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The NHS is ‘worth fighting for’

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New Boss: Steve Moore, Chief Executive of Hywel Dda University Health Board

New Boss: Steve Moore, Chief Executive of Hywel Dda University Health Board

IN HIS first interview with a Pembrokeshire newspaper since taking up his post, Steve Moore, Chief Executive of Hywel Dda University Health Board, told the Pembrokeshire Herald that he wanted to involve pressure groups, clinicians and the public in the debate about what Withybush Hospital can do to support the local population and revealed what motivated him to return to the NHS as Chief Executive of the Local Health Board.

“I moved out of the NHS for a while to get a different perspective and refresh.” Steve told us. “While I was away from the NHS, I realised that it was in my blood and I enjoyed working within it. The NHS is an institution that I am passionate about: It is hugely important and faces big challenges. I think it is worth fighting for.”

Considering why he had elected to return to NHS management through Hywel Dda UHB, Steve expressed his desire that the Board provide an integrated service: “Looking at England, there are many people there who believe that an integrated model, where we have acute, community and primary care working together will solve a lot of problems. What I see in Hywel Dda is a lot of the building blocks are in place to enable that; in a very rural community, and I come from a rural background, I want to develop that model where we have the means at hand to do so. I’m five weeks in. I am still finding my way around. But I am really positive and excited about how we can move services on. That is why I am here.”

Asked whether he could draw a line under the past, move on and be categorical about the future of service provision, Mr Moore told us: “I’m hearing the concern. I have been to two public meetings over the last two weeks. It needs a line drawing under it. The clinical reasons underlying those decision have not changed. However, we do have the review going on, we need to acknowledge that we might not have got it entirely correct, right up front. We are keen to work with pressure groups, clinicians and the public to learn whether the transfers have happened in the way we planned them. I am sure there are things we can do to improve things for patients who have to move further for treatment than before; however, the clinical argument for changing services and transferring them remains the same. We need to move on, but we need to continue the discussion about what clinical models ought to look like. For me and the Board, having been very clear that each of our hospitals has a sustainable future, we no need to debate how those hospitals best serve the communities in which they sit.”

Steve was clear that he had not come across a situation where the Welsh language had discouraged recruitment, as claimed by the Welsh Deanery. Revealing that he was eager to learn the language, he went on to say: “We need to ensure that where patients’ first language is Welsh we can communicate effectively with them. I have not been here long, but I have not come across the Welsh language dissuading people from applying. There are far more significant things locally affecting recruitment that we need to deal with, such as setting out our positive vision for the future. I would rather get on with tackling those things.”

Responding to criticism by Simon Hart MP that the Board’s communication had been poor, the new CEO was clear: “We need to be clear about our overall aim, that patients can get prompt treatment. That might not always be in their local hospital. Clinical practice changes all the time. There is a danger in having a blueprint which needs constant amendment. There are some ‘red-line’ issues, such as the provision of 24/7 A&E, where we need to be open and transparent with the public about the issues we face regarding recruitment. The Board’s approach is how we build an ongoing relationship. We have had a couple of public meetings already and we have learned from those, so that we changed the format of the second meeting at Letterston to be less one of us telling than of us listening. We got it wrong, the public told us we had got it wrong, so we changed the format. We need to continue to flex and also to hear from people that we sometimes do not hear from. We have a strong desire to be out there talking, listening: we are facing big challenges and we need to be honest and open about that. We won’t find all the answers sitting around a board table, we need to communicate and the more we do that, the better it will be for the future of health services in our local area.”

Refusing to be drawn on past issues with communication between the Board and the public, Mr Moore was, however, very clear on his position and that of the Board generally: “The ethos we have is that it is not our health service, it belongs to the taxpayers. I can’t see a more important job for the Board than to engage with the public. We’re not going to solve the problems we face unless we have the public on board, both understanding the challenges and helping us deliver the solutions. You will see our clinicians out there more often: they are the experts and I think it is important the public know their viewpoint and their views. It is also important that clinicians get to hear the public’s point of view.”

Reflecting on the sometimes difficult relationship the Board has had with the media: “I’m looking forward to having a strong relationship with the press, who can help us reach members of the public we do not reach through our efforts alone. There needs to be a positive – and critical – relationship between the media and the Board. We need to celebrate the good news stories about the way our staff deliver services under great pressure and in the face of great challenges.”

Concluding he said: “I am genuinely positive for the future. You only have to visit our hospitals, to sit in a public meeting and feel the public’s passion. The NHS is a great institution. We will have to find new solutions, the world has changed since 1948. I am positive about that change and feel we have a strong platform to work from.”

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Police ask motorists to avoid A44 trunk road due to heavy snowfall

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DYFED-POWYS POLICE have issued an appeal to motorists to avoid a 25 mile section of the A44 trunk road between Aberystwyth and Llangurig due to it being impassable due to heavy snowfall.

In a warning issued at 4am on their social media accounts the police said: “Please avoid the area and find alternative routes for your journey.”

Meanwhile, last night The Nags Head in Lampeter uploaded pictures of the snowy scenes in the area, and were encouraging customers to come in and sit next to their ‘nice warm fire’.

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Egg and farm shop to open at award-winning west Wales farm

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A SCHEME for a self-serve egg and farm shop at an award-winning 32,000-chicken Ceredigion farm, to allow it to receive a UK Shared Prosperity fund grant, has been approved by county planners.

Ben Edkins, of Edkins Eggs, Coed Farm, Cilcennin sought permission to site a self-serve farm shop on an existing yard area at the site.

A supporting letter submitted through agent Morgan & Flynn Architectural Services described it as “a more advanced version of an egg stand, with honesty box, which has been a staple for people producing eggs for centuries”.

It added: “This method of selling eggs has already proven to be a hit with communities in Ceredigion, given the success of the already established egg dispenser located in Aberystwyth town centre.”

Family-owned Edkins Eggs, which supplies multiple businesses across the area with eggs, including Aberaeron’s Y Seler, Hive, Harbourmaster, and Costcutters, has been awarded a grant to cover the cost of part of the proposal, on the condition that planning approval is granted, the statement added.

“The grant, which is a UK shared prosperity fund for the Mid Wales region as part of the ‘Cynnal Y Cardi Fund’ provided by Ceredigion County Council was granted in December 2023.

“For this grant to be claimed, it is required that planning permission is granted, the construction is completed and also the egg dispensers are implemented by December 2024. This gives the applicants a 12-month window from the point of the grant awarded to completion of proposal.”
The building itself will include a solar panel array providing the power for the egg dispensing unit and lighting, and it is hoped to create one extra job at 227-acre Coed Farm, home to 32,000 chickens producing free range eggs, 90 beef cattle and 200 sheep.

A green infrastructure statement by the agent added: “The creation of this building to house the self-serve farm shop to enhance the established family-owned business ‘Edkins Eggs’, which also has provisions to allow for other local companies producing items such as vegetables and honey to sell their products, will provide a facility for the local community to purchase locally produced goods directly from the supplier.

“This will not only provide an enhanced shopping experience in terms of being able to purchase directly from the farm, which could act as an educational benefit especially for children, but also provide the additional facility of a small-scale shop to the local area, whereas currently the community would either have to travel to the service centres of either Aberaeron or Felinfach.”

The application was conditionally approved under delegated powers.

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Entertainment

John Singer Sargent’s ‘Fashion & Swagger’ to light up the Torch

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IN an unparalleled celebration of one of the late 19th century’s most revered portrait artists, the Torch Theatre is set to host “John Singer Sargent – Fashion & Swagger” on Tuesday, 16 April, at 7:30 pm. This innovative exhibition, brought to life by Exhibition on Screen, delves into the remarkable artistry of John Singer Sargent, whose portraits are celebrated for their intricate depiction of his subjects’ persona, attire, and the subtleties of their presentation.

The event promises an insightful exploration of Sargent’s influence on modern art, culture, and fashion, featuring interviews with a diverse group of curators, contemporary fashion icons, and style influencers. Filmed at prestigious venues like the Museum of Fine Arts in Boston and Tate Britain in London, the exhibition unveils Sargent’s extraordinary ability to capture the essence of his subjects’ identities, social standings, and the complexities of gender through his art during a pivotal time of cultural transformation.

Phil Grabsky, one of the producers behind this compelling film, shared his enthusiasm for spotlighting Sargent’s genius, stating, “As filmmakers, both director David Bickerstaff and I have been thrilled to make this film about Sargent, someone I consider a truly astounding artist.” Grabsky further reflected on the curious case of Sargent’s fading recognition despite his once-celebrated status and affirmed Exhibition on Screen’s commitment to revitalizing interest in artists who deserve renewed attention.

The exhibition promises a fascinating juxtaposition of over 50 of Sargent’s paintings with authentic items of clothing and accessories donned by his subjects, offering audiences a unique passage into the artist’s creative realm. It underscores how Sargent’s subjects, often hailing from affluent backgrounds, entrusted him with their public images — a theme that resonates with the ongoing dialogue around the construction of identity in the public eye.

Tickets for “John Singer Sargent – Fashion & Swagger” are available for £13. Those interested can secure their spots by visiting www.torchtheatre.co.uk or contacting the Box Office at 01646 695267.

For further details and imagery, or to arrange press inquiries, please reach out to Anwen Francis (Marketing, Press & Communications) via email at [email protected] or phone at 07854 772640.

ENDS

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