celebrate 20 years of the Johnny Cash Roadshow. This tour is a tribute to Johnny’s enduring legacy and the fans who have supported us throughout the years,” said Clive. 

Clive will have the company of Ashley Cavell (June Carter) and is no stranger to the stages with her most recent leading role in Vampire Rock which toured the theaters and arenas across the UK. Her background in stage performance and dance runs from the Cruise ships to the stages with many of the top tribute shows in the UK and Europe such as Little Mix, ABBA, Meatloaf and Spice Girls.  

The show has been supported by Caitlin Crowell, granddaughter of Johnny Cash.

“Clive captures my Grandfather JUST as he was,” said Caitlin who added: “(the show was) Absolutely authentic to the point where it felt as if it wasn’t a tribute.”

Tickets for the The Johnny Cash Roadshow – 20th Anniversary Tour at the Torch Theatre on Friday 21 February at 7.30pm are on sale now and can be purchased at the Torch Theatre Box Office on 01646 695267 or visit torchtheatre.co.uk.

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