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Ex-royal harpist Claire helps pull strings to inspire new generation

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The woman who convinced King Charles to reinstate the position of royal harpist after a century-long gap is aiming to inspire a new generation to play the instrument.

Renowned harpist Elinor Bennett is going on a 12-stop Wales-wide tour, The Dwylo ar Dannau’r Delyn (Hands on Harp Strings) and will be joining forces with former royal harpist Claire Jones, who hails from Pembrokeshire.

The concerts, masterclasses and workshops will take Elinor, the Artistic Director of the Wales International Harp Festival, to places where she has close personal connections.

Claire Jones, who was the Official Harpist to the then Prince of Wales, now King Charles, between 2007 and 2011, will be joining Elinor at Ysgol Preseli in her home village of Crymych on Saturday, November 19.

She became a household name for her acclaimed performance at the royal wedding for the Duke and Duchess of Cambridge and has performed over 180 times for the Royal Family.

The tour also includes dates in Pwllheli, Llangefni, Llanrwst, Swansea, Barry and Denbigh.

Elinor will also be going to Llangadfan in Powys where she has close family links and Aberystwyth where she studied for a law degree at the town’s university.

She will also visit Swansea, Barry, Crymych in Pembrokeshire along with Merthyr Tudful where she once lived and Llanuwchllyn near Bala where she spent a large portion of her childhood.

The tour, which follows a launch concert for the festival at Bangor University’s PJ Hall, will feature some her former students and colleagues.

As well as re-igniting interest in harp music following the Covid pandemic, the aim is to promote the fifth Wales International Harp Festival which will be staged at Galeri Caernarfon from April 5-11.

She will also be inviting harpists to take part in four competitions at the festival, with the aim of giving children and older harpists a platform to perform, receive comments from internationally esteemed harpists and make friends with young musicians from other parts of the world.

Harpist Elinor Bennett

The closing date for applications for the competitions is January 2, 2023.

She will be stepping down as the festival’s Artistic Director after next year’s event.

Elinor said: “At each location on the tour I will be joined by either a former pupil or someone I have worked with in the past.

“We hope local harp tutors and teachers will bring their pupils along. Each event will last for about four hours and at the start there will be workshops and master classes where the youngsters can play together and then some solos.

“To close the event there will be a concert where I will play along with the guest tutor and perhaps with some of the youngsters if they wish. The concerts, of course, will be open to the public.

“And there will also be an exhibition of harps by the Vining company from Cardiff. They sell Camac instruments and are sponsoring the festival.”

According to Elinor, one of the aims of the tour is to encourage youngsters to learn how to play the harp.

“I have heard that fewer children and young people are taking up the harp and the tour will create an interest in the harp and raise awareness of the festival itself,” she said.

She added tickets for the tour are available online at www.walesharpfestival.co.uk and some local shops but will also be available on the door.

Elinor said when she started learning to play the harp in 1954 when there were very few harpists.

Born at Llanidloes in the former county of Montgomeryshire, her family later moved to Llanuwchllyn near Bala in Merionethshire.

Harpist Elinor Bennett

Her father bought her first harp when she was just seven years of age though she did not begin lessons for another four years as her legs were not long enough to reach the pedals.

She said: “My father was very musical, as were my mother and grandfather. After we moved to Llanuwchllyn my father joined Cor Godre’r Aran. In 1949 they went to London to sing at the Dorchester Hotel, and while in the city he bought a harp for £30 and brought it back to Llanuwchllyn on the (London) Underground and the train.

After leaving school Elinor studied law at Aberystwyth but later applied for and won a scholarship to attend the Royal Academy of Music in London, studying with Osian Ellis, the acclaimed Flintshire-born harpist. After graduating she played with numerous orchestras at home and abroad.

Though known mostly for classical music she has also played with some of Wales’ most renowned rock musicians. She has recorded twelve solo albums and founded the Coleg Telyn Cymru (Harp College of Wales) and helped set up Canolfan Gerdd William Mathias Music Centre in Caernarfon.

Finding herself seated next to the then-Prince of Wales at a dinner, she told him of the tradition of a Royal harpist but which had not been filled for more than a century.

“He was interested and asked me to send him a proposal which I duly did. That led to the revival of the tradition with the first being Catrin Finch in 2000,” said Elinor.

The fifth Wales International Harp Festival will bring together leading exponents of the instrument from around the world to Galeri Caernarfon next April.. Organised by Canolfan Gerdd William Mathias (Music Centre) it will feature concerts, masterclasses, workshops and lecture recitals.

Elinor said performances will be given by world-class artists representing various aspects of the harp spectrum.

These include the Latin-American harpist from Colombia, Edmar Castaneda, French harpist Isobel Moretti, who makes a return visit to Caernarfon and jazz harpis Deborah Henson-Conant from the USA.

The festival commission is a new work, Llechi (Slate), by harpist and composer, Math Roberts, with poetry by Wales’ National Poet, Ifor Ap Glyn.

Harpist Elinor Bennett

Elinor said this has been written for a chamber ensemble and vocal soloists and will celebrate the unique culture of the slate-mining areas of Gwynedd, recently awarded World Heritage Status by UNESCO.

“Participants in each of the categories in the four competitions are encouraged to create their own choice of programmes and include one or two items listed in the published syllabus.

“In the Youth and children competitions, equal scholarships will be awarded for the three top performances, to help talented young harpists to receive continuing expert tuition/

“Please join us over Easter in Caernarfon for a joyful and enriching experience.,” said Elinor.

Further details about the tour, the festival and the competitions are available on the Festival website www.walesharpfestival.co.uk

 

Entertainment

From Milford Haven to the world: The story of The Evolution Experience

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A grassroots club brand that changed west Wales — and still echoes 25 years on

FOR many in west Wales, The Evolution Experience is more than just a name. It is a memory — of packed dancefloors, loud music, and the feeling that something different was happening locally.

Launched in 2000 by Tom Sinclair and his friend John Lee, Evolution began modestly but quickly grew into one of the most ambitious nightlife ventures Pembrokeshire had seen.

At a time when serious clubbing meant travelling to Swansea or Cardiff, a group of young people in Milford Haven decided to build something themselves.

What made The Evolution Experience different was not just the scale, but the people behind it. At a time when most 20-year-olds were either at university or in their first jobs, the team behind Evolution were organising large-scale events, managing budgets, dealing with authorities, and taking on responsibilities usually associated with far older operators.

According to the Evolution Experience website in June 2001, the main team members were: Tom Sinclair, John Lee, Denys Bassett-Jones, Gareth Jones, Linda Rouse, Declan Rouse, Dan Mills, Matthew Norman, Luke Sinclair and Mike Knight.

Filling a gap

In the early 2000s, Pembrokeshire’s nightlife was limited. There were pubs, small venues, and occasional events — but nothing on a scale to rival city clubs.

Evolution changed that.

Early nights at the Kings Function Centre in Milford Haven drew hundreds, then close to a thousand people. The venue — a cricket club hall — was transformed with lighting rigs, powerful sound systems, and multiple arenas.

What emerged was not just a DJ night, but a full-scale experience.

As the brand grew, larger venues followed, including the Park House Exhibition Centre in Haverfordwest, where crowds of up to 2,500 attended — an unprecedented scale for the county.

The Evolution Experience Terminal One event in Haverfordwest in May 2002

More than a club night

What set Evolution apart was not just its size, but how it was run.

Despite being organised by people in their late teens and early twenties, the operation was structured and professional. There were sponsorship deals, thousands of flyers distributed across the county, branded vehicles, trained security, and medical cover on site.

Promotion was hands-on, with mailing lists built manually and campaigns run across towns and villages.

The aim was clear: to deliver something that could stand alongside events in larger cities.

And it worked.

Big-name DJs and acts were brought to Pembrokeshire, while local talent was given a platform to perform in front of large crowds.

What made The Evolution Experience different was not just the scale, but the people behind it. At a time when most 20-year-olds were either at university or in their first jobs, the team behind Evolution were organising large-scale events, managing budgets, dealing with authorities, and taking on responsibilities usually associated with far older operators.

As the events grew, so did the scale — and visibility — of the operation. Evolution nights were advertised across the county using thousands of flyers, AA-style road signs directing traffic into Haverfordwest, and branded vehicles fitted with tannoys reminding people on the day that something major was happening.

At one event in May 2002, a large police operation involving around 60 officers and a Gold command structure was deployed, with vehicles searched on arrival — but no issues were identified.

The intensity of promotion occasionally brought its own consequences, with Sinclair receiving a small fine for fly-posting and the use of loudspeakers.

Alongside this, the team pushed boundaries creatively, even securing Civil Aviation Authority permission to project the Evolution logo into the night sky using a high-powered searchlight — a reflection of the ambition behind what had, by then, become far more than a typical local night out.

The first Evolution Experience Terminal One event at the Withybush Showground, Haverfordwest, in March 2002

A platform for people

For many involved, Evolution was more than a night out.

It provided early experience in:

  • event management
  • sound and lighting
  • marketing and promotion
  • working under pressure

Participants went on to careers in a wide range of fields, including policing, design, IT, and the music industry.

For Sinclair, the experience would prove formative in a different way.

The Evolution Experience v Transaction in Tenby in 2018 featuring Judge Jules

Expansion beyond west Wales

As Evolution grew, it began to move beyond its local roots.

Events were held in London, including a night at The Fridge in Brixton. The brand also reached overseas, with a tour in China and plans — later followed by smaller events — in Tokyo.

For a venture that began in a Milford Haven cricket club, the expansion was significant.

The Chequers turning point

In 2002–2003, plans were put forward to establish a permanent home for Evolution at Chequers nightclub in Penally, near Tenby.

The move represented a major step — from one-off events to a fixed venue.

However, the application faced strong opposition from residents, authorities, and other stakeholders, particularly around concerns over noise and location.

Following a lengthy licensing hearing, the application was refused.

Sinclair disputed aspects of the decision, but the project did not proceed.

That pressure brought its own rewards. At just 22 years old, Sinclair found himself standing alone in a packed licensing hearing, representing his case for over six hours without legal support.

It was an experience that would shape everything that followed. “After that,” he has said, “nothing ever really felt that daunting again.”

A short-lived attempt to operate the venue as a private members’ club followed, but this also faced enforcement action and was ultimately discontinued.

The Evolution Experience Members Club operated briefly from the former Chequer’s Nightclub in Tenby in 2003

Lessons learned

The refusal of the Chequers application marked more than just the loss of a venue. It was a moment where ambition collided with the limits of what was possible at the time — in terms of regulation, location, and local sensitivities.

For those involved, it was a harsh but valuable lesson. It exposed the realities of navigating systems that were still evolving themselves, and forced a deeper understanding of how decisions were made — and how they could be challenged.

The episode marked a turning point.

For those involved, it provided first-hand experience of the complexities of licensing, regulation, and public scrutiny.

Sinclair has since reflected that the experience influenced his decision to study law — and later to establish The Pembrokeshire Herald, where scrutiny of authority and public accountability became central themes.

That experience would have lasting consequences. For Sinclair, it sparked a deeper interest in law, leading him to study the subject and later apply that knowledge in a different arena — journalism.

The confidence built through Evolution, and the lessons learned during its most difficult moments, would go on to shape the approach behind The Pembrokeshire Herald.

A return — and a legacy

Although Evolution’s early peak passed, it did not disappear.

The brand returned in later years with events including:

  • “No Place Like Home” nights in 2008
  • smaller club events in 2009
  • a full-house event in Tenby featuring SASH!
  • sell-out shows at the De Valence Pavilion, including Judge Jules

Each time, the response showed that the name still carried weight.

The Evolution experience set up at Matisse nightclub in Haverfordwest in 2008

A shared cultural moment

Today, The Evolution Experience occupies a rare place in local memory.

For those who were there in the early 2000s, it represents:

  • first nights out
  • a sense of something new
  • proof that large-scale events could happen locally

For younger audiences, it remains a recognised and credible brand.

Few nightlife ventures bridge generations in this way.

Perhaps the most enduring impact of The Evolution Experience is not found in the events themselves, but in what came after.

Those involved did not simply move on — they carried the experience with them. Skills learned under pressure translated into careers across a range of professions, from public service to technology and the creative industries.

In that sense, Evolution was not just a series of nights, but a starting point.

Should it return?

With renewed interest and upcoming anniversary events, the question arises: should The Evolution Experience return in a larger way?

There is no simple answer.

The demand appears to be there, and the brand still resonates. However, the landscape has changed — with stricter regulation, different audience expectations, and a very different nightlife culture.

What is clear is that the original conditions that created Evolution cannot be replicated exactly.

More than nostalgia

Perhaps the question is not whether Evolution should return as it was, but whether the spirit behind it can be carried forward.

Because what Evolution demonstrated — 25 years ago — still matters:

That it is possible to build something significant from nothing, even in a rural area.

That young people, given the opportunity, can create, organise, and deliver at scale.

And that sometimes, what begins as a small idea can leave a lasting impact.

Today, the name still carries weight. For one generation, it represents a time when something genuinely new arrived in west Wales. For another, it is a brand associated with more recent events and headline DJs.

Few local ventures manage to bridge that gap — to be remembered by those who were there at the start, while still recognised by those discovering it for the first time.

A lasting impression

What started as a birthday party in Milford Haven became something far bigger — not just a club night, but a moment where a group of young people proved they could build something of scale, ambition and lasting impact.

Twenty-five years on, The Evolution Experience is no longer just about what happened on those nights. It is about what grew out of them — the confidence, the careers, and the belief that, even in a rural corner of west Wales, you didn’t have to wait for opportunity.

You could create it.

 

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Entertainment

Broad Haven set for Easter egg hunt fun

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Free family event planned at Rwts on Easter Sunday

A FREE Easter egg hunt is set to take place in Broad Haven this weekend, with families invited to join in the fun on Easter Sunday.

The event, organised by Havens Events Crew, will be held at Rwts, Broad Haven, on Sunday, April 5 at 2:00pm.

Organisers say all children are welcome, with free entry for those taking part.

As well as the egg hunt itself, there will also be an Easter egg prize for the best Easter dress-up, adding to what is expected to be a fun-filled afternoon for local youngsters.

The event is likely to attract families from across the Havens area as children celebrate Easter with games, treats and fancy dress.

Havens Events Crew, which was established in 2023, has been building a reputation for putting on community events in the area.

The Easter egg hunt is expected to be a popular addition to the holiday weekend calendar.

Photo caption: Easter fun: Havens Events Crew is holding a free Easter egg hunt at Rwts, Broad Haven, on Sunday, April 5 at 2:00pm.

 

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BBC unveils major new Welsh dramas with Tenby set for prime-time spotlight

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New crime series Old Town Murders and supernatural thriller The Witch Farm will both be filmed and set in Wales as BBC Cymru Wales backs a fresh wave of homegrown storytelling

THE BBC has announced two major new Welsh drama commissions, with Tenby set to take centre stage in a new prime-time crime series.

Old Town Murders and The Witch Farm will both air on BBC iPlayer and BBC One, in a move the broadcaster says reflects its commitment to telling more stories from across the devolved nations.

For Pembrokeshire audiences, the biggest local interest will be Old Town Murders, a six-part crime drama set in Tenby and filmed in Tenby, Cardiff and along the South Wales coastline.

The new series stars Mark Lewis Jones and Steffan Rhodri as DI Glyn Walsh and DS Sion Dearden, two detectives and old friends brought together by personal hardship as they investigate a string of disturbing murders in the seaside town.

The BBC said the drama would be witty and twist-filled, combining dark crime stories with humour, friendship and second chances. The opening investigation centres on the murder of a respected university professor, before the detectives are drawn into further baffling cases, including the poisoning of a head teacher and a mysterious death linked to a triathlon.

The series has been written, created and executive produced by Welsh writer Matthew Barry, whose recent credits include Men Up and The Guest. It will also feature James Bamford, Bethan Mary-James, Catherine Ayers and Julie Graham.

The second commission, The Witch Farm, is a four-part ghost story and mystery based on Danny Robins’ successful podcast of the same name.

Set in South Wales in 1989, it follows Bill and Liz Rich, played by Gabrielle Creevy and Michael Socha, as they leave London for a remote farmhouse in the foothills of the Brecon Beacons in search of a fresh start. But after Liz believes she has seen a ghostly figure during a traumatic home birth, the couple find themselves drawn into a chilling sequence of unexplained events.

The BBC said the series is inspired by real events, theories and first-hand accounts explored in the original podcast, although some characters and elements have been changed for dramatic purposes.

Danny Robins, who has built a strong following through paranormal hits including Uncanny and The Battersea Poltergeist, has written and created the television adaptation. The Witch Farm will be directed by Stacey Gregg and produced by Mammoth Screen.

Nick Andrews, Head of Commissioning for BBC Cymru Wales, said the two dramas formed part of a rich season of content for viewers in Wales.

He said: “We’re heading into such a rich season of content for audiences in Wales – stories which resonate deeply here but will ricochet across the UK and beyond.”

Lindsay Salt, Director of BBC Drama, said the BBC was delighted to announce two productions that would both be filmed and set in Wales.

She said: “With fabulous writers Matthew Barry and Danny Robins, we’re extremely proud to have these two fantastic series coming to BBC iPlayer and BBC One, as part of our commitment to produce distinctive, must-see dramas across the UK.”

The announcement will be seen as another boost for Wales’ growing television industry, with both productions adding to a run of high-profile dramas made in the country.

For Pembrokeshire, however, the spotlight will fall most sharply on Old Town Murders, with Tenby’s streets, seafront and scenery expected to reach a UK-wide audience when the series airs.

With murder mysteries unfolding in one of Wales’ best-known seaside towns and a haunting tale set deep in the Welsh countryside, the BBC is making clear that Welsh stories are moving firmly into the mainstream.

 

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