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Deckhand turned artist: Milford trawlerman’s work exhibited at Torch

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A DECKHAND on the Milford Haven steam trawler Maretta is the subject of a powerful and moving exhibition opening this May at the Torch Theatre in Milford Haven.

Artist Donald Sinclair Swan FRSA (1918–2004), who once served as a deckhand on the Maretta, had a lifelong connection with the sea. From an early age, he was fascinated by ships—often dreaming of them or sketching their outlines in pencil. His passion for the ocean, especially the rugged beauty of the North Atlantic, is reflected in the collection now on display in the Joanna Field Gallery. Most of the works have never been seen before.

Artist Donald Sinclair Swan FRSA (1918–2004)

Born in Glasgow, Donald was the son of a Presbyterian minister and a former primary school teacher. He was educated at Glasgow High School but left at sixteen to join the Clan Line shipping company, determined to pursue a life in the Merchant Navy. The move came as little surprise to his father, who himself had spent years under sail before taking up the ministry.

As his daughter Mary explains, a life at sea was never a question for Donald—it was a calling.

“In 1938, with the Second World War looming, Dad transferred to the Royal Navy, serving on HMS Barham as a cadet midshipman,” she said. “By 1939 he was a Sub Lieutenant on HMS Wessex, heading into the Western Approaches. In 1940, he was posted to HMT Northern Sun, a requisitioned trawler, but contracted tuberculosis in 1941 and had to be discharged.”

The illness nearly cost Donald his life. He survived a spontaneous pneumothorax against the odds but was advised never to undertake strenuous work again. During his recovery, he turned to his childhood dream: becoming an artist.

With help from an ex-serviceman’s grant, Donald studied at the Glasgow School of Art and the Patrick Allan Fraser School of Art at Hospitalfield, Arbroath. Influential tutors included Hugh Crawford RSA and James Cowie RSA.

In 1945, he moved to London, living an unsettled life between the capital, Glasgow and eventually Cornwall. A promising spell working with Royal portrait painter Sir James Gunn was interrupted when he had to return north to care for his ailing parents.

By 1948, feeling stronger and eager to return to sea, Donald signed on as mate of the Thames sailing barge Carina. Then, in 1949, he joined the crew of the Maretta as a deckhand—drawn once again to the open sea.

“He joined the fishing fleet at a time when the industry was booming,” said Mary. “After the war, many trawlers had been requisitioned and fish stocks were healthy. Milford Haven had become a thriving fishing port.”

It was during this time that Donald wrote to an old school friend from his lodgings at The Seaman’s Bethel, Charles Street:

“As you’ll have guessed from my address, the old curse has got me and I’m off to sea again… this time for deep sea trawling. Hard work and good money—and I hope to God it lays my ghosts for keeps.”

“From my window I can see a destroyer anchored in the Roads where we lay ten years ago… The ghosts it brings up are quite unbelievable, quite beyond anything I’d expected or prepared for. Still—hard work and Atlantic air may work wonders.”

The experience proved pivotal. Donald sketched prolifically during his time aboard the Maretta, capturing the daily life, physical strain, and quiet dignity of trawlermen. Later, he would turn many of these sketches into finished artworks.

In the 1950s, Donald returned to Cornwall and married fellow artist Elizabeth Lane. The couple raised three children in a cottage near St Ives. He went on to exhibit his work on board the Cutty Sark in 1969, marking the ship’s centenary, and took on major commissions including paintings of the Mayflower, HMS Bounty, HMS Endeavour, and Suhaili, the yacht sailed solo around the world by Sir Robin Knox-Johnston.

In 1972, the family moved back to Scotland, where Donald continued painting maritime scenes—particularly Clyde paddle steamers—and turned his hand to pottery. Alongside Elizabeth, a Leach-trained potter, he established the Castle-an-Dinas Pottery in Cornwall and later the Isle of Cumbrae Pottery in Scotland.

Donald’s ability to sketch quickly and from life also helped him in portraiture—particularly with children. As he once wrote from the Bethel, “At the moment I’m earning my keep very nicely by drawing people…”

His “Time and Family” portrait series, a visual family history spanning 40 years and three generations, was exhibited multiple times in Scotland and Cornwall.

He and Elizabeth returned to Cornwall in 2000. Donald continued to paint until shortly before his death in November 2004. His final portraits, of his nephew’s children, were sent to Canada just weeks before he died. Elizabeth continued to paint into her 80s, passing away in 2021.

“When I found the drawings, I knew Dad would have wanted them shown in Wales,” said Mary. “With his connection to Milford Haven, the Torch Theatre seemed like the perfect place. I hope people who visit will see something of their own lives in his work.”

The exhibition includes watercolours, oils, and impressionistic sketches—some bearing the names of other trawlers and fellow crew members. One haunting piece, Up Trawl, Ballet of Sleeping Deckies, shows the sheer exhaustion of life at sea. The artworks serve not only as pieces of art but as a record of a vanished way of life—and a tribute to those who lived it.

The exhibition runs throughout May at the Torch Theatre’s Joanna Field Gallery, during Box Office opening hours. For more information, visit www.torchtheatre.co.uk or call (01646) 695267.

Entertainment

Gavin & Stacey stars reunite for Christmas advert

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GAVIN & STACEY favourites Joanna Page and Mathew Horne have reunited on screen for a Christmas special – though not the one fans might have hoped for. Instead of returning to Barry or Billericay, the duo appear together in a new festive advert for Waitrose, sharing a turkey pie while responding to a fan’s heartfelt letter about expressing love through food.

The short film marks their appearance in How to Say It With Food, a six-part series in which Page and Horne tackle some of the nation’s most common Christmas food dilemmas. The clip opens with Page teasingly nodding to their iconic sitcom: “Oh, you didn’t think we’d let Christmas roll around without showing up again, did you?”

Horne quickly follows with his own playful line: “Us? Miss Christmas? Not a chance. But this time we’re here to help you say it with food.”

The pair are then handed an envelope “from Santa”, containing a letter from a viewer asking how he can show his “leading lady” he loves her through food. Mathew quips: “First time saying it, you want a statement. Sixteenth time, you want a statement that doesn’t involve socks.”

He then introduces Waitrose’s new Christmas advert starring Keira Knightley and Joe Wilkinson. The main campaign follows an unlikely festive romance sparked by Sussex Charmer cheese and culminating in Wilkinson presenting Knightley with a turkey pie decorated with the words “I love you”. Watching the moment unfold, Page smiles at Horne and mirrors another classic Gavin & Stacey reference: “Oh, that’s so romantic.”

The duo are soon given their own turkey pie to try. Horne eagerly tucks in before cutting Page a slice, prompting laughter from his co-star. The advert ends with the pair wishing viewers a Merry Christmas as Knightley and Wilkinson share a warm festive kiss on screen.

The reunion comes almost a year after audiences tuned in to the BBC sitcom’s much-anticipated finale, which drew an impressive 12.3 million viewers on Christmas Day. The episode wrapped up storylines including Gwen’s blossoming romance with Dave Coaches, Smithy’s near-wedding to Sonia, and the moment fans had long debated – Smithy and Nessa tying the knot.

Reflecting on the new project, Page said: “You thought you’d seen the last of us! Well, we’re back and what fun we had.” She added: “It was such a treat working with Mat… food is what brings people together over the festive season.”

Horne described the experience as “brilliant”, calling their on-screen reunion “a Christmas tradition”.

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Filming for new season of S4C crime drama Cleddau returns to Pembrokeshire

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Production crew spotted in Pembroke Dock, Neyland and Burton as series set for 2026 release

FILMING has returned to Pembrokeshire this week for the next season of Cleddau — the hit S4C crime drama released in English as The One That Got Away.

The production crew has been seen in Pembroke Dock, Neyland and Burton capturing new scenes for the upcoming 2026 series. Local photographer Gareth Davies shared images of the team working along the estuary, describing “a real buzz” in the area as cast and crew returned after the success of the first season.

Crime thriller rooted in the Cleddau estuary

Cleddau follows a murder investigation that reopens buried secrets in a quiet west Wales community. The show has been praised for its atmospheric storytelling, strong performances and striking use of local Pembrokeshire scenery — with the Cleddau estuary itself forming a central part of the series’ identity.

Residents have reported seeing cameras and production vehicles around familiar walking routes, waterfront areas and estuary-side villages as the crew makes full use of the landscape that inspired the show’s name.

Local interest and economic boost

The return of filming has been welcomed locally, bringing attention, visitors and activity into communities along the waterway. For many residents, the excitement lies in spotting familiar places on screen when the new season airs next year.

The new series of Cleddau is expected to be broadcast in 2026.

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Cardigan Theatre brings Beauty and the Beast to Mwldan this Christmas

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Festive panto promises magic, music and family fun

CARDIGAN Theatre is set to bring festive magic to Theatre Mwldan this Christmas with a fun-filled production of Beauty and the Beast, running from 21–29 December. The pantomime is written and directed by Jonathon Preece and promises all the traditional panto sparkle audiences love.

The story follows once-proud Prince Louis (Emily Davies), who angers Agatha the Evil Enchantress (Kelly Lewis). As punishment for his selfishness, she transforms him into the fearsome Beast (Steve Green). His only hope of breaking the spell is to find true love – or remain a beast forever.

Meanwhile, brave and kind-hearted Belle (Ruby Lemoine) sets out to rescue her eccentric father Marcel (Tom Loveday) who on his way to the “Big Invention Competition”, gets lost and stumbles into the enchanted castle and is taken prisoner by the Beast. Determined to save him, Belle is joined by her loyal friend Jaques, the village silly billy (Sarah Harris), flamboyant Dame Madam Fromage (Rhys Davies), and Gavin (Paul Robinson), the vain village heart-throb who is convinced Belle should marry him!

Inside the castle, Belle encounters a host of enchanted objects, including Tick Tock (Lilwen), Flambe (Bryce), and Mrs Kettle (Manon), who provide humour, magic and plenty of encouragement as they try to help the Beast win Belle’s heart and break Agatha’s curse.

With songs, jokes, colourful characters and plenty of audience participation, the production promises festive fun for all ages.

Beauty and the Beast runs at Theatre Mwldan from 21–29 December. Early booking is advised to avoid disappointment.

Cardigan Theatre can be followed on Facebook and Instagram for updates on future shows.

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