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Entertainment

Government overreach or necessary Reform? The UK gambling tax divide

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The UK Gambling Commission has recently released its Q1 2025-26 figures. This release covers activity through June 2025 and has landed in the middle of a heated tax and regulation row. Many are looking at this report to see where money is flowing. From the report, we can see that digital play continues to dominate, which has led to many policy questions for ministers. 

The most prominent question is how the government can protect consumers without throttling a sector that supports jobs and tax receipts. Although it might seem like an abstract debate to some, the conditions around these policies affect everyday choices on stake limits, product design, and, ultimately, how operators interact with customers. 

As expected, online revenue led the pack. In the report, online gross gaming yield was £1.49 billion for the quarter, which was 2% higher than in Q1 2024-25. Year on year, bets and spins climbed to 26.1 million. This was even as average monthly active accounts decreased by 10% to 12.7 billion. According to Viola D’Elia, this decrease in active accounts could be due to the increased governance over online casinos in the UK. 

Operators are required to adhere to more stringent account information policies, which could be one of the reasons many online casino users are favouring reputable non-UK sites. Alongside this, many of these users are also using offshore alternatives because they offer wider payment options, better promotions, and more diverse game catalogues. Many of these sites hold licenses in Malta or Curaçao and are known for providing more freedom to players, which is why they attract users who value flexible limits and faster onboarding. 

Alongside seeking more flexibility, player behaviour shifted in other ways during the quarter. Sessions on online slots lasting more than an hour fell 9% to 8.8 million and now account for 5% of total play, down from 6% a year earlier. Average session length moved to 16 minutes, a one‑minute decline. The Commission noted that several operators refined how they measure a session, which can nudge the totals. Even with that caveat, shorter sessions hint at tighter controls and more active prompts that encourage breaks or end play after periods of intensity.

New limits on stakes arrived on 21 May and will shape the coming quarters. The rules set a £2 maximum per spin for adults aged 18 to 24 and £5 for those 25 and older. Policymakers designed the cap to slow rapid losses in high‑velocity games. Operators have adjusted staking ladders, pop‑ups, and risk checks to fit the framework. It is too early to draw sweeping conclusions. For now, the headline numbers show slots revenue growing while the system absorbs the cap and customers recalibrate how they play.

High street venues faced another tough spell. Betting premises GGY fell 5% year on year to £552 million, with bets and spins in shops down 3% to 3.2 billion. Footfall costs money, so declining volume bites hard when rents, staffing, and compliance bills keep rising. Several chains have trimmed opening hours, consolidated weaker locations, and pushed customers toward account‑based play that links shop terminals with digital wallets. The winners in retail will likely be operators that turn stores into service hubs rather than pure staking points.

These numbers pour fuel on the tax and regulation debate. The Treasury wants dependable receipts. Consumer groups want limits that keep harm down. Operators warn that layered controls, higher costs, and point‑of‑consumption taxes can push heavy users to foreign platforms and reduce domestic spend. The risk is leakage: a slice of play drifts offshore, lowering taxable GGY while exposing players to uneven dispute resolution. Policymakers must weigh that leakage against the benefits of firmer guardrails.

A targeted path has supporters across the aisle. Better data sharing on markers of harm, proportionate affordability checks that focus on outliers, and faster interventions when spending patterns deteriorate can protect at‑risk customers without blanketing everyone in friction. Privacy needs respect, as does the right of adults to spend their money within the law. The Commission’s quarterly cadence helps here. It gives Parliament and industry a common set of figures to judge whether rules curb harm without distorting the market.

The months ahead will test that balance. Slots GGY and total spins hit fresh peaks in Q1, even as long sessions eased and stake caps bedded in after May. Sports betting may rebound with a stronger event calendar, yet it must compete with casino formats that deliver constant availability and quick outcomes. The tax argument will then rest on evidence, not noise.

 

Entertainment

Community film season launches at Torch Theatre with audience-picked programme

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Grant from Ffilm Cymru Wales helps bring affordable independent cinema to Pembrokeshire

A SEASON of independent films chosen by local audiences is coming to Milford Haven this spring, as the Torch Theatre hosts a special programme designed to celebrate bold storytelling and community cinema.

Running from February through to mid-April, the Community Choices season has been made possible thanks to Wales-wide grant funding from Ffilm Cymru Wales. The scheme supports independent exhibitors to bring diverse and inspiring films to screens across the country.

At the Torch, audiences were invited to take part in programming workshops to help select the titles themselves. The final line-up reflects a mix of Welsh-language work, environmentally themed films and stories that break down social and economic barriers, ensuring something for all tastes.

Chelsey Gillard, the theatre’s Artistic Director, said: “We asked you, the people of Pembrokeshire, what films you wanted to see at the Torch – and we listened. There’s a terrific variety in this season, from family favourites to powerful dramas. We’re very grateful to Ffilm Cymru Wales for the funding that allows us to bring these wonderful films to the big screen, and we look forward to giving everyone a warm Torch welcome.”

The programme opens with Mr Burton on Sunday, February 8 at 4:15pm, followed by Flow on Tuesday, February 17 at 4:45pm. Fantastic Mr Fox screens on February 19 at 4:45pm, with Moonlight closing the month on Friday, February 20 at 6:15pm.

March’s line-up includes Born Free on March 4 at 2:15pm, Earth on March 12 at 11:00am, Sinners on March 15 at 7:00pm, Booksmart on March 22 at 2:00pm, and Gwledd (The Feast) on March 27 at 8:00pm.

The season continues into April with I Swear on April 2 at 2:00pm, One Battle After Another on April 5 at 4:00pm, and This is Spinal Tap on April 12 at 4:00pm, bringing the Community Choices series to a close.

All tickets are priced at £4 and include a free tea or coffee, helping to keep the screenings affordable and accessible for everyone.

For tickets and full details, visit the Torch Theatre website or call the box office on 01646 695267.

 

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Entertainment

One Night in Dublin returns to the Torch with a brand-new show

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ONE NIGHT IN DUBLIN is heading back to the stage at the Torch Theatre with a lively new production fronted by renowned Irish singer Danny Muldoon.

Tickets are already selling fast for the feel-good celebration of Irish music, which promises two hours of songs, stories and plenty of craic.

Backed by an award-winning five-piece band, Muldoon leads audiences through a packed set of sing-along favourites including Galway Girl, Tell Me Ma, The Irish Rover, Dirty Old Town, Whiskey in the Jar, The Wild Rover and The Galway Shawl, along with many more well-loved classics.

The show recreates the atmosphere of a bustling Dublin pub, complete with fiddle, whistle, guitars, banjo, bodhrán, accordion and driving drums, transporting the audience straight into “Murphy’s Tavern” for an unforgettable night of live entertainment.

Fans can also expect hits from Irish legends including The Pogues, The Saw Doctors, The Dubliners, The Fureys, Flogging Molly and Dropkick Murphys.

One Night in Dublin comes to the Torch Theatre on Thursday, March 26 at 7:30pm.

Tickets cost £26.50. Visit the theatre website or call the Box Office on (01646) 695267 to book.

 

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Entertainment

New appeal in search for missing Manic Street Preachers musician

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Family and charity issue fresh appeal for information about guitarist 31 years on

THIRTY-ONE years after the disappearance of Richey Edwards, a new public appeal has been issued urging anyone with information to come forward.

Edwards, guitarist and lyricist with Manic Street Preachers, vanished on January 31, 1995, in a case that has become one of the most enduring mysteries in British music history.

Missing for over 30 years: Richey Edwards

The then 27-year-old was last seen at the Embassy Hotel Bayswater in west London, where he had been staying ahead of a promotional trip to the United States. He checked out of room 561 but never reached his destination.

Despite numerous reported sightings over the years, none have ever been confirmed. Edwards was officially declared presumed dead in 2008, though his family continue to mark the anniversary of his disappearance and keep hope alive that answers may still emerge.

Anniversary appeal

The charity Missing People has released a statement in collaboration with Edwards’ sister Rachel, asking the public to remember the case.

In a social media post, the organisation said: “It is 31 years since Richard went missing, please keep his family in your thoughts.”

They also repeated key identifying details from the time he vanished. Edwards was described as white, around 5ft 7in tall, slim, with brown eyes and a shaved head. He had several distinctive tattoos, including a rose with the words ‘Useless Generation’, the phrase ‘I’ll surf this beach’, and a scar on his lower left arm where he had scratched the words ‘4 REAL’.

Unanswered questions

His car was later found near the Severn Bridge services, close to the Welsh border, prompting widespread searches but yielding no firm clues about what happened next.

At the time of his disappearance, the band were on the brink of international success. Edwards’ intense, literate songwriting and striking image had already made him a defining figure in Welsh rock music. More than three decades later, fans still hold vigils, create murals and share tributes across Wales and beyond.

Police say the case remains open.

Anyone with information is asked to contact the Metropolitan Police Service on 101 or use their online reporting service, quoting reference CONNECT REF 01/764429/24. Missing People also operates a free, confidential helpline on 116 000.

 

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