News
Badger and the pick of the pops
OVER the last couple of weeks, even by his own benighted standards, Badger has been a gloomy soul. However, readers, this week Badger resolved to strike an altogether lighter and less sombre note; with what is, admittedly, variable success.
As Badger was listening to the wireless the other day he slipped back into a time warp. There he was, Tony Blackburn, who sounded as gruesomely cheery as Badger remembered from his childhood. Tone was playing the top twenty selling singles from 1985. At that time it took significant sales to get into the top twenty, let alone the top ten, and it was not uncommon for singles to sell in the hundreds of thousands.
For those of Badger’s readers who are not familiar with the concept, a swift history lesson is in order. In a world before CD’s, and long before downloads, the purchase of seven inch disks of vinyl to be played on a Hi-fi turntable – or even, if one was lucky enough, a music centre. In fact, music centres gave one the option of just recording the top forty and adeptly editing out the disc jockey banter between records: particularly useful for avoiding Bruno Brookes.
Anyway, Badger digresses. There Badger was, back in 1985, with Tony Blackburn doing the top twenty-selling singles of the year.
1985: The year of The Smiths, The Cult, The Cure, The Style Council, Bruce Springsteen, Prince. Badger settled down for a treat.
Oh dear, readers, oh dearie, dearie, dearie me.
Badger listened aghast.
Apparently, when Morrisey sang the lyrics ‘the devil will find work for idle hands to do’, the thing the devil found for idle hands to do was to buy singles perpetrated by Jennifer Rush, Barbara Dickson & Elaine Paige, and Foreigner.
Asbestos-lunged American power-ballad diva, Jennifer Rush bellowed The Power of Love to five weeks at the top of the chart in October. As Badger discovered to his horror when researching this article – La Rush had recorded the UK’s best-selling single by a solo female artist until overtaken by something equally interminable by Whitney Houston several years later.
Memory, not the most reliable of mediums at the best of times, had somehow preserved for Badger the memory of Walls Come Tumbling Down, Between the Wars, and Close to Me, but erased Easy Lover, and the knuckle-whitening horror of Frankie.
Now, Badger is many things but he is no musical elitist. He can be found a-shuffling his paws along to tunes – if you excuse the pun – of any stripe. But the discovery of precisely what had been a hit when the world was young and green came as a mortifying surprise to Badger. 1985 was no golden age of popular music, it was an age right up there with the horror of times when young girls chanted for the Bay City Rollers or David Cassidy.
Readers, it was an age of Phil Collins.
Phil-bloody-Collins. I mean it is not as if Genesis was not quite bad enough, Phil had to distil its essence, cube it and record it. Those are not only musical crimes, readers: they are crimes against humanity. Phil Collins constitutes the final proof of the proposition that the only band in which the drummer was the most talented member was Nirvana.
And it came to Badger that much of the mid-80’s had been erased from Badger’s mind by a combination of Phil Collins and Margaret Thatcher. Shaken by the sheer awfulness of the period, musically and politically, Badger had expunged its recollection and retained only the memory of little shafts of light to illuminate the gloom.
On reflection, the whole period from, say, 1982 to the end of 1990 seems a little hazy. Not so much never glad confident morning again, as an abrupt break in cultural transmission that only picked up again a long time later. Lager and despair might have had something to do with that, readers.
But still Tony Blackburn endures: we are now past post-modern irony – way past Smashy and Nicey territory -and into the realms of complicity.
We know he is corny, we know he has hung around longer than a fart in a freezer, but Tony Blackburn is a reminder to us of a time when what went to the top of the charts had a certain cultural currency.
Popular music is less a sign of our times than a diary marker in our memories. If pressed to remember a specific day or month, you might fail. But people always remember what they were doing when they first became aware of a certain song, or a certain artist.
The old joke about innumerable progeny being conceived to the melodic rumbling of Barry White probably has a certain ring of truth about it; although in Pembrokeshire in the 1980’s, Badger is pretty sure that it was more likely to be to the strains of Hi Ho Silver Lining leeching through the windows of the village hall into a darkened car park at the end of a disco. Or possibly to the apparently endless long version of Freebird if you ventured out to The Old Rectory near Nash of fond Badgery memories.
The truth about the eighties, is that like Auden’s 1930’s, they were a low, dishonest decade. Their altitude and dishonesty is worse than some and better than others. (Don’t get Badger started on the 1970’s and the type of modern comedian who asks the audience whether it remembers Spangles.)
For all the gleaming newness of the now, and in the knowledge of its gloomier corners, the past still has its pull. Even now, even after Badger has discovered the unfortunate musical truth about 1985, his memory insists that for the portion of the year that Little Red Corvette was not number one, She Sells Sanctuary was in its stead.The thing about nostalgia, readers, is that nothing can kill it. Not even the truth.
Community
Eisteddfod-themed lanterns light up Cardigan in spectacular celebration
THOUSANDS turned out for Small World Theatre’s Cardigan Giant Lantern Parade on 5 December, a flagship event of this year’s Festival of Light. This year’s theme, inspired by the upcoming Eisteddfod y Garreg Las, brought colour, creativity and community spirit to the streets of Cardigan.
The Parade was made possible thanks to the UK Shared Prosperity Fund, administered and supported by the Cynnal y Cardi team at Ceredigion County Council, with further support from National Lottery Awards for All and Cardigan Town Council.
Cardigan’s Mayor, Cllr Olwen Davies, joined the celebrations as Samba Doc, Jake Caswell and a spectacular array of giant lanterns led hundreds of participants through the town. The procession wound its way to the quayside, delighting thousands of spectators who lined the route.
Among the standout creations were large lanterns made by pupils from Ysgol Uwchradd Aberteifi, Clwb Gwawr and Cardigan Rowing Club. Welsh lady hats and top-hat lanterns, crafted by local primary school pupils, added extra charm to the festive spectacle.

Now in its seventh year, the Lantern Parade has become a cornerstone of Cardigan’s winter calendar, drawing significant footfall and boosting the local economy. Alongside the Parade, Small World Theatre has developed a Festival of Light Trail — an immersive after-dark experience running from 4:30pm to 9pm, with buildings and shop windows illuminated across the town.
Mayor of Cardigan, Cllr Olwen Davies, said: “We’re so lucky to have this annual celebration that unites the town and is a Christmas treat for all. Congratulations to Small World Theatre’s team and volunteers for creating another wonderful evening.”
A spokesperson for Small World Theatre added: “Thanks to everyone who helped — Ceredigion County Council, Cardigan Town Council, the marshals from Cardigan Show and Barley Saturday Committees, Cardigan Castle, and our brilliant team and volunteers. And special thanks to Samba Doc and Jake for the joyful rhythms. Together we created a very special event for all.”
There is still time to support Small World Theatre’s fundraising appeal. Every contribution helps ensure this magical community event continues for years to come.
News
Rising AI demand fuels fears of higher laptop and console prices
Experts warn memory costs could increase, but analysts say wider market forces also at play
A SURGE in global demand for advanced computer memory — driven in part by rapid AI expansion — is raising concerns that laptops, consoles and smartphones could become more expensive in the months ahead.
Industry observers say one factor is a series of major supply agreements involving OpenAI’s “Stargate” project and South Korean manufacturers Samsung Electronics and SK Hynix, which produce much of the world’s high-performance memory. Reports suggest the deal covers hundreds of thousands of chips per month, though the exact proportion of global output remains disputed.
Some experts argue the increased competition for components is already pushing up prices. Others caution that the situation is more complex, with global supply chains, cyclical semiconductor markets and post-pandemic production shifts also contributing to cost pressures.
Memory prices rising — but reasons vary
Several tech companies have reported steeper wholesale costs. According to the open-source tech community around self-build manufacturer Framework, memory modules that were around £100 in late summer are now retailing for several hundred pounds. Framework temporarily delisted its standalone memory kits, citing concerns about scalpers reselling them at inflated prices.
Higher memory requirements in modern phones — with many Android models now starting at 8GB or more — mean manufacturers face difficult decisions about absorbing the cost or passing it on at the till.
Analysts note that memory prices were already forecast to rise after a prolonged slump, with chipmakers gradually winding down production in 2023–24 following weak global PC sales. That has tightened supply even before AI-related demand is factored in.
Small businesses and consumers feel exposed
Colette Mason, an author and AI consultant at Clever Clogs AI, warned that the people most affected will be those who rely on affordable tech.
She said: “We’ve been told AI will democratise everything. But if essential hardware jumps in price, the people hit hardest are students, small business owners and pensioners who simply need a working laptop. It doesn’t feel very democratic when core components suddenly cost several times more.”
Rohit Parmar-Mistry, founder of Burton-on-Trent data firm Pattrn Data, said rising memory costs risk becoming a “quiet tax” on UK businesses.
“A 300% increase in a single component doesn’t just affect gamers,” he said. “It affects every company that needs to refresh equipment. If hardware becomes a luxury item, then AI tools have to start delivering real value rather than hype.”
Other experts say consumers may have options
Not everyone believes the public will be forced into steep upgrades.
Mitali Deypurkaystha, an AI strategist, said many people can avoid paying inflated prices altogether.
“Most AI runs in the cloud,” she said. “You don’t need the newest memory to use ChatGPT. If consumers choose refurbished or older components instead of paying top-end prices, chipmakers will feel that pressure. We’re not entirely powerless.”
Chipmakers yet to respond directly
OpenAI referred Newspage to earlier comments by CEO Sam Altman, who said Korea had the talent and infrastructure to be a “global leader in AI” and praised collaboration with Samsung, SK Hynix and the Korean government.
Samsung and SK Hynix — the two dominant memory producers — have not commented publicly on the reported long-term allocation agreements. Industry analysts say it is common for manufacturers to prioritise high-value enterprise clients during supply squeezes, but warn that consumer-level disruption depends on how quickly production capacity ramps up in 2025–26.
A price rise — but how steep?
Despite strong warnings from consultants, economists say it is too early to know whether UK consumers will face increases as high as “£300 more”, because:
- Manufacturers may absorb part of the cost
- Retailers often buy components months in advance
- Prices could stabilise if chipmakers expand output
- The worst spikes tend to occur in niche or high-performance modules
However, all agree that AI’s appetite for hardware is now a major force shaping the global tech market, and that ordinary consumers are likely to feel at least some impact.
News
A487 at Newgale reopens as council clears storm debris
Flood warning lifted but coastal roads still affected after overnight waves
THE A487 at Newgale has reopened this morning after Pembrokeshire County Council crews worked at pace to clear heavy shingle and debris washed across the carriageway during last night’s storm.
Machinery was deployed early today to remove pebbles thrown up by large waves, allowing the main coast road to reopen. Teams have now moved on to Welsh Road, Newgale, where further deposits are being cleared.
The Flood Warning for Newgale is no longer in force, though the council warns that large waves are still hitting coastal areas and visitors should remain cautious.
Debris has also been reported at Nolton and Broad Haven, with crews expected to attend once operations in Newgale are completed.
Significant storm wash has been recorded elsewhere on the coastline, including at Wiseman’s Bridge, where large stones and sand have been strewn across the roadway. The scene was captured this morning by local photographer Malcolm Richards.
Commons Road in Pembroke is currently flooded but remains passable with care.

-
Crime4 days agoDefendant denies using Sudocrem-covered finger to assault two-month-old baby
-
Crime3 days agoPembroke rape investigation dropped – one suspect now facing deportation
-
News3 days agoBaby C trial: Mother breaks down in tears in the witness box
-
Crime24 hours agoProsecution delivers powerful closing speech in Christopher Phillips trial
-
Crime4 days agoLifeboat crew member forced to stand down after being assaulted at Milford pub
-
Crime4 days agoDefendant denies causing injuries to two-month-old baby
-
Crime2 days agoMother admits “terrible idea” to let new partner change her baby’s nappies alone
-
Crime4 days agoPembrokeshire haven master admits endangering life after speedboat collision








