Entertainment
The Pembrokeshire Murders: Episode 2 review
TONIGHT, Tuesday January 12, sees the second episode of ITV’s 3-part adaptation of ‘The Pembrokeshire Murders’.
Episode 1 set the scene, it introduced you to all the characters, the situation and the sheer scale of the task ahead for Operation Ottawa.
Episode 2 picks up straight away, the news report seems to have rattled Keith Allen’s John Cooper who must sense that the net is closing in on him as he spends a lot of his time in the prison library reading up on DNA technologies used in criminal investigations.
Again we’re seeing that Cooper is as clever as he is manipulative and is still trying to scheme and plot his way out of trouble, even as he’s brought out of prison to be questioned by the team in Ammanford.

Operation Ottawa: the team that cracked the case in the new ITV drama
In many ways Episode 2 feels like John Cooper’s episode, obviously he’s the focus of all 3, but he’s a much bigger part of this episode and you truly get the sense of his slyness, his clear intellect and him acting purely out of self interest as his parole date nears.
After calling Andrew ‘dead to us’ in Episode 1, Episode 2 see’s John getting Pat to contact their son as John struggles to explain those pesky khaki shorts.
As mother and son are reunited, all hope Andrew had of being able to help his mum…sorry, ‘mam’ are instantly washed away as Pat keeps on questioning Andrew about those shorts. It’s clear to Andrew that Pat is still singing from John Cooper’s hymn sheet and getting Andrew over wasn’t for a touching reunion, it wasn’t just for tea and toast with jam, it was because John Cooper said so.
Oliver Ryan’s chat with his mum is a powerful scene, you begin to really see how much it’s messed up Andrew and how alone he truly is without his family, mainly his mum. But Pat is too involved, too wound up in Cooper’s lies to walk away, even with John Cooper expected home imminently. Oliver Ryan’s performance in this scene alone is one of the most powerful scenes in the entire series and deserves a special mention for another great acting performance in a series chocked full of them.
Elsewhere in the episode, Operation Ottawa are closer to Cooper than ever before but are no closer to proving his guilt as they burn through the budget re-testing items from Operation Huntsman.
Keith Allen’s chillingly cold performance, especially as he throws his son under-the-bus, is captivating to watch, his accent continues to waiver but just ignore it, what you’re seeing here is an animal penned in, Cooper is running out of moves to make so painting his son as the villain is the only way he can continue to try and squirm out of the grip of justice.
Alexandria Riley’s ballsy Ella Richards inspires the anger in Cooper that we’ve all heard so much about. Cooper may not appreciate female intellect, but that short-sighted, ridiculous way of thinking is so very nearly his undoing. You see that rage build as she confronts him and that encounter alone left me feeling that Cooper was ready to snap at any time especially when Richards presents him with another pair of glasses. Truly chilling stuff from Allen.
Luke Evans meeting with Andrew Cooper is another perfect scene that starts to build the trust between Andrew and Wilkins. Inch perfect again from both of them, Andrew clearly starts to see that the only way to help his mum is to help the police cage John Cooper for good. But how?
As the episode nears its end, a chance pint in The Kings Arms changes everything and we get to see how Bullseye factors into the story for the first time. That coupled with the very last scene leaves the stakes high and time running out as we head into the third and final part of this adaptation with John Cooper free.
Another solid episode elevated above your run-of-the-mill police dramas by superb acting, a great story and stellar pacing that sets up the last part perfectly. 4/5
Entertainment
Harbour Fest to bring music, food and maritime magic to Milford Waterfront
Free family festival will celebrate Milford Haven’s seafaring history and coastal community
MILFORD WATERFRONT will burst into life on Saturday, June 27, as the first Harbour Fest sails into town for a day of music, food, family fun and maritime celebration.
The free event will run from 10:00am to 6:00pm at Mackerel Quay and across the waterfront, bringing together local traders, live entertainment, coastal organisations and independent businesses for a packed day beside the water.
Organisers say the festival will celebrate everything that makes Milford Haven special, from its seafaring history and working harbour to its growing reputation as a destination for food, shopping, culture and family days out.
Visitors will be able to browse stalls from local makers and producers, enjoy street food and live performances, and explore a Marine Zone featuring organisations involved in sea safety, marine conservation and coastal life.
The Marine Zone will include Seagrass Network Cymru / Project Seagrass, Pembrokeshire Coastal Forum, Mid and West Wales Fire and Rescue Service, Dyfed-Powys Police, NCI Wooltack Point, Rudders Marine Training, RNLI Milford Haven and RNLI Angle Lifeboat.
RNLI Angle Lifeboat is expected to be based on the Mackerel Stage, while the Sea Cadets will be giving rope-tying displays at Milford Haven Museum, where craft activities will also be taking place.
Live entertainment will run throughout the day, with performances from Tom & Abz, Will Scott, Ryan Bristow, Milford Haven Town Band, Kyle Kirkhouse and ShantyJacs Sea Shanties.
Businesses across the waterfront are also joining in. All Pets Vet Care will hold a family-friendly open day with a bouncy castle, treasure hunts, quizzes, craft activities and behind-the-scenes tours. Aurora Artisan Crafts will host vocal performances, Biffy’s Bar & Restaurant will feature solo acoustic music from Laurence Lewis, and Martha’s Vineyard will offer seafood street food with live music from Ryan Bristow and Steve Bartram.
At Tŷ Milford Waterfront’s outdoor plaza there will be face painting, children’s activities, pop-up artists and an afternoon DJ set, while Phoenix Bowl and Pirate Pete’s Adventure Play will have inflatables and glitter tattoos outside.
The Waterfront Gallery will host introduction to felt-making workshops with textile artist Carole Fletcher, giving participants the chance to create a woollen felt flower pin brooch or phone/glasses case. The workshops start at 10:30am, 1:00pm and 3:30pm and cost £5 per person.
A wide range of traders will also be attending, including 5th Flock Spirits Co, Cinnamon Grove Distillery, Cwm Deri Wines & Liqueurs, Ferncraft, Get Loaded, J.J. Pottery, Major Nuts, Orange Garden Design, Pembrokeshire Chilli Farm, Pembrokeshire Gold, Pembrokeshire Lottery, Plumstone Welshcakes and SlateArtSJ.
With music drifting across the marina, food stalls lining the waterfront and lifeboats, sea safety teams and coastal groups adding a strong maritime flavour, Harbour Fest is expected to bring a lively summer atmosphere to one of Pembrokeshire’s best-known waterside destinations.
Organisers say the event is suitable for families, friends and visitors of all ages, with plenty to see and do throughout the day.
Photo caption: Harbour Fest will take place at Milford Waterfront on Saturday, June 27 (Pic: Milford Waterfront).
Entertainment
Filming begins on new Welsh BBC comedy starring Ruth Jones and Steve Speirs
A HEARTWARMING new Welsh BBC comedy co-written by Ruth Jones and Steve Speirs has started filming in South Wales.
Better Later, a six-part series for BBC iPlayer, BBC One and BBC One Wales, will explore the unexpected joys of an unlikely friendship.
The comedy stars Jones and Speirs as two people who meet at a knee trauma clinic. Retired teacher Clive, played by Speirs, is 60, widowed and facing a new chapter in life. Shelley Anne, played by Jones, is a 55-year-old environmental health officer going through a bitter divorce.
The series is being filmed in and around South Wales, including the Brecon Beacons, and is set in the fictional village of Brynfach.
Ruth Jones said: “In a funny way this show has been 35 years in the making, which is when I first met Steve. It’s not that we’re slow writers, it’s just that we’ve been up to other things. It’s fantastic to be back in front of the camera with him again.”
Steve Speirs said: “Our first time acting together for quite a long time. Ruth makes me laugh more than anyone and I’m a terrible giggler. This could be a long shoot.”
Better Later has been commissioned by BBC Cymru Wales and BBC Comedy and is being made by Tidy Productions in association with BBC Studios Comedy, with support from Creative Wales.
The series was commissioned by Nick Andrews, Head of Commissioning at BBC Cymru Wales, and Jon Petrie, Director of Comedy at the BBC. The commissioning editors are Emma Lawson and Paul Forde.
Executive producers are Sarah Fraser for Tidy Productions and Josh Cole for BBC Studios Comedy. The producer is Owen Bell and the director is Simon Massey.
Transmission details will be announced in due course.
Entertainment
Saundersfoot film to premiere where it was made
A PEMBROKESHIRE-made feature film is to receive its big-screen premiere next month in the very harbour where much of it was shot.
Near and Distant Things, written and directed by Saundersfoot filmmaker Emily Batty, will be shown outdoors at Saundersfoot Harbour on Saturday, July 18, as part of the Torch Theatre’s Sunset Cinema series.
The drama, filmed in summer 2025, tells the story of a grieving fisherman trying to support his daughter after she returns home, while experiencing dreamlike visions of his late wife.
The film makes strong use of the Saundersfoot landscape, with scenes filmed at the harbour, The Royal Oak pub, Monkstone Point and other familiar local locations.
Emily, 22, who grew up in Saundersfoot and recently graduated from the University of Oxford with a geography degree, has described the project as “a love letter to home”.
She said: “Watching a film set in Saundersfoot, with recognisable faces and locations on screen, in the heart of the harbour itself where we filmed many scenes, feels incredibly full-circle.

“I can’t wait to share that experience with people.”
The film was made with the support of a small team and a largely local cast and crew.
Emily said the production had only been possible because of the “incredible amount of local support” received during filming.
She also praised composer and sound designer Zach Worthington, whose work helped shape the atmosphere of the film.
She said: “The score and soundtrack feel so entangled with the landscape of home.
“It’s a little bit folk, a little bit Celtic, and rather emotional.”
Emily, who has written and directed the film under the name Emily Florence, said some of the ideas behind the film had been with her for several years.

She said: “Some of the images within the film have been in my head since I was 18.”
She added that Pembrokeshire remains a major source of inspiration for her future work.
“I have a couple of screenplays in the works – I never stop writing – and I’m looking to get agented,” she said.
“I’m excited to continue to tell stories, in whatever capacity that may be.
“I can say that Pembrokeshire is still my muse, and I don’t think I’m done telling stories about home.”
The outdoor screening will take place on the harbour decking, with gates opening at 6:00pm and the film beginning at 7:00pm.
The film is rated PG, but includes themes of bereavement, mental health, domestic abuse and references to suicide which some viewers may find upsetting.
Emily said she hoped the premiere would be a moment of shared pride for the village.
She said: “So many people helped bring this film to life.
“There’s something very special about sharing a story set in Saundersfoot, surrounded by the landscape that inspired it.”
Tickets are available through the Torch Theatre website, with advance booking recommended.
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