News
General election 2024 the most disproportional on record
THIS general election is the most disproportional on record in terms of votes cast matching seats in Parliament, analysis from the Electoral Reform Society has found.
Yesterday’s election result is the most disproportional in British electoral history according to two separate DV (deviation from proportionality) scores , which are used to measure how proportional elections are in terms of seats in parliament matching the percentage of votes each party receives.
With a DV score of 30, the 2024 election was found to have beaten the previously most disproportional election, which was 2015 with a score of 24, according to the Loosemore-Hanby measure. The third most disproportional result according to this measure is 1983, which had a DV score of 23.
Yesterday’s general election was also found to be the most disproportional on the Gallagher method of DV score , with a score of 24. The second most disproportional election on this measure is 1983 with a score of 20.6.
The results today saw the Labour Party win 64% of seats (412) with just under 34% of the votes. Meanwhile, Reform UK and the Green Party won just 8 seats (just over 1%) between them with over 20% of the vote share combined.
Research by the Electoral Reform Society also showed that Labour won an MP for every 24,000 votes they received, compared to one for every 49,000 for the Lib Dems, one MP for every 56,000 votes for the Conservatives, one for every 485,000 votes for the Greens and one for every 1,000,000 for Reform.
Yesterday’s vote also saw a number of electoral firsts which contributed to how disproportional the result was. For instance, this was the first election where four parties received over 10% of the vote and the first where five parties received over 5%.
It was also the election where Labour and the Conservatives received their joint lowest vote share on record, with a combined 57.4%. The second lowest combined vote share for the two parties was in 2010 when they received 65.1%.
However, this election is not an outlier result. Other recent general elections have produced disproportional results. The last three general elections have seen a winning majority gained on just 36.9% of the vote in 2015, a minority government on 42.4% of the vote in 2017 and an 80-seat majority achieved on a vote share increase of just 1.3 percent in 2019.
Yesterday’s unprecedented disproportional result comes as there is growing – and now majority – support for electoral reform in the country.
Meanwhile, the National Centre for Social Research found trust in politics has recently sunk to record lows, a problem the ERS has long argued is exacerbated by people not feeling their votes count under the First Past the Post voting system
ERS research found that at the last general election in 2019 over 22 million votes (70.8%) didn’t count towards the result, in that they were either cast for a losing candidate or surplus votes for the winner [9].
Darren Hughes, Chief Executive of the Electoral Reform Society said: “We have just witnessed the most disproportional election on record in terms of the votes people cast translating into seats in Parliament. It is clear that the British public is already voting as if we have a proportional system. For instance, this was the first election ever where four parties got over 10% of the vote share.
“The two-party voting system no longer reflects the way the country is voting. This is why the First Past the Post voting system used for Westminster is becoming more unstable and producing volatile results, and why millions of people’s votes effectively didn’t count towards securing any representation in Parliament yesterday.
“This disproportionality is now a feature rather than a bug of the current voting system. We now need to move to a proportional voting system for Westminster to ensure that Parliament accurately represents how the country voted, and that everyone’s vote counts towards the result no matter where they live.”
Entertainment
Harbour Fest to bring music, food and maritime magic to Milford Waterfront
Free family festival will celebrate Milford Haven’s seafaring history and coastal community
MILFORD WATERFRONT will burst into life on Saturday, June 27, as the first Harbour Fest sails into town for a day of music, food, family fun and maritime celebration.
The free event will run from 10:00am to 6:00pm at Mackerel Quay and across the waterfront, bringing together local traders, live entertainment, coastal organisations and independent businesses for a packed day beside the water.
Organisers say the festival will celebrate everything that makes Milford Haven special, from its seafaring history and working harbour to its growing reputation as a destination for food, shopping, culture and family days out.
Visitors will be able to browse stalls from local makers and producers, enjoy street food and live performances, and explore a Marine Zone featuring organisations involved in sea safety, marine conservation and coastal life.
The Marine Zone will include Seagrass Network Cymru / Project Seagrass, Pembrokeshire Coastal Forum, Mid and West Wales Fire and Rescue Service, Dyfed-Powys Police, NCI Wooltack Point, Rudders Marine Training, RNLI Milford Haven and RNLI Angle Lifeboat.
RNLI Angle Lifeboat is expected to be based on the Mackerel Stage, while the Sea Cadets will be giving rope-tying displays at Milford Haven Museum, where craft activities will also be taking place.
Live entertainment will run throughout the day, with performances from Tom & Abz, Will Scott, Ryan Bristow, Milford Haven Town Band, Kyle Kirkhouse and ShantyJacs Sea Shanties.
Businesses across the waterfront are also joining in. All Pets Vet Care will hold a family-friendly open day with a bouncy castle, treasure hunts, quizzes, craft activities and behind-the-scenes tours. Aurora Artisan Crafts will host vocal performances, Biffy’s Bar & Restaurant will feature solo acoustic music from Laurence Lewis, and Martha’s Vineyard will offer seafood street food with live music from Ryan Bristow and Steve Bartram.
At Tŷ Milford Waterfront’s outdoor plaza there will be face painting, children’s activities, pop-up artists and an afternoon DJ set, while Phoenix Bowl and Pirate Pete’s Adventure Play will have inflatables and glitter tattoos outside.
The Waterfront Gallery will host introduction to felt-making workshops with textile artist Carole Fletcher, giving participants the chance to create a woollen felt flower pin brooch or phone/glasses case. The workshops start at 10:30am, 1:00pm and 3:30pm and cost £5 per person.
A wide range of traders will also be attending, including 5th Flock Spirits Co, Cinnamon Grove Distillery, Cwm Deri Wines & Liqueurs, Ferncraft, Get Loaded, J.J. Pottery, Major Nuts, Orange Garden Design, Pembrokeshire Chilli Farm, Pembrokeshire Gold, Pembrokeshire Lottery, Plumstone Welshcakes and SlateArtSJ.
With music drifting across the marina, food stalls lining the waterfront and lifeboats, sea safety teams and coastal groups adding a strong maritime flavour, Harbour Fest is expected to bring a lively summer atmosphere to one of Pembrokeshire’s best-known waterside destinations.
Organisers say the event is suitable for families, friends and visitors of all ages, with plenty to see and do throughout the day.
Photo caption: Harbour Fest will take place at Milford Waterfront on Saturday, June 27 (Pic: Milford Waterfront).
Community
Artist explores memory, community and changing rural life in new Cardigan exhibition
A NEW exhibition exploring memory, belonging and the changing face of rural life is opening in Cardigan.
West Wales artist Sue Dewhurst will present From the Outside Looking In at Oriel Cardi Bach, with the exhibition running from June 27 to July 30.
The collection brings together several new series of work reflecting on the people, places and traditions that shaped Dewhurst’s childhood in the 1970s.
At the heart of the exhibition are the Chapel Girls, a group of paintings focusing on women who might once have filled the chapels that dominated Welsh village life. In Dewhurst’s work, they are now seen finding new forms of belonging through shopping trips, bingo halls, dating apps, bottomless brunches and everyday rituals, while redundant chapels stand silent around them.
The exhibition also includes A Bit of a Do, a series inspired by weddings, family parties and village hall celebrations.
Among the familiar characters are the mysterious woman in her best hat who appears at every gathering, the accountant calculating buffet logistics, the retired nurse dancing barefoot long after everyone else has gone home, and Harry, a grumpy gent with a mysteriously missing fingertip that nobody dares ask about.
Dewhurst’s Ghost Town series will also feature, exploring the changing landscapes of northern mill towns and communities transformed beyond recognition. These works sit alongside expressive coastal paintings inspired by New Quay and the Ceredigion coast.
A further installation of miniature “party paintings” will be presented like treasured relics rescued from a forgotten village hall or working men’s club. Wrapped with handwritten stories and nostalgic memorabilia, the pieces invite visitors to remember people and moments that might otherwise disappear.
Sue said music also plays an important role in the exhibition.
She said: “Music is so evocative for me and can instantly transport me back to a certain point in time.
“I’ve always been fascinated by the lives we don’t usually celebrate – the women who held communities together, the odd characters who turned up at every family occasion, the places that shaped us and the memories that linger long after buildings and traditions have changed.
“This exhibition is really about looking back with affection and humour, while recognising that we are all, in one way or another, trying to find where we belong.”
Originally from Lancashire and now based near Llandysul, Dewhurst has spent more than thirty years working in the arts. She previously ran Oriel Haywire in Llandysul before its closure around eighteen months ago.
From the Outside Looking In opens at Oriel Cardi Bach, Cardigan, on June 27 and runs until July 30.
Visitors are invited to rediscover familiar faces, forgotten stories and the beauty found in ordinary lives.
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Entertainment
Filming begins on new Welsh BBC comedy starring Ruth Jones and Steve Speirs
A HEARTWARMING new Welsh BBC comedy co-written by Ruth Jones and Steve Speirs has started filming in South Wales.
Better Later, a six-part series for BBC iPlayer, BBC One and BBC One Wales, will explore the unexpected joys of an unlikely friendship.
The comedy stars Jones and Speirs as two people who meet at a knee trauma clinic. Retired teacher Clive, played by Speirs, is 60, widowed and facing a new chapter in life. Shelley Anne, played by Jones, is a 55-year-old environmental health officer going through a bitter divorce.
The series is being filmed in and around South Wales, including the Brecon Beacons, and is set in the fictional village of Brynfach.
Ruth Jones said: “In a funny way this show has been 35 years in the making, which is when I first met Steve. It’s not that we’re slow writers, it’s just that we’ve been up to other things. It’s fantastic to be back in front of the camera with him again.”
Steve Speirs said: “Our first time acting together for quite a long time. Ruth makes me laugh more than anyone and I’m a terrible giggler. This could be a long shoot.”
Better Later has been commissioned by BBC Cymru Wales and BBC Comedy and is being made by Tidy Productions in association with BBC Studios Comedy, with support from Creative Wales.
The series was commissioned by Nick Andrews, Head of Commissioning at BBC Cymru Wales, and Jon Petrie, Director of Comedy at the BBC. The commissioning editors are Emma Lawson and Paul Forde.
Executive producers are Sarah Fraser for Tidy Productions and Josh Cole for BBC Studios Comedy. The producer is Owen Bell and the director is Simon Massey.
Transmission details will be announced in due course.
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