“The sense of power and the great surge of energy that this earth provides is all I want my paintings to share”

Published

1 year ago

November 11, 2024

For as long as he can remember, Neyland-born Bob Reeves has shared a close and all-embracing relationship with the natural world around him.

As a child, he’d hunt tadpoles, gather cockles, dive for tallies made from broken pieces of china and follow the flight of the seabirds that nested around the Cleddau. The images he observed were then captured by his little hands using watercolours which his mother had bought him from the local shop.

“Painting or drawing the things that I saw was something that I’ve always had to do,” he tells The Pembrokeshire Herald.

“I didn’t know whether I was any good at art, and to be perfectly honest, I still don’t. But I’ve always had to reach out for a pencil, a pen, paints or some charcoal to try and capture all those things I’ve felt.”

And this is what possibly makes Reeves one of Pembroekshire’s most powerful and enigmatic artists. He doesn’t simply paint an image, but uses it to convey the overwhelming emotion that the image originally prompted.

“People are always telling me how wonderful it must be to shut myself away in my studio and paint. ‘What a lovely, relaxing hobby it must be,’ they say. But my God, it’s intense, and it’s that intensity that invariably makes me feel bad tempered.

“I’m conscious of the earth as a living thing and it’s this sense of power, this great surge of energy which I then want to transfer onto my paintings.”

Anyone who has viewed Reeves’ work will know just how intensely he captures the all-embracing natural energy that the earth contains.

“I suppose it’s probably an advantage that I never went to art college and haven’t had a single art lesson since I was a 14-year-old pupil at Pembroke Grammar School.

“I’m a free spirit and this means that I break a lot of rules when I work.”

‘Atlantic Symphony, Freshwater West’: Bob Reeves

Bob’s first broken rule came as a three-year-old toddler growing up at the family home in Kensington Road, Neyland.

“I decided to draw a teddy bear on my bedroom wall using a red crayon, and when my mother saw it, she didn’t know whether to give me a row or praise me. But it must have looked pretty good because the next thing she did was go out to the shop and buy me a little tin of watercolours.”

As a schoolboy, Bob used watercolours to paint all his technical biology drawings and he was renowned by his teachers and fellow students alike for the caricature drawings and portraits he drew of them using a pen. And it goes without saying that his sense of humour often ignited his teachers’ ire.

After leaving school, he spent a short time working for the Civil Service before joining the police force as a constable. But then, on October 21, 1966, Bob was involved in one of the most catastrophic tragedies ever to hit Wales. The Aberfan disaster.

“I was there within eight hours of it happening, and I stayed there for the following eight days,” he said.

“The things I saw and the grief that I could feel all around me, has played hell with me ever since.

“I was 22 at the time, I was a young father, and I have to say that this wasn’t a happy time in my life. Yes, I’ve always had the ability to paint and to draw, but this shut it all down. Aberfan stretched my emotions to something which I didn’t think it was possible to feel.”

Listening to Bob speak about Aberfan, it soon becomes clear that the trauma he encountered remains with him to this day.

“It wasn’t until I left the police force and started working at the oil refinery [in Milford Haven], that I started painting again,” he continues. “And I suppose that this was when my work began to evolve more into what it has become today. Whatever that raw emotion may be whenever I see a landscape or some other natural thing that makes me feel its power, then this is the raw emotion that I want to get across in my work.”

His paintings display an acute empathy of colour and an intense sense of movement and they have been sold to buyers in the United States of America, Peru, Canada, Australia and throughout the UK including one which is currently displayed in Whitehall, London.

“I’ve yet to go and see it,” he says. “Yes, it’s nice that a part of Pembrokeshire has been taken to Whitehall, but I’m not particularly bothered about going to see it. That’s not what I’m about.

“I’m here to feel the power around me and try to convey it through my paints.”

This month a collection of Bob Reeves’ work can be viewed at a Christmas exhibition that takes place at the Waterfront Gallery, Milford Haven. The exhibition opens on November 23 and will continue until Christmas.

Crime

Swansea man dies weeks after release from troubled HMP Parc: Investigation launched

Published

3 hours ago

December 4, 2025

Tom Sinclair

A SWANSEA man has died just weeks after being released from HMP Parc, the Bridgend prison now at the centre of a national crisis over inmate deaths and post-release failures.

Darren Thomas, aged 52, died on 13 November 2025 — less than a month after leaving custody. The Prisons and Probation Ombudsman (PPO) has confirmed an independent investigation into his death, which is currently listed as “in progress”.

Born on 9 April 1973, Mr Thomas had been under post-release supervision following a period at HMP/YOI Parc, the G4S-run prison that recorded seventeen deaths in custody in 2024 — the highest in the UK.

His last known legal appearance was at Swansea Crown Court in October 2024, where he stood trial accused of making a threatening phone call and two counts of criminal damage. During the hearing, reported by The Pembrokeshire Herald at the time, the court heard he made threats during a heated call on 5 October 2023.

Mr Thomas denied the allegations but was found guilty on all counts. He was sentenced to a custodial term, which led to his imprisonment at HMP Parc.

Parc: A prison in breakdown

HMP Parc has faced sustained criticism throughout 2024 and 2025. A damning unannounced inspection in January found:

Severe self-harm incidents up 190%
Violence against staff up 109%
Synthetic drugs “easily accessible” across wings
Overcrowding at 108% capacity

In the first three months of 2024 alone, ten men died at Parc — part of a wider cluster of twenty PPO-investigated deaths since 2022. Six occurred within three weeks, all linked to synthetic drug use.

Leaked staff messages in 2025 exposed a culture of indifference, including one officer writing: “Let’s push him to go tomorrow so we can drop him.”

Six G4S employees have been arrested since 2023 in connection with alleged assaults and misconduct.

The danger after release

Deaths shortly after release from custody are a growing national concern. Ministry of Justice data shows 620 people died while under community supervision in 2024–2025, with 62 deaths occurring within 14 days of release.

Short sentences — common at Parc — leave little time for effective rehabilitation or release planning. Homelessness, loss of drug tolerance and untreated mental-health conditions create a high-risk environment for those newly released.

The PPO investigates all such deaths to determine whether prisons or probation failed in their duties. Reports often take 6–12 months and can lead to recommendations.

A system at breaking point

The crisis at Parc reflects wider failures across UK prisons and probation. A July 2025 House of Lords report described the service as “not fit for purpose”. More than 500 people die in custody annually, with campaigners warning that private prisons such as Parc prioritise cost-cutting over care.

The PPO investigation into the death of Darren Thomas continues.

Crime

Woman stabbed partner in Haverfordwest before handing herself in

Published

3 hours ago

December 4, 2025

Court Reporter

A WOMAN who stabbed her partner during a drug-fuelled episode walked straight into Haverfordwest Police Station and told officers what she had done, Swansea Crown Court has heard.

Amy Woolston, 22, of Dartmouth Street in Milford Haven, arrived at the station at around 8:00pm on June 13 and said: “I stabbed my ex-partner earlier… he’s alright and he let me walk off,” prosecutor Tom Scapens told the court.

The pair had taken acid together earlier in the day, and Woolston claimed she believed she could feel “stab marks in her back” before the incident.

Police find victim with four wounds

Officers went to the victim’s home to check on him. He was not there at first, but returned shortly afterwards. He appeared sober and told police: “Just a couple of things,” before pointing to injuries on his back.

He had three stab or puncture wounds to his back and another to his bicep.

The victim said that when he arrived home from the shop, Woolston was acting “a bit shifty”. After asking if she was alright, she grabbed something from the windowsill — described as either a knife or a shard of glass — and stabbed him.

He told officers he had “had worse from her before”, did not support a prosecution, and refused to go to hospital.

Defendant has long history of violence

Woolston pleaded guilty to unlawful wounding. The court heard she had amassed 20 previous convictions from 10 court appearances, including assaults, battery, and offences against emergency workers.

Defending, Dyfed Thomas said Woolston had longstanding mental health problems and had been off medication prescribed for paranoid schizophrenia at the time.
“She’s had a difficult upbringing,” he added, saying she was remorseful and now compliant with treatment.

Woolston was jailed for 12 months, but the court heard she has already served the equivalent time on remand and will be released imminently on a 12-month licence.

News

BBC apologises to Herald’s editor for inaccurate story

Published

5 hours ago

December 4, 2025

Staff Writer

THE BBC has issued a formal apology and amended a six-year-old article written by BBC Wales Business Correspondent Huw Thomas after its Executive Complaints Unit ruled that the original headline and wording gave an “incorrect impression” that Herald editor Tom Sinclair was personally liable for tens of thousands of pounds in debt.

The 2019 report, originally headlined “Herald newspaper editor Tom Sinclair has £70,000 debts”, has now been changed.

The ECU found: “The wording of the article and its headline could have led readers to form the incorrect impression that the debt was Mr Sinclair’s personal responsibility… In that respect the article failed to meet the BBC’s standards of due accuracy.”

Mr Sinclair said: “I’m grateful to the ECU for the apology and for correcting the personal-liability impression that caused real harm for six years. However, the article still links the debts to ‘the group which publishes The Herald’ when in fact they related to printing companies that were dissolved two years before the Herald was founded in 2013. I have asked the BBC to add that final clarification so the record is completely accurate.”

A formal apology and correction of this kind from the BBC is extremely rare, especially for a story more than six years old.