News
Torch Theatre faces ‘longer term challenges’
THE TORCH THEATRE will remain closed until at least the end of October.
The news came in a statement released by the Theatre’s management on Friday, July 24, just as the Welsh Government announced restrictions would be lifted on the opening of cinemas, theatres, and museums, subject to social distancing regulations.
The statement described the period of enforced closure during the COVID-19 pandemic as ‘incredibly demanding’ and said the Torch was ‘fighting to survive’.
Even though the venue hopes to reopen on November 1, uncertainty about the extent of social distancing rules has persuaded its management to cancel all of its remaining live shows for this year.
TORCH THEATRE FACES ‘LONGER-TERM CHALLENGES’
Besides the revenue cost to the Theatre from its closure, the ripples from its closure are being felt across West Wales. The Torch Theatre is more than a venue. It is a centre for community life in Milford Haven and a hub for Pembrokeshire’s thriving creative arts sector.
To keep afloat, the Theatre made successful applications to the BFI, Film Hub Wales and the National Lottery Resilience Fund, the Arts Council Wales Stabilisation Fund, as well as being eligible for two Welsh Government Business Rates Grants.
The statement reads: ‘This crucial support has given us the security to plan essential maintenance, maintain audience and community engagement, and develop new modes of working’.
While the support has allowed the Theatre to take the first steps toward recovery, the venue’s management says it ‘does not provide the solutions to the longer-term challenge of surviving the COVID-19 crisis’.
The Theatre will use the closure period to carry out repairs on the building’s fly tower, which was damaged during February’s storms.
Funding for the repair work will come from Pembrokeshire County Council Enhancing Pembrokeshire Fund and Arts Council Wales, who will each cover a proportion of the costs after the settlement of the Theatre’s insurance claim for the storm damage.
CONTINUING CLOSURE LIMITED REOPENING
This decision to remain closed takes account of the following decisive factors:
• Consultation with audiences suggests that there is no appetite to return while there is so much uncertainty over the reproduction rate of Covid-19. To open any part of the operation without an audience is not economically viable and would quickly lead to redundancies.
• Film distributors are unable to confirm release dates and producers of live shows are cancelling and rescheduling tours to ensure that their businesses remain viable. As such, the Company cannot deliver a theatre programme.
• Taking account of its civic responsibilities, the Theatre’s management believes that it would not serve audiences, staff, volunteers or artists well to rush into reopening before reassurance the Torch is a safe place to return to.
• The need to undertake essential maintenance and remedial works on the fly tower renders an immediate opening impractical.
Bearing in mind those factors, the Theatre’s management team made what it calls ‘difficult decisions’ about reopening after November 1.
The management team’s statement says:
• With social distancing in place, it is not viable for us to produce or present live productions. As such, all live theatre performances will be cancelled for the remainder of 2020 including our Autumn production and festive pantomime, Jack and the Beanstalk.
We are currently in the process of rescheduling our own productions and visiting shows into our 2021 programme and will be contacting affected customers over the next few weeks.
• Pending release schedules from film distributors, we will hope to open with a cinema only offer for the rest of 2020, at a limited capacity to maintain social distancing requirements. Operational staff would be required to work in bubbles under strict health and safety guidelines.
The ambition to return with cinema only for November and December is dependent on the threat posed at that time by Covid-19, Government directives, securing further financial support and commitment from the film distributors.
• From January 2021, should conditions allow, we should like to return to live productions. This would prove our best-case scenario, allowing wider operations to return to something like normal levels in the New Year; however, this scenario comes with the most financial risk attached and is subject to change.
Should social distancing rules remain in place from January, we would be forced to continue with a cinema-only offer into 2021.
• There remain a host of unknowns and whilst we are planning for our best-case scenario, we are also preparing for the worst: should even a socially distanced cinema offer prove untenable from November, then we may yet be forced to close for the remainder of the financial year.
JOBS UNDER THREAT WITHOUT MORE HELP
Whatever happens, when the UK Government’s Job Retention (‘furlough’) Scheme ends in October, and until ticket income returns to its normal level, the Torch will rely on financial intervention and support from the Welsh Government and other bodies to maintain its staff team and operations until things return to whatever ‘normal’ proves to be.
On July 5, the Westminster Government announced a £1.6bn package of support for the UK’s creative arts sector. Wales’ share of that funding is £59m for the whole of Wales’ cultural and creative industries.
Yesterday, Thursday, July 30, the Welsh Government announced it would allocate £53m of the £59m to the sector. The money’s distribution will be subject to an application process.
Speaking to The Herald this week, David Melding, the Conservatives’ Shadow Culture Minister, said: “While I acknowledge the support the Welsh Government has already given to the creative sector now was the time to demonstrate decisive leadership which they have failed to do.
“Wales rightly regards the creative sector as a strategic growth area and key to Wales’ economic success. It is also central to the nation’s ever evolving story and something we want to project worldwide. Rather than short changing the sector by £6 million the Welsh Government should have added to the funds now made available to Wales by the UK Treasury.”
Nick Capaldi, Chief Executive of the Arts Council of Wales said: “These funds ease the immediate threat of a collapse in the creative sector.”
Siân Gwenllian MS, Plaid Cymru Shadow Minister for Culture, said: “While I welcome today’s news that £53 million has been promised to the Arts industry in Wales, I would question what has happened to the £6 million – within the space of a month, £59 million has been reduced to £53 million and not a penny has reached the sector.”
LOOKING TO THE FUTURE
Ben Lloyd, Executive Director of the Torch said: “Our team are working tirelessly to secure extra funding to help us to avoid job losses from November. Every alternative option will be explored.
“Throughout these times of hardship, we remain committed to our mission to engage, inspire, entertain and challenge our audience, and supported by the Arts Council Wales Stabilisation Fund we will seek alternative methods of delivering opportunities to our community.”
Peter Doran, the Torch Theatre’s Artistic Director said: “Here at the Torch we try and cover all aspects of theatre and the performing arts but at the end of the day, we pride ourselves on being theatre-makers, producing our own work; consequently, if we’re not able to produce, it feels like the creative heart has gone out of the building and so we are determined to get up and running again as soon as it’s safe to do so.
“To that end, we aim to come back in the New Year with all guns blazing and producing great pieces of theatre. We are all looking forward to that. In the meantime, we are planning some interesting community projects for people to get involved in and we also plan something for the schools as a Christmas treat. So look out for us.”
Ben Lloyd continued: Away from the art, we are also planning new membership, guardian, legacy and sponsorship schemes allowing our patrons and business partners to become more connected with us and support different areas of community and artistic activity. Further details and the launch of these new schemes are planned for September.
“A great number of our patrons have kindly donated the value of their unused tickets to the Torch over the past months and there has been a high level of interest in other ways our patrons can be more involved. The kind support of our patrons is always hugely appreciated and will be more necessary than ever in the coming months as we seek to bounce back brighter from this crisis.”
Ben concluded: “As a business and like many others, we are going into the unknown. We have never been in a situation like this before and have been operating on a knife-edge over the past few months.
“We have managed to put in place the first building blocks toward our survival. We have reason to be cautiously optimistic and remain determined to sustain for our community, our staff, our artists and the audiences of the future; but our situation remains critical, with many factors beyond our control and we will be seeking support from all quarters to help us get through the challenging months ahead.”
News
Recounts concern raised over new Senedd voting system
Political sources warn tiny vote differences could decide final seats under Wales’ new proportional voting system, with fears of inconsistent recount decisions across the country
QUESTIONS have been raised over how recounts will be handled in Wales’ first Senedd election using the new six-member proportional voting system, amid fears that tiny vote differences could decide the final seat in some constituencies.
Under the new arrangements, Wales has been divided into larger multi-member constituencies, with six Senedd Members elected in each area using the D’Hondt system of proportional representation.
Political sources have expressed concern that the current Electoral Commission guidance may not adequately address situations where the allocation of the sixth and final seat could hinge on very small differences in party vote totals.
One political source, who asked not to be named, said the issue was not about the competence or integrity of Returning Officers, but about the lack of detailed public guidance surrounding recount decisions under the new system.
They said: “In some constituencies, the final seat may come down to a very narrow margin once the D’Hondt calculations are applied, even if no party’s overall vote total appears especially close in traditional terms.
“The concern is that there appears to be no clear guidance about how close the contest for the final seat needs to be before a recount is granted.”
The source warned that without clearer guidance there could be inconsistencies across Wales, with recounts potentially being allowed in one constituency but refused in another despite similar margins.
Electoral Commission guidance currently states that Returning Officers must be satisfied vote totals are accurate before producing a provisional result and that candidates and agents are entitled to request recounts.
However, the guidance also makes clear that Returning Officers may refuse recount requests if they consider them “unreasonable”.
The Electoral Commission said the existing rules already provide a framework for openness and transparency during the counting process, with candidates and agents allowed to inspect ballot bundles and challenge provisional results before declarations are made.
The guidance also confirms that more than one recount can take place if Returning Officers believe further recount requests are justified.
But critics argue that Wales is entering untested territory with the new electoral system, where relatively small shifts in vote totals could alter the final seat allocation after D’Hondt calculations are completed.
The Senedd election is the first to use the new system, which replaces the previous arrangement of constituency and regional members with fully proportional six-member constituencies across Wales.
This story was first reported by Nation.Cymru, you can read their report here.
Charity
Chief’s Tour honours fallen officers with 75-mile Pembrokeshire ride
Dyfed-Powys Police team raises thousands for bereaved police families charity
A TEAM of officers and staff from Dyfed-Powys Police cycled 75 miles across west Wales on Wednesday (May 6) in memory of colleagues who lost their lives in the line of duty.
The annual “Chief’s Tour of Pembs 2026” saw participants travel from Fishguard to Carmarthen while raising money for the charity Care of Police Survivors, commonly known as COPS.
The force said the event raised £2,690, with funds going towards support for the families of police officers who have died while serving their communities.

Along the route, cyclists stopped at several locations to meet relatives of fallen officers and take part in moments of reflection.
In a statement shared on social media, the force said the tour was held “in memory of all Dyfed-Powys Police officers who have lost their lives in service.”
The post added: “Those we’ve lost will always remain in our thoughts.”
COPS supports the families of officers who have died on duty by organising national and regional events, helping survivors build support networks and friendships with others who have experienced similar loss.
Dyfed-Powys Police thanked members of the public who supported the cyclists during the challenge.
“A huge thank you to our community for showing our Chief’s Tour cyclists support as they passed through Pembrokeshire,” the force said.






“Your cheers, waves and encouragement kept spirits high for those taking part.”
The 75-mile challenge took riders across parts of north and west Pembrokeshire before continuing east towards Carmarthenshire, combining physical endurance with remembrance and fundraising.
Police charities such as COPS often work quietly behind the scenes, supporting bereaved families long after national attention fades following the death of an officer.
Education
Holocaust survivor’s story shared with pupils at Ysgol Greenhill
MORE than 150 pupils at Ysgol Greenhill have heard the moving Holocaust testimony of the late Zigi Shipper BEM, who survived some of the most terrible events of the Second World War.
The special visit took place on Tuesday (May 5), when Mrs Lu Lawrence came to the school to speak about the life of her father.
Zigi Shipper survived the Lodz ghetto, Auschwitz-Birkenau, Stutthof concentration camp and a death march, among other traumatic events. When he was liberated by British forces, he was just 15 years old.

Mrs Lawrence spoke to Key Stage 3 and GCSE pupils, sharing not only her father’s testimony but also her own family’s story.
Ysgol Greenhill said more than 150 students attended the session and were “exceptionally well behaved”, asking thoughtful questions during the visit.
The school said: “In the current climate of increasing anti-Semitism, understanding the dangers of prejudice is more important than ever.”
The visit was arranged by the Holocaust Educational Trust, which works with schools to ensure young people continue to learn about the Holocaust and the dangers of hatred and discrimination.
The session gave pupils an opportunity to hear a deeply personal account of survival, loss and resilience, and to reflect on why Holocaust education remains so important today.
Photo caption:
Important lesson: Mrs Lu Lawrence visited Ysgol Greenhill to share the Holocaust testimony of her late father Zigi Shipper BEM (Pic: Ysgol Greenhill).
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