Torch artistic director Chelsey Gillard shares her love of the power of panto

Published

1 year ago

December 4, 2024

SOMEWHERE in the depths of rural Pembrokeshire lurks a lady in yellow with turquoise hair, lips like cochineal slugs on steroids and a penchant for rolling in the grass with pigs.

Enter the world of panto.

“Lloyd Grayshon is in his absolute element,” laughs Chelsey Gillard who is the artistic director of the Torch Theatre at Milford Haven.

“Last year he was a huge favourite with the audiences when he played the dad in ‘Beauty and the Beast’ so this year we decided that he should play the dame in ‘Jack and the Beanstalk’. And he’s loving every minute – he’s even shaved his legs and painted his toenails to help him get into the role!”

No one can deny that staging a pantomime is one of the greatest challenges in the theatrical calendar, but when your task is to write it, cast it and direct your critical eye over every single aspect of its production, the job is mighty. Once again this year, the task is being carried out by Chelsey.

“Yes, it involves a tremendous amount of work and a lot of pressure, as the pantomime is the main focal point of the entire year,” she said.

“And you can rehearse a panto as many times as you want, but when the curtain opens, you just never know what to expect from your audience. This is why I often behave like an angry child when I’m directing, and the number of times I’ve heard our cast say, “And that child in Row C sounded exactly like you do in rehearsals” speaks for itself.”

This will be the second Torch pantomime written and directed by Chelsey, following last year’s hugely successful ‘Beauty and the Beast’.

“The wonderful thing about our audiences here in Pembrokeshire is that they really let us know what they think about a production,” she continues.

“Our box office staff have built up a strong relationship with our audiences, with the result that they hear first-hand what people think. And obviously the audience’s participation is extremely important because it helps us to understand what people are enjoying as well as the things they don’t like. You can just sense it.”

One of the requests from last year’s audience was for more ‘cheeky humour’.

“So needless to say, we’ve made sure that this year they’ll be getting plenty of it,” chuckled Chelsey. “It’s almost as if the Torch is putting on a bespoke production, tailor-made for the Pembrokeshire audience.”

But it’s that instinctive understanding of an audience’s reaction that makes the panto challenge so invigorating for the entire production team.

“Obviously there are certain sections which rely on audience participation, and if the audience is a bit quiet, then the characters will have to work very hard to get them on board.

“Similarly, our dame occasionally homes in on an individual in the audience, but her job is then to try and gauge how far that individual can be pushed. Can they go just that little bit further or should they hold back?”

In charge of the set and costume design is Kevin Jenkins and every costume has been handmade by Louise Sturley and maintained throughout the production by wardrobe mistress Wendy Haslam.

***Elena Carys-Thomas, Cari Munn, Gareth Elis and Lloyd Grayshon***

Even though the opening night isn’t until December 13, productions are already well underway for local primary schools throughout Pembrokeshire as well as a few schools in south Ceredigion and west Carmarthenshire.

“Approximately 4,000 children will have attended this year’s pantomime by opening night which is fantastic, when you consider that this could possibly be the very first live performance that many of them will have seen,” continues Chelsey.

“I can remember one of my very first visits to the pantomime when I was a child and even though I can’t remember which pantomime it was, I vividly remember the baddie – who I’m convinced was Jeremy Irons – and he made me cry my eyes out. But I absolutely loved it and it opened up for me the absolute magic of the pantomime and the theatre.”

‘Jack and the Beanstalk’ is being played by a professional company, although many of its actors have strong links with Pembrokeshire including Milford Haven’s Sam Freeman, Lloyd Grayshon who lives in Haverfordwest and professional dancer, performer and choreographer, Freya Dare. Also taking part will be members of the Torch’s Youth Theatre (Years 5 and 6), who will be providing the voices of the Spirit of the Beans via recorded media.

“When you consider how hard the team has worked and how much they’ve achieved in such a relatively short space of time, you realise just how incredible they are,” Chelsey concluded.

“We had two and a half weeks in the rehearsal room, four days on the stage when we started putting everything together such as how to make the beanstalk work, how to set up the lights and the sound, ensure that the mics were all at the right level and throughout all this the cast are learning the songs, the dances, the words as well as getting to know each other as a company.

“They truly are a magnificent team to work with, and what they have created will hopefully show our audiences, both children and adults alike, the real magic of pantomime.”

Crime

Swansea man dies weeks after release from troubled HMP Parc: Investigation launched

Published

3 hours ago

December 4, 2025

Tom Sinclair

A SWANSEA man has died just weeks after being released from HMP Parc, the Bridgend prison now at the centre of a national crisis over inmate deaths and post-release failures.

Darren Thomas, aged 52, died on 13 November 2025 — less than a month after leaving custody. The Prisons and Probation Ombudsman (PPO) has confirmed an independent investigation into his death, which is currently listed as “in progress”.

Born on 9 April 1973, Mr Thomas had been under post-release supervision following a period at HMP/YOI Parc, the G4S-run prison that recorded seventeen deaths in custody in 2024 — the highest in the UK.

His last known legal appearance was at Swansea Crown Court in October 2024, where he stood trial accused of making a threatening phone call and two counts of criminal damage. During the hearing, reported by The Pembrokeshire Herald at the time, the court heard he made threats during a heated call on 5 October 2023.

Mr Thomas denied the allegations but was found guilty on all counts. He was sentenced to a custodial term, which led to his imprisonment at HMP Parc.

Parc: A prison in breakdown

HMP Parc has faced sustained criticism throughout 2024 and 2025. A damning unannounced inspection in January found:

Severe self-harm incidents up 190%
Violence against staff up 109%
Synthetic drugs “easily accessible” across wings
Overcrowding at 108% capacity

In the first three months of 2024 alone, ten men died at Parc — part of a wider cluster of twenty PPO-investigated deaths since 2022. Six occurred within three weeks, all linked to synthetic drug use.

Leaked staff messages in 2025 exposed a culture of indifference, including one officer writing: “Let’s push him to go tomorrow so we can drop him.”

Six G4S employees have been arrested since 2023 in connection with alleged assaults and misconduct.

The danger after release

Deaths shortly after release from custody are a growing national concern. Ministry of Justice data shows 620 people died while under community supervision in 2024–2025, with 62 deaths occurring within 14 days of release.

Short sentences — common at Parc — leave little time for effective rehabilitation or release planning. Homelessness, loss of drug tolerance and untreated mental-health conditions create a high-risk environment for those newly released.

The PPO investigates all such deaths to determine whether prisons or probation failed in their duties. Reports often take 6–12 months and can lead to recommendations.

A system at breaking point

The crisis at Parc reflects wider failures across UK prisons and probation. A July 2025 House of Lords report described the service as “not fit for purpose”. More than 500 people die in custody annually, with campaigners warning that private prisons such as Parc prioritise cost-cutting over care.

The PPO investigation into the death of Darren Thomas continues.

Crime

Woman stabbed partner in Haverfordwest before handing herself in

Published

4 hours ago

December 4, 2025

Court Reporter

A WOMAN who stabbed her partner during a drug-fuelled episode walked straight into Haverfordwest Police Station and told officers what she had done, Swansea Crown Court has heard.

Amy Woolston, 22, of Dartmouth Street in Milford Haven, arrived at the station at around 8:00pm on June 13 and said: “I stabbed my ex-partner earlier… he’s alright and he let me walk off,” prosecutor Tom Scapens told the court.

The pair had taken acid together earlier in the day, and Woolston claimed she believed she could feel “stab marks in her back” before the incident.

Police find victim with four wounds

Officers went to the victim’s home to check on him. He was not there at first, but returned shortly afterwards. He appeared sober and told police: “Just a couple of things,” before pointing to injuries on his back.

He had three stab or puncture wounds to his back and another to his bicep.

The victim said that when he arrived home from the shop, Woolston was acting “a bit shifty”. After asking if she was alright, she grabbed something from the windowsill — described as either a knife or a shard of glass — and stabbed him.

He told officers he had “had worse from her before”, did not support a prosecution, and refused to go to hospital.

Defendant has long history of violence

Woolston pleaded guilty to unlawful wounding. The court heard she had amassed 20 previous convictions from 10 court appearances, including assaults, battery, and offences against emergency workers.

Defending, Dyfed Thomas said Woolston had longstanding mental health problems and had been off medication prescribed for paranoid schizophrenia at the time.
“She’s had a difficult upbringing,” he added, saying she was remorseful and now compliant with treatment.

Woolston was jailed for 12 months, but the court heard she has already served the equivalent time on remand and will be released imminently on a 12-month licence.

News

BBC apologises to Herald’s editor for inaccurate story

Published

5 hours ago

December 4, 2025

Staff Writer

THE BBC has issued a formal apology and amended a six-year-old article written by BBC Wales Business Correspondent Huw Thomas after its Executive Complaints Unit ruled that the original headline and wording gave an “incorrect impression” that Herald editor Tom Sinclair was personally liable for tens of thousands of pounds in debt.

The 2019 report, originally headlined “Herald newspaper editor Tom Sinclair has £70,000 debts”, has now been changed.

The ECU found: “The wording of the article and its headline could have led readers to form the incorrect impression that the debt was Mr Sinclair’s personal responsibility… In that respect the article failed to meet the BBC’s standards of due accuracy.”

Mr Sinclair said: “I’m grateful to the ECU for the apology and for correcting the personal-liability impression that caused real harm for six years. However, the article still links the debts to ‘the group which publishes The Herald’ when in fact they related to printing companies that were dissolved two years before the Herald was founded in 2013. I have asked the BBC to add that final clarification so the record is completely accurate.”

A formal apology and correction of this kind from the BBC is extremely rare, especially for a story more than six years old.