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Torch announces the departure of CEO after 5 years at the helm

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THE TORCH THEATRE, centre for the arts in Pembrokeshire and one of Wales’ pre-eminent producing theatres today announces the departure of Executive Director Benjamin Lloyd after an historic five years at the helm.

Ben’s tenure at the Torch has taken in the lows of the pandemic and the subsequent determination to survive and flourish, continuing to serve our communities throughout, and the highs of a record breaking 45th year. Ben has overseen an exhilarating renewal of artistic leadership, major national partnerships and co-productions and the redoubling of the Torch’s commitment to the young, vulnerable and underrepresented in our community with the establishment of a dedicated Youth & Community department.

Enduring highlights include The Pembrokeshire Story engagement project that brought together artists and communities during the pandemic in the building of a living archive of stories; a bumper anniversary year in 2022 that saw five Torch productions, tours of Wales and the UK and runs in London and Edinburgh with a mix of new writing and Torch classics; the establishment of the groundbreaking Craidd partnership, and securing of long-term funding aimed at removing barriers to mainstream theatre for Deaf, disabled and neurodivergent artists and freelancers; and the achievement of a vital uplift in funding as part of the Arts Council Wales Investment Review, securing the Torch’s strategic position at the vanguard of Welsh theatre and bucking the trend of funding cuts across the board.

Benjamin Lloyd, Executive Director said: “It has been the honour of my professional career to lead the theatre that has given so many of us in west Wales our first, and so often only exposure to high quality performing arts in all its forms. The Torch is a minor miracle in today’s funding climate and a precious resource for the community. It represents a window to the world beyond and a lifeline for so many – young, old, isolated and vulnerable – in this beautiful, far-flung part of the world. I am beyond proud of the commitment, skill, humanity and passion of the team under my leadership and what we have achieved together in extremis has been spectacular, delivering for our community and supporting the arts ecology in Wales in ways both seen and unseen.

“However, the commitment required to sustain the Torch throughout this period has been absolute and has come at no small cost to me and to my young family. Now is the time for me to pass on the baton and regain some equilibrium. I have absolute confidence in the artistic leadership of the Torch under Chelsey Gillard, and faith in the team to continue on this exciting trajectory. As I step away, I will be taking some time with my family before pursuing fresh opportunities as we look forward to our next adventure. I will enjoy again celebrating and supporting the Torch as a patron and will look forward to contributing with fresh energy and perspective to the arts and the cultural conversation in Wales and beyond.

“There is never a perfect moment to step aside but having been in dialogue for some time over how and when I would make this change, and with long-term funding and support for artistic innovation and organisational development secured, I have decided with the Board that now is the time to make the break. As such I am stepping down from today with interim arrangements in place as the Board reviews the strategic plan and objectives for my successor.

“I want to thank the staff and volunteer teams (past and present) who go above and beyond to provide a warm welcome and life-enriching experiences to our patrons. Sincere thanks also to our partners, funders – especially colleagues at Arts Council Wales – sponsors, supporters and above all our audience members. Each have delivered a huge vote of confidence in my leadership and the quality in artistic and community provision delivered by our team, with their support throughout my years in post – both financial and otherwise – and it has been so very much appreciated.

“I would like to use my parting words on behalf of the Torch to entreat government at every level to recognise not only the economic and wellbeing benefits that the arts generate and deliver, but also the essential contributions that the arts and in particular, a venue such as the Torch makes to the cultural fabric of their community and society at large. Our theatres, at their best, are citadels of expression and inclusion that play a vital role in forging social cohesion, place-making and sustaining communities, particularly in times of social decline and unrest. However, such venues within the funded arts sector cannot continue to exist on the good will and the commitment of their overextended workforce and require adequate funding and support if they are to continue to prosper. Protect the arts, Caru the Torch.”

Katrina Marsh, Chair of the Torch Theatre Board of Management said: “On behalf of the Board and staff team we extend our thanks to Ben for his dedication and leadership through the most challenging period in our history. His commitment to the Torch, its artists and the people of Pembrokeshire has left a legacy that we will seek to protect and build on. We wish Ben and his family well in their future endeavours and will be working with the senior management team to continue the delivery of our operational and strategic plans.”

 

Entertainment

Haverfoodfest returns to Haverfordwest town centre today

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HAVERFORDWEST town centre is expected to be busy today as Haverfoodfest 2026 returns for a full day of food, drink, music and family entertainment.

The popular food and drink festival is taking place today, Saturday, May 2, from 10:00am until 4:00pm, with free entry.

This year’s event is being promoted as “the big one”, with artisan produce, street food stalls, busker stops and live entertainment planned across the centre of town.

Organisers say high-quality food and drink stallholders from Wales will be based around Quay Street, Castle Square, the Old Bridge and Riverside, with tasters and special offers available throughout the day.

Among the stalls listed for this year’s festival are local and Welsh food producers, hot food traders, sweet treats, drinks, cheese, chocolate, vegan food, crêpes, barbecue and other artisan produce.

The event is also set to include music, choirs, buskers, free face painting and family activities, helping to bring a festival atmosphere to the county town.

Haverfoodfest has become one of Haverfordwest’s best-known town centre events, drawing visitors into local streets and supporting existing shops, cafés, pubs and businesses.

The festival website says: “Haverfoodfest is back on May 2nd 2026 with high-quality food and drink stallholders from Wales on Quay Street, Castle Square, The Old Bridge and Riverside with lots of tasters and offers of great food and drink.”

Visitors are being encouraged to head into town during the day, enjoy the stalls and entertainment, and support local traders.

More information is available at www.haverfoodfest.co.uk.

 

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Festival organiser has personal link to Hollywood’s Moby Dick

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Bill Hamblett’s father helped write the 1956 film script — and his childhood brought him into the orbit of Gregory Peck

THE MAN helping bring a giant lantern parade to life at Fishguard and Goodwick’s Ar Ymyl y Tir/On Land’s Edge Moby Dick-themed festival in September has a remarkable personal connection to the great white whale itself.

Three amigos: John Huston, Charlie Hamblett and Gregory Peck pictured during the filming of Moby Dick

Bill Hamblett, director of Cardigan’s Small World Theatre, was a near-neighbour of Hollywood star Gregory Peck during his childhood in California. Even more unusually, Bill’s father, Charles Hamblett, was one of the screenwriters who helped shape John Huston’s classic 1956 film Moby Dick.

“Basically, dad was one of the guys employed to turn Herman Melville’s prose into screen dialogue,” said Bill, who has run Small World Theatre with his wife Ann since 2008.

“He’d decided to go from being a journalist and poet in the UK to trying to crack Hollywood.”

Bill remembers growing up in Santa Monica during the late 1950s and being aware of famous names passing through his family’s world — even if he didn’t fully understand their importance at the time.

“As a kid in Santa Monica I remember being dropped round at Gregory Peck’s house,” he said.

“And I’m pretty certain that John Huston’s daughter, Anjelica, came round to ours for my sister’s birthday party.

“But I’m afraid I don’t have strong memories of Gregory Peck – I wasn’t a particularly starstruck little boy!”

Bill Hamblett (wearing hat) pictured with his family as a young boy.

The experiences Charles Hamblett gained during the 1954 Moby Dick shoot off Fishguard later inspired him to write the surreal fantasy novel The Crazy Kill. In the book, Peck becomes ‘Gregory Pinch’ and Huston is reimagined as ‘John Simpson’, in a story that draws on real events but twists them into fiction.

“The Crazy Kill is essentially a pastiche of Moby Dick written in the slang of the 1950s,” Bill explained.

He added that his father’s life was filled with unusual encounters and unexpected chapters.

“You could say dad had a varied and interesting career – he used to hang out with Dylan Thomas, Brendan Behan and all those guys,” he said.

“He also dropped acid as part of the CIA’s secret experiments and later wrote an article about the experience.”

Charles Hamblett later teamed up with journalist and poet Jane Deverson to publish the influential 1964 book Generation X, exploring the emerging mod and beat youth culture.

For Bill, his father’s work remains a striking behind-the-scenes snapshot of the era — and a rare insight into how a major Hollywood production came to west Wales.

“The Crazy Kill’s insight into Huston and Peck is absolutely spot-on and a remarkable snapshot of how Hollywood came to west Wales to make a film about a whale in the middle of the ocean,” he said.

“Huston got that film completed through sheer grit, guts and tenacity and looking back it was a remarkable cinematic achievement – they lost three of those bloody model whales during the filming!”

Bill says it feels strange that, decades later, the story of Moby Dick has returned to his life through the festival.

“And, as a three-year-old child, I was on the periphery of it all,” he said.

“Now that I’m 73, Moby Dick is once again coming back into my life. I mean, you couldn’t make it up, could you?”

For more information about the Ar Ymyl y Tir/On Land’s Edge festival, visit onlandsedge.co.uk.

 

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Free admission at Carew Tidal Mill for National Mills Weekend

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CAREW TIDAL MILL will offer free admission after 3:00pm on Saturday, May 9, and Sunday, May 10, to mark National Mills Weekend.

The special offer gives visitors the chance to step inside one of Pembrokeshire’s most distinctive historic buildings and discover more about Wales’ only intact tidal mill.

For anyone who has enjoyed a walk around the Millpond but never been inside, the weekend provides an ideal opportunity to explore a rare piece of industrial heritage.

National Mills Weekend is the UK’s annual celebration of milling heritage, coordinated by the Society for the Protection of Ancient Buildings. Each May, hundreds of windmills and watermills across the country open their doors to the public, helping to raise awareness of the importance of conserving these historic landmarks.

Grade II* listed Carew Tidal Mill is one of only five restored tidal mills in the UK and is regarded as a nationally significant survivor of early renewable industrial technology.

Although milling at the site ended in 1937, the original machinery remains in place, giving visitors a fascinating glimpse into the past.

Visitors can explore the Mill’s history through interactive displays, exhibitions and audio commentary, learning how water power was harnessed for centuries as a source of sustainable energy.

Daisy Hughes, manager of Carew Castle and Tidal Mill, said: “Carew Tidal Mill is a remarkable example of Wales’ industrial heritage and an important reminder of how natural resources were once used to power local communities.

“National Mills Weekend is a wonderful opportunity to welcome visitors inside and share the story of this unique building.”

Free entry to Carew Tidal Mill will be available from 3:00pm to 4:30pm on both days. Last admission is at 4:30pm and the Mill closes at 5:00pm.

Free admission applies to the Mill only and does not include entry to Carew Castle.

Visitors are advised that access to the Tidal Mill is via steps.

More information is available at www.carewcastle.com.

 

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