Entertainment
Has the use of online bingo affected Welsh bingo halls?
Bingo is a popular game in the UK, with over three million people playing bingo at least twice a week. Wales in particular has a strong bingo culture due to its high number of small, tight-knit communities that use traditional bingo as a way to socialise and bond as a community.
With the rise in popularity for online bingo sites, it’s no wonder there’s some concern surrounding the fate of bingo halls in Wales. With this in mind, let’s take a look at these places and explore whether or not they have been affected by the increase of online gambling.
The history of bingo halls in the UK
Bingo rose in popularity after the Betting and Gaming Act 1960. Since then, bingo halls cropped up around the country and it wasn’t until 2005 that bingo halls stopped being built.
Between 2005 and 2014, the number of bingo clubs in Britain dropped from 600 to 400. There are several reasons for this, but the largest culprits are most likely a ban on indoor smoking, an increase on taxes, and the growth of online bingo.
The pandemic had a further impact on bingo halls, and by 2023 the number of bingo halls in Great Britain dropped to around 260.
Why are bingo halls so popular in Wales
Bingo has been a significant aspect of Welsh culture for decades. People have met at working men’s clubs, community halls, and dedicated bingo establishments for years to stay connected as a community, make new friends, catch up with old friends, and participate in some friendly competition.
It’s the social aspect of in-person bingo that has better kept its popularity alive in Wales compared to in other areas of the UK, where close knit communities aren’t seen as often.
Has online bingo had an effect on bingo halls?
Online bingo has become increasingly popular in recent years. Some people may not feel the need to visit dedicated bingo halls to get their bingo fix and instead opt for the convenience and flexibility that online bingo can provide. We see this in the recent decline of bingo halls across the UK.
However, many people still favour traditional bingo and, surprisingly, the younger demographics are showing up. In 2022, double the amount of players aged 25-35 were playing bingo in a club compared to 2018, and the number of 18-24 year olds was up by a third.
Alongside this, the gross gambling yield (GGY) for non-remote bingo was £591.8 million between April 2022 and March 2023 – a 34.0% increase on the previous period. So whilst online bingo remains in demand, it doesn’t seem to have overtaken the popularity of non-remote bingo just yet.
Will bingo halls be around in Wales in the future
It’s safe to say that as a staple of Welsh culture, bingo halls will likely retain their popularity for quite some time. The rise of online bingo is significant and will continue to grow but traditional bingo is still favoured by many and the younger generation seem to keep a keen interest despite the ease and convenience of online bingo.
Entertainment
New appeal in search for missing Manic Street Preachers musician
Family and charity issue fresh appeal for information about guitarist 31 years on
THIRTY-ONE years after the disappearance of Richey Edwards, a new public appeal has been issued urging anyone with information to come forward.
Edwards, guitarist and lyricist with Manic Street Preachers, vanished on January 31, 1995, in a case that has become one of the most enduring mysteries in British music history.

The then 27-year-old was last seen at the Embassy Hotel Bayswater in west London, where he had been staying ahead of a promotional trip to the United States. He checked out of room 561 but never reached his destination.
Despite numerous reported sightings over the years, none have ever been confirmed. Edwards was officially declared presumed dead in 2008, though his family continue to mark the anniversary of his disappearance and keep hope alive that answers may still emerge.
Anniversary appeal
The charity Missing People has released a statement in collaboration with Edwards’ sister Rachel, asking the public to remember the case.
In a social media post, the organisation said: “It is 31 years since Richard went missing, please keep his family in your thoughts.”
They also repeated key identifying details from the time he vanished. Edwards was described as white, around 5ft 7in tall, slim, with brown eyes and a shaved head. He had several distinctive tattoos, including a rose with the words ‘Useless Generation’, the phrase ‘I’ll surf this beach’, and a scar on his lower left arm where he had scratched the words ‘4 REAL’.
Unanswered questions
His car was later found near the Severn Bridge services, close to the Welsh border, prompting widespread searches but yielding no firm clues about what happened next.
At the time of his disappearance, the band were on the brink of international success. Edwards’ intense, literate songwriting and striking image had already made him a defining figure in Welsh rock music. More than three decades later, fans still hold vigils, create murals and share tributes across Wales and beyond.
Police say the case remains open.
Anyone with information is asked to contact the Metropolitan Police Service on 101 or use their online reporting service, quoting reference CONNECT REF 01/764429/24. Missing People also operates a free, confidential helpline on 116 000.
Entertainment
Turner and Constable brought to life on the big screen at the Torch Theatre
ART lovers in Pembrokeshire will have the chance to experience the lives and rivalries of two of Britain’s greatest painters when a new documentary, EOS: Turner & Constable, arrives at the Torch Theatre this March.
Celebrating the 250th anniversary of their births, the film explores the intertwined stories and enduring legacies of J.M.W. Turner and John Constable alongside Tate Britain’s major new exhibition. Exhibition on Screen has been granted exclusive behind-the-scenes access, bringing their extraordinary art and personal histories vividly to the cinema screen.
Born just a year apart, Turner and Constable helped redefine landscape painting in Britain – and were fierce competitors. Both captured a nation in transition, yet their styles could not have been more different. Turner’s dramatic skies, blazing sunsets and atmospheric scenes from his travels contrasted sharply with Constable’s gentle, nostalgic portrayals of the English countryside and familiar rural life.
Their opposing visions divided critics and audiences alike, famously described at the time as a clash of “fire and water”.
The documentary offers rare, intimate access to sketchbooks, letters and personal artefacts, alongside insights from leading curators and art historians. It also ties in with Tate Britain’s landmark exhibition, running in London from November 2025 to April 2026, which reunites the two masters’ works side-by-side.
This cinematic event gives audiences the chance to see their masterpieces in stunning detail and discover unexpected sides to two artists whose rivalry shaped British art history.
Turner and Constable will be screened at the Torch Theatre on Sunday, March 15 at 4:30pm.
Tickets are £13. For bookings, visit www.torchtheatre.co.uk or call the Box Office on 01646 695267.
Entertainment
Companies awarded funding as part of Made in Wales: Factual Entertainment project
BBC Cymru Wales, BBC Network and Creative Wales have awarded four Wales-based production companies funding to develop ideas for a new Factual Entertainment series
BBC CYMRU WALES, BBC Network, and Creative Wales announced the launch of a new development fund for a Factual Entertainment series at the Wales Media Summit last year.
Production companies with a substantive base in Wales were invited to pitch bold, original ideas that celebrate Welsh creativity while delivering unforgettable entertainment to audiences across the UK.
Boom, Curve Media, South Shore and Tŷ’r Ddraig have successfully been awarded funding to further develop their ideas for a new Factual Entertainment series. Each company will receive £10,000 of funding, with development starting in the coming weeks.
Nick Andrews, Head of Commissioning BBC Cymru Wales, said: “We were really impressed by the variety and volume of the submissions we received – companies really responded to our call for ideas for an ambitious, returnable format, that surprises, unites, and captivates. We’re so excited to be working with the four successful companies, and we’re looking forward to seeing how their ideas develop further.”
Catherine Catton, Head of Commissioning, Factual Entertainment and Events, said: “Made in Wales is a collaboration to find a major new factual entertainment series that will harness the best of Welsh creativity and resonate across the UK. We are really looking forward to working with brilliant Welsh talent to come up with the next big thing.”
Joedi Langley, Interim Head of Creative Wales, said: “This announcement follows a recently published and updated Memorandum of Understanding (MOU) between Creative Wales and BBC, a commitment between the two organisations to work together to support the vibrant, diverse, world-class screen industries in Wales.
“This new development funding will do just that – create new opportunities for Welsh based production companies to develop exciting, original ideas for factual content. Congratulations to the indies, we look forward to seeing what comes next!”
The total funding of £40,000 has been provided by BBC Cymru Wales, BBC Network and the Welsh Government via Creative Wales.
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