Entertainment
Digital platforms influencing local leisure and tourism coverage
These days, whether it’s a first-time visitor snapping photos by the river or a long-time local searching for something different to do on a Saturday, experiences increasingly run through screens before they ever happen in real life. Flicking through travel apps, scrolling social feeds, reading reviews, most journeys now start with digital guidance.
The numbers add up: Statista found nearly four out of five travellers rely on online resources before making any firm plans. Rather than leafing through a magazine or chasing word-of-mouth rumours on the street, people discover a new noodle shop, outdoor festival, or even a neighbourhood casino with just a few taps.
Video tours, influencer stories, rating apps, algorithm-driven “top 10” lists, these tools nudge which places fill up and which get forgotten almost overnight. Street-level exploration and traditional local coverage don’t always compete well with the speed of the digital economy.
How social media redefines destination appeal
One well-shot reel of a lantern-lit alleyway or a rooftop jazz gig can instantly catapult a spot into the city’s canon of “must-sees.” This isn’t just theory, published research connects visual social posts with genuine shifts in how travelers and locals think about where to go and what’s not to miss.
Browse TikTok, watch a trending Instagram Story, or let YouTube’s autoplay wander from hidden cafes to graffiti tours, these aren’t just eye candy but recommendations that mean something. The likelihood someone actually visits climbs each time a location gets mentioned, especially if the video or photo comes with a personal story or glowing review.
It’s a self-reinforcing cycle, the more a place appears online, the more foot traffic it seems to attract. Local businesses, big and small, are starting to notice, many now actively shaping their own accounts, sometimes partnering with content creators to rise above the chatter.
Shifting focus: digital campaigns and local visibility
Instead of just promoting postcard landmarks, tourism offices and city teams have begun actively managing which neighborhoods and venues get attention. These days, an overlooked park can trend if it lands in the right campaign, or a quiet food market can attract national notice through influencer partnerships.
Some mapping apps highlight off-the-beaten-path walking routes, gently nudging users away from the busiest areas. In parts of Europe, recent digital initiatives put regional cities and lesser-known attractions in the limelight, using interactive features and curated posts.
As social feeds ebb and flow, city agencies react in near real time, spotlighting new districts if the old favorites become crowded or overwhelmed. Tech analysts suggest these deliberate digital nudges shift not just online talk but where people actually go, broadening what counts as part of the city experience. Often, the freshest local tips show up in a traveler’s feed before they ever appear in the local press.
Traditional media, crowded out or evolving?
Reaching for a phone has replaced flipping through guidebooks. “Official” tips from print journalists now sit beside, sometimes under, swirling waves of crowdsourced rankings and real-time updates. Review sites, maps with live comments, and influencer videos are now default entry points.
Most travelers, according to recent data, check these platforms before deciding on what to see or where to eat. Destination managers have noticed, investing heavily in digital-first materials. Editorial decisions that once shaped public interest now often come from online momentum; one viral video can outpace months of careful planning. But places that don’t show up online risk being missed entirely, no matter their appeal.
New gatekeepers and the art of digital reputation
Increasingly, online voices, not official guides, chart local reputations. Influencers, vloggers, and everyday content creators can steer public perception with a single post reaching audiences around the world. These creators’ personalities, tone, and perceived honesty now hold real sway. The upshot? Destinations and businesses must quickly adapt, responding to feedback and sometimes even shifts in mood that unfold by the hour online.
Having good digital “word-of-mouth” makes a difference, and even one rating or livestream can tip the balance in favor of a lesser-known venue. Sharing self-discovery and experiences, travelers amplify places that might once have been invisible.
Responsible gambling as part of the modern leisure mix
With digital platforms spotlighting entertainment like venues, the conversation shifts toward responsible participation. It’s increasingly important for people to set personal limits, stay self-aware, and use any digital tools available to monitor their choices.
Accessible, up-to-date information helps keep behaviors in check, offering a safety net without restricting individual freedom. Destinations and the tech platforms themselves are in a good position to reinforce these messages, supporting users as leisure habits evolve in a digital age.
Entertainment
The littlest yak heads to Milford Haven this half term
Award-nominated family show brings puppetry and music to the Torch Theatre
A FAMILY theatre production nominated for four OffWestEnd Awards is set to visit Milford Haven this half term when The Littlest Yak comes to the Torch Theatre.
Presented by LAStheatre, the show is a musical adaptation of the award-winning children’s book and is aimed at audiences aged three and over. It combines puppetry, original songs and live performance to tell a story about confidence, growing up and self-acceptance.
The story follows Gertie, a young yak who is proud of her curly wool and sure-footed hooves but frustrated at being the smallest in the herd. Keen to grow up and be like the big yaks, Gertie soon learns that there are some things only she can do, in a message designed to encourage children to value their own strengths.

The production has received strong audience feedback during its UK tour, with reviewers praising the puppetry, music and visual design, as well as its appeal to both children and adults.
The Littlest Yak is produced by Liz Bate and performed by a cast including Megan Ashley, Isobel Horner, Charlie Limm and Eloise Richardson. The creative team includes writer and director Barra Collins, composer Joseph Hardy and designer Alison Alexander, who created the set, costumes and puppets.
The show is based on the book by children’s author Lu Fraser, illustrated by Kate Hindley.
The Littlest Yak will be staged at the Torch Theatre on Saturday, February 21, with performances at 12.30pm and 3.00pm.
Tickets are priced at £15 for adults and £12.50 for children. Further information is available via the Torch Theatre website or by contacting the box office on (01646) 695267.
Entertainment
Woolf Works to be screened at Torch Theatre
Olivier Award winning Royal Ballet triptych inspired by Virginia Woolf will be shown on Sunday 15 February at 5:00pm
THE ROYAL BALLET’S Woolf Works is coming to the Torch Theatre screen, giving local audiences the chance to experience one of the company’s most acclaimed modern productions.
The Observer and Broadway World have both awarded the production five stars, with the ballet widely praised for bringing Virginia Woolf’s writing to life through movement, music and striking design.
Created for The Royal Ballet in 2015, Woolf Works is an Olivier Award winning triptych that draws on themes from Mrs Dalloway, Orlando, The Waves and other Woolf works. Rather than following a traditional storyline, it reflects Woolf’s distinctive stream of consciousness style, exploring inner worlds and emotional reality in a series of powerful, connected pieces.
The production features designs by Moritz Junge, whose work spans major opera and ballet productions including Così fan tutte for Opera Australia, Cavalleria rusticana and Pagliacci at the Metropolitan Opera in New York, and Les Troyens, Aida and The Tempest at the Royal Opera. He also designed costumes for the London 2012 Paralympics opening ceremony and was an overall winner of the Linbury Prize for Stage Design.
Choreography is by Sir Wayne McGregor, who was appointed The Royal Ballet’s Resident Choreographer in 2006, becoming the first in the role to come from a contemporary dance background. His approach, supported by a leading creative team, helps shape a large scale work which avoids conventional narrative structures in favour of atmosphere, texture and emotional depth.
Woolf Works will be screened at the Torch Theatre on Sunday 15 February at 5:00pm.
Tickets are £20, £18 concessions and £9 for under 26s. For further information visit www.torchtheatre.co.uk or contact the Box Office on 01646 695267.
Charity
Charity medium night to raise funds for Cancer Research Wales in Milford Haven
International spiritualist medium to appear at rugby club event
A CHARITY evening with an international spiritualist medium is set to take place in Milford Haven later this month, with all proceeds going to Cancer Research Wales.
The event will be held on Friday (Jan 16) at Milford Haven Rugby Club, and will feature a live demonstration by Lee Mills, who is described by organisers as an internationally recognised spiritualist medium.
Organised in support of Cancer Research Wales, the evening aims to raise funds for cancer research carried out in Wales. Organisers have confirmed that all proceeds raised on the night will be donated to the charity.
Doors open at 6:30pm, with the event starting at 7:00pm. Tickets are priced at £12, and the evening is a ticket-only event.
Those wishing to attend are advised to book in advance. Tickets can be available by contacting Sara on 07817 677632.
Organisers said the event offers local residents the chance to enjoy an evening of entertainment while also supporting a Welsh charity dedicated to funding life-saving cancer research.

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